British band You Me At Six (Josh Franceschi, Max Helyer, Chris Miller, Matt Barnes, Dan Flint) made a triumphant return to Los Angeles on Monday night with a packed show full of their biggest fans in Los Angeles. The band has been playing shows across the U.S. on their ‘Back Again‘ tour with Synth Pop band machineheart and Alt-Pop trio DREAMERS as openers. You Me At Six rocked the venue charging through a set of 18 songs …
Los Angeles based Synth-Pop band machineheart started out the night in dreamy fashion, bringing beautiful harmonies and gorgeous melodies from lead singer Stevie Scott. The band itself was in sync and their vibe was a great way to kick off the night. Alternative Pop band DREAMERS were next and the band walked out onto the stage to a massive amount of cheers as their fans had shown up to support. The band played a fast-paced and fierce six-song set (as did machineheart) which featured some fun Alternative Rock dance numbers.
You Me At Six hit the stage at around 9:45 pm coming out on stage to an already very excited and loud crowd. The crowd stayed like that the entire night. The band tore through 18 tracks from 5 albums, playing through such songs as “Reckless’, “Loverboy’, to “NightPeople’, “IOU’, and “Bite My Tongue’ and many more (full set list pictured above). The band also performed a four-song encore coming back onstage to a crowd of fans chanting “You Me At Six!’, featuring “Room to Breathe‘, “No One Does It Better‘, “Straight to My Head’ and “Underdog’. You Me At Six had every single fan in the room matching their same high energy, happy and excited to see their favorite band. All singing along word for word, dancing having a great time. It was fun to see a band that was not only in sync with each other but was clearly having a ton of fun on stage. You Me At Six, lead singer Josh Franceschi made sure to interact with the crowd physically but through banter as well, yet he didn’t over do it. The show overall from openers to headliner was an exciting, high energy show (on a Monday night no less) filled with an engaged audience and lots of good music. See my photos from the show below …
Hopeless Records Emarosa’ just released their highly anticipated album ‘Peach Club’ and to celebrate they held a record release show at The Hi Hat LA in Los Angeles on February 9th, 2019. For the originally post-hardcore band, ‘Peach Club’ is a huge leap into a new sound but a welcomed departure. For fans it is a way to hear their favorite band spread their wings, and Emarosa’ fans were very present at The Hi Hat LA this past Saturday showing their support for them at this sold out gig.
The three openers Alke, Modern Maps, and UFO UFO all brought something exciting to the table of varying degrees. Alke is a female singer-songwriter whose heartfelt lyrics and melodic vocals filled the venue, Modern Maps brought the party and had lots of fun energetic electro tracks that the crowd loved. UFO UFO kept up that same vibe with their stylistic indie rock leanings. All in all the openers brought a bit of everything for everyone.
The fans were there early for Emarosa (and in the cold or at the very least what is considered cold for California), many of them in Emarosa merch particularly ‘Peach Club‘ merch as Emarosa also held a ‘PeachClub‘ Pop Up to celebrate the official release. I could tell from the atmosphere in the line already that these fans were devoted. In speaking with a fan who was wearing a jacket similar to lead singer Bradley Walden, she told me I was going to love the show as it was very high energy. She was right. The band tore through a relatively fast paced and fierce set that had the crowd going from start to finish. There wasn’t a member of the band that was low on energy. The entire audience was singing along word for word with front man Bradley Walden. This was a crowd despite how late it was that came here to party and to rock out. So for someone who was not familiar with Emarosa walking in, the energetic show they put on complete with band member acrobatics, lots of crowd interaction, and the fans being so happy to see their favorite band was so contagious. I not only left the show with a smile on my face, but I also left with total appreciation for a band and it’s fan base who are first and foremost all about the music.
Check out my photo gallery of all of the artists from the show below!
Melbourne garage band and psych-rockers, Money For Rope have released an artsy video for their new single ‘Actually’. The track is lifted from their upcoming album ‘Picture Us’ which is due out on March 8th, is in full black and white, fast paced and created in one night by one of the the bands two […]
Northern Ireland quartet, Brand New Friend have just released a roaring new single titled ‘I Was An Astronaut’ off their debut album ‘Seatbelts For Aeroplanes’. Brand New Friend (fronted by sibling pair Taylor and Lauren Johnson) have been championed by the likes of Radio 1 and Matt Healy and are currently signed to XTRA Mile Recordings.
