BASTILLE ELECTRIFIES L.A.’S ART DECO WILTERN THEATRE WITH THRILLING POP NOSTALGIA
The London pop-rockers brought their only date of the Bad Blood X tour in America to Los Angeles to celebrate the tenth anniversary of their debut album Bad Blood.
You know a show is one for the record books when you hear attendees speaking about it as soon as it is over, not in sadness so much but in the mix of utter joy (no, pardoning the pun here), and we cannot wait to do this again. It was that good. The chatter from the only Bad Blood X American tour date held in the very apropos art deco downtown L.A. Wiltern theater brought the masses and wrapped around the corner. After all, we were celebrating something big. It had been ten years since. This band, our band, had released the album Bad Blood, which changed their lives and, for many of us, our lives too. So, picking Los Angeles to celebrate this occasion was perfect. They got their record deal here, their first hit, Pompeii, had its music video filmed here, and of course, Dan mentioned later on at the gig he met his art hero, David Lynch. So many pivotal things happened here, and now a return that included a sold-out gig.
While rumors of a surprise opening act flickered about, ultimately, it was only rumored. The Los Angeles date of Bad Blood X belonged to Bastille, who took to the Wiltern stage (to a boisterous crowd, I might add) at an early 8:30 p.m. start time for a twenty-one song set, which saw the band play the entirety of their debut album Bad Blood.
The venue was buzzing with energy as we all waited, with bated breath, for the band to appear. It seemed like the last Los Angeles show was forever ago (not last year) as Bastille kicked the night off to a host of spirited screams and applause, launching into the song that changed it all for Pompeii. It is also worth noting that they usually close out with this one. Next, the band launched into the first songs of the record, which included the single Things We Lost In The Fire, a song noted for its haunting melodies and somber-sounding heavy Tom drums, the sinister-sounding synth-driven Bad Blood, and rarely heard gems like Weight of Living PT. 1. Then tracks like Daniel In The Den, and Get Home added a softness to the setlist and an angelic quality as both songs reverberated in the room. On cue, as the opening notes of Oblivion began, so did the lights from everyone's phones, illuminating the darkened Art Deco theatre. It was a special moment, but honestly, the entire night was a special moment as there was such a feeling of togetherness, joy, laughter, celebrating music, and the good that music can bring. You see, the thing about Bastille shows is that it's a place where you can be yourself and feel comfort in that. That's because it all starts with the band and seeing how much they have grown and evolved in the ten years since releasing Bad Blood and become better artists themselves, Including seeing just how comfortable and how fun Dan now has performed onstage.
After the band performed the first part of the show, they returned to the stage for the encore. They played a round of songs from albums released after their debut. Bastille finally played No Angels. A track from one of their OPH mixtapes, (with Bim singing Ella Eyres spot and killing it), The Draw, club bangers Million Pieces, and WHAT YOU GONNA DO? were also performed. The latter two tracks had the crowd head banging and going insanely. Shut Off The Lights was the perfect end to a beautiful night. The Wiltern felt alive and electric with excitement and happiness. You could hear people chatting about this gig on their way out leaving. All the attendees that night fully realized that this was one not to miss, and they did not. Knowing how much Bastille and their team put into these shows, giving their all, for us means a lot and probably more than they will ever know. From the concert interludes (which featured music video snippets and BTS footage) to the performances, the stage setup, and small onstage details (we see you wolf hoodie and street lamps). Bastille with the Bad Blood X tour leaned into the nostalgia fittingly.
You can check out my photo gallery from the gig below!
PASADENA'S CRUEL WORLD FESTIVAL DELIGHTS WITH A HOST OF EIGHTIES GOTHIC NOSTALGIA
Not even the 95-degree heat could stop the beat or the fun at the first Cruel World Fest.
Last weekend kicked off the first Cruel World Festival held by Goldenvoice. A music powerhouse behind many of the biggest annual California festivals like Stagecoach and Coachella. Cruel World Fest had thousands partying into the night to eighties icons like Bauhaus, Morrissey (yes, that Morrissey), Devo, Missing Persons, Blondie, The Church, Berlin, The Psychedelic Furs, English Beat, and many more.
Held in Pasadena at the Brookside Park and Golf Course in Pasadena, so the heat was an issue, but otherwise, the two-day eighties goth oasis was an exhilarating blast from the past. It was also a day or two to be grateful, enjoying the sun, the music, any new friends made, and the vibes. After all, it has been a difficult and trying two and half years. Even though there were a few fest hiccups like Echo and the Bunnymen dropping out or your garden variety festival hiccups. It was sure to be an event for the ages and truly an event for Alternative and classic Alternative music lovers.
Living legends at the Cruel World Festival anchored by many next wave acts or niche artists of the time. Like The KVB, a husband and wife duo with a penchant for 90s melancholy via Shoegaze guitar rhythms, neon 80s synths, and dark melodies for ages. Despite the somewhat penchant for dark and brooding music, the duo was so lovely in my chat with them (that will be out soon). Solo artist TR/ST brought his vibe of sin-soaked angsty synth beats much to the surprise and delight of many. You also had your underground mainstays like Cold Cave and my faves Blaqk Audio, with each band garnering super loyal and supportive fanbases. They each brought a unique sense of new-age sleekness and style that the newer brand of goth-tinged synth-rock or pop showcase.
For me, and no doubt so many others, there was no question that Bauhaus stole the show. A magical feeling was prominent in the air as the moon was high. Bauhaus set the scene from the beginning with a fog machine to heavy strobe lights. The audience was feverish by the time Peter Murphy's booming baritone rang out. Singing through a catalog of Bauhaus classics like 'She's In Parties'and the obvious crowd fave, 'Bela Lugosi's Dead'. It was a night to remember one perfectly accented by the elusive (and perhaps reclusive?) Morrissey. His vocals are as dramatic as ever, from every ad-lib, yelp, and yodel.
The crowd clung to every word as many of them had grabbed barricade spots way early in the day, standing for hours. Other highlights were Berlin, lead vocalist Terri Nunn's crowd interaction was like no other, Automatic, The Church, Missing Persons, and Devo. While I missed the chance to photograph every band like I wanted to, the heat that day was more than I expected. You can check out my photo galleries from the festival below. I had a great time, as did many other fans of all ages. So, closing out, I'll see you at Cruel World 2023 and, yes, that means you too, Bunnymen.
PHOEBE BRIDGERS CAPTIVATES CLOSING OUT HER TWO NIGHT GREEK THEATER STINT ON A HIGH
Singer-songwriter Phoebe Bridgers, who sold out both nights at The Greek Theater, even brought along a few special guests. Which included her label signing, Charlie Hickey and guitarist Blake Mills among others.
Indie Folk phenom Phoebe Bridgers closed out the final night of her two sold-out headlining shows last Friday to much acclaim. Bridgers, riding high from Grammy nominations and critical acclaim from her second album “Punisher”. The singer-songwriter brought the “Reunion” tour to L.A. to the delight of fans. Playing through a well fleshed out set of Folk-Pop soundscapes in seventeen songs. She also had a surprise opener in store. None other than The 1975 frontman Matty Healy. He came out to do a intimate acoustic set in support of Phoebe. The best part was their duet. Their voices on that song blended quite