The title track ‘I Was An Astronaut’ is reminiscent of early to mid 90s Alternative Rock and Emo leanings. The way the band approaches it’s songwriting especially at such a young age is quite refreshing. The melodic pop style vocals add an effervescence to the track. Which is quite assertive with it’s loud, bright punchy guitars and hard hitting drums. The song overall is quite the catchy one, with a very hooky chorus and with easy to remember lyrics perfect for singing aloud to at shows and festivals. The accompanying track ‘You Make Me Want To Grow Up, Sometimes’ is another fast paced track (both songs clock under 2:40) in a similar musical vein as ‘I Was An Astronaut’. The lyrics are as angsty as any early oughts song but the underlying theme is love. Both tracks from Brand New Friend I would definitely add to your current music rotation. Also be sure to check out the video for ‘I Was An Astronaut‘ as it is quite the sweet one!
Here it is after careful consideration and many many rewrites. These are my top ten albums of 2018. This year my list features a lot of EPs so that’s a big difference than previous years. So without further ado and of course in sequential order from the number one on …
“Other People’s Heartache Part 4” caught me off guard in the most fantastic way. The EP opens onto one of the most beautiful covers of the Cat Stevens classic “Wild World”. It ties a thread between the last Bastillerecord “Wild World” to next one “Doom Days”. We then segue into the next cover of a somewhat obscure song “Would I Lie To You?”. To which Bastillegave it a much-needed update leaning towards a more RnB and Trap music sound. The next song is “Grip” which is a fun and straightforward EDM track. My only criticism is it just seems a bit out of place on an EP filled with RnB, Hip-Hop and Trap-Pop jams. But the song is so good though. The two stunners for me are the En Vogue cover of “Don’t Let Go (Love) and “Flowers” where the music and vocals by everyone (in particularly Dan Smith) are so on point oozing just enough sex appeal to not overdo it. The EP ends on “The Descent” which is just such a badass track and has the most heart aching surprise towards the end. We rightly close out on the “Warmth (Outro)”. The fact that Bastille uses these “Other People’s Heartache” mixtapes as a thread between records is so brilliant. I love that they also wanted to feature new British talent as well. The artist on the opening track is Kianja and her vocals blend so well with Dan’s. She’s featured prominently on this EP, along with the likes of Jacob Banks, Moss Kena, Lily Moore, Charlie Barnes, S-X, Craig David, SEEB, Swarmz, Rationale, and James Arthur. All in all Dan’s vocals, the production, and Bastille as a band have never been better on this very diverse and very unique mixtape style EP. That is why it’s still ‘On Repeat’ for me.
Standout tracks:“Would I Lie To You?” , “Don’t Let Go (Love)”, “Flowers”, and “The Descent”.
I don’t think there has been a more inspiring album for me this year. “Church Of Scars”has a vulnerability to it that’s raw and Bishop Briggsvocals pack so much emotion throughout each and every track. For a debut album, this is a stunner, one that hits you in the heart lyrically and melodically. Having seen her twice this year; where I heard this album live in both a quiet acoustic setting and full throttle live show; just adds another dimension to “Church Of Scars”. Therefore making Bishop Briggs not only of one of my favorite new voices and artists currently, but “Church Of Scars” my number two pick for favorite albums of 2018.
Standout Tracks:“Tempt My Trouble”, “River”, “Hi-Lo (Hollow)”, and “Wild Horses”.
The Wombats’ “Turn” ended up being one of my absolutely favorite songs this year. “Turn” is also track number three from “Beautiful People Will Ruin Your Life” which has landed at the number three spot on my songs list. The Wombats are a trio hailing from Liverpool, their 2018 release is a fresh and lively rock number with guitars reminiscent of 90s Brit Rock and Pop. It’s chock full of quirky and fun lyrics relating to the aches and pains of love that just scream The Wombats. The numerous danceable melodies and catchy hooks populate songs like “Cheetah Tongue”, “Lemon to A Knife Fight” and “Lethal Combination” from start to finish. On the extended version release, we got new songs like “Bee-Sting” (which is fantastic live) and “Oceans”. By the end of “Beautiful People Will Ruin Your Life,” The Wombats had me fully converted. This is an album worth hearing and also a band you should definitely see live if only to hear this record.
Standout tracks:“Turn”, “Cheetah Tongue”, “Bee-Sting”, “Lemon to a Knife Fight”, “Out Of My Head”.
Though I had been following his musical career since I heard “Stitches”, I thought the song was catchy but I never thought that same guy would come to create this Soulful Pop Rock gem. From the massive stadium rocker and first single “In My Blood”which speaks to the frustrations of anxiety and social pressures of being young. To the funky and come hither “Nervous”, and the acoustic ballad “Like to be You” which features Julia Michaels. But the super funky smash “Lost In Japan” is the stellar standout. The song has a super cool “Lost In Translation” inspired video to go with it and an EDM remix from Zedd. Overall, this was my favorite “Pop” album this year featuring, great hooks and choruses, fantastic production, and Shawn’s guitar and songwriting skills amped up several notches. We should also take into account Shawn’s creative and business savvy in choosing to continue to work with the perfect people on this album, most notably his longtime songwriting partner, Teddy Geiger.
Standout tracks: “Fallin’ All In You”, “Lost In Japan”, “Nervous”, “Particular Taste”, “Why”, and “Mutual”.
MAY is someone that truly only comes around once in a blue moon. I used this phrasing because she evokes that type of nostalgia and so does her absolutely mesmerizing EP, “Phantom”. Harkening back to days of Frank Sinatra and The Rat Pack and when jazz standards were the Pop hits. MAYand her Phantom EP brought some of those ghosts forward in the most heartbreaking and beautiful manner. With elements of gothic charm strewn throughout, the “Phantom” EP was not dated whatsoever. Her voice was a siren call to anyone who has ever felt any type of loss or heartbreak. The personal interludes from her life interspersed on the EP were a lovely and thoughtful touch. The only other thing I would tell you to do besides listening to MAY is too see her live, as that is a special experience all on its own.
Standout tracks: Falling, Last September, Northern Lights, and Baby Save Me Tonight.
James Bay is the third artist of three on this list I saw twice this year live (the other two being Bishop Briggs and Bastille). “Electric Light“ really was all over the place but in the best way possible. We saw James dip his musical toes into so many other genres such as RnB, Pop, Soul, Electronic, and even a bit of edgier Rock on “Electric Light” and for what it’s worth it made a solid effort that grew on me as the year wore on. Seeing him play these songs live from the record and hearing how hard he worked on these tracks gave me a new perspective on the album. Edgier cuts like “Pink Lemonade”, with its punk leanings, “Fade Out” with soul and RnB swagger, “Us” and “Wild Love” in there soft beauty stand out the most for me. “Slide” and “Wanderlust” and “Stand Up” are all also great moments. The album despite its confusing genre blending moments turned out to be a favorite of mine because of the talent behind all of it. Something that is still quite hard to find.
This soulful EP by Childcare bassist and newcomer Emma Topolski truly came out of nowhere for me. If you follow this blog you know I have previously reviewed it but as the months wore on and after repeated listens it just stayed with me. The overall haunting and forlorn vibes flow throughout the EP. Although the genre leans towards Electro and Indie you can very much hear other elements and genres that Saint Clair found inspiration in. The EP opens up with the groovy electro-pop jam “Human Touch” and Saint Clair’s smoky sexy timbre sets the tone for the rest of EP. On the utterly tragic “I’ll Stay” you can hear echoes of nightclubs and smoky jazz clubs amidst the track. The pumping 80s like synth beat you hear dropping in and out only adds to the dark mystery of the song. “D2” for being something that came out of nowhere was certainly a welcome and beautiful surprise.
Standout tracks: “I’ll Stay”, “I’m Still Standing”, and “Human Touch”.
From the opening notes on “Explosions”, I can tell that the “High Hopes” EP has Rationale in a much different head space and form. His influences have gone far beyond his home base which is London and cultural influences of Africa (in particularly Zimbabwe). The opening track opens with sounds that any touring musician is familiar with, sounds from an audience before transitioning into a throbbing bass line. A sound that is more familiar in Hip-Hop and RnB songs in America. The rest of the EP unfolds at a lovely pace with Rationaledigging in quite well to what he’s great at …creating heartfelt and emotional songs with lyrics that can be felt amongst a cross-section of people. On the title track “High Hopes” his voice is strongest I’ve heard and “One by One” we see him fuse London, African drums and beats as well as the influences gained from touring to create an absolute banger. No wonder this EP stood out for me garnering repeated listens.
Standout tracks: “Explosions”, “High Hopes, and “One By One”.
This is such a heavy set of songs lyrically that you would not expect it to come from someone so young, 16 to be exact. Akine is a wise artist and old soul, something you find out quite quickly as the EP plays out. The use of electronic instruments is not drastically overdone so Akine’ slightly raspy and haunting vocals are not drowned out. Songs like “Money In Your Mouth” can speak to anyone having to deal with a certain type of guy that uses his fame (or power) and wealth to show off. The track also has a slight disco feel to it. My favorite tracks “No Gold” and “Pray for the Prey” stays with you long after you’ve heard it. The vocals have a pleading feeling to them, making the messaging behind those lyrics all the more urgent and Akine well aware.
Standout tracks:“Pray for the Prey”, “No Gold”, and “Money In Your Mouth”.
Technically a playlist/album but I think one of the most cohesive yet underrated albums this year. Lauv had a banner year with his mega-hit “I Like Me Better” that seemed like it came out of nowhere. That song is also how this album playlist opens up, introducing you to Lauv‘ “Blue World”. So through beautifully layered vocals, melodies, electronic elements combined with live instruments and lovelorn lyrics, Most notably in songs like “Reforget” and “Paris In The Rain”. Lauv creates a world with this album, that not only has encapsulated young love and heartbreak for this era but beautifully tells his story. It’s no wonder people have been flocking to his shows.
Standout Tracks: “I Like Me Better”, “Paris In The Rain”, “Reforget”, “Comfortable”, and “Easy Love”.
So there it is a little late then normal but done with care. Let me know you thoughts in the comment section or on social media! 🙂
As I stated before it’s that time of the year again. Yes, it’s definitely Christmastime but also that lovely time of the year where all of us music bloggers and journalists reminisce via online media, about all of the fantastic music that has been released this past year. So yesterday I posted part one of my 50 and as promised here’s part two of my top 50. Please enjoy and I hope you came across some songs you never heard of as 2018 gave us some pretty fun, innovative, creative, unique and just all around great music if you looked or listened hard enough. So without further ado here is The Reclusive Blogger’s Top 50 Songs Of 2018 …. Part Two
P.S. This list is in sequential order!
25. Troye Sivan // My! My! My!
24. Blinky Bill // Showdown
23. Marian Hill // Subtle Thing
22. Eliza Shaddad // My Body
21. Olivia O’Brien // Care Less More
20. Lauv // Paris in the Rain
19. Saint Clair // I’ll Stay
18. King Princess // 1950
17. St. Vincent // Fast Slow Disco
16. Avonlea // Cars And Boys
15. Florence + The Machine // Big God
14. Ariana Grande // No Tears Left To Cry
13. Arctic Monkeys // Four Out Of Five
12. AFI // Get Dark
11. Kendrick Lamar + SZA // All The Stars
10. The 1975 // Sincerity Is Scary
9. MAY // Falling
8. Twenty One Pilots // Chlorine
7. Khalid & Normani // Love Lies
6. Rationale // One By One
5. Shawn Mendes // Lost In Japan
4. Amy Shark // Don’t Turn Around
3. James Bay // Pink Lemonade
2. The Wombats // Turn
1. Bastille // Quarter Past Midnight
[Special shout out toDon’t Let Go (Love) from Bastille’s Other People’s Heartache EP for being so darn good and an absolute favorite of mine but … a Quarter Past Midnight just blew me away from the beginning and is my most played song this year! Thanks Spotify!]
And that’s it for this the list for 2018. Thank you for reading, watching, listening and please comments below and Tweet me back your faves from this year or faves from my list. Just get involved with me here and on my socials! Click that follow blog button. I want to make this upcoming new year bigger and better. Also, of course, listen to all of these artists as many of them are fairly new and indie and would very much appreciate it. Plus stay tuned for my top ten albums of 2018 list which is coming very very soon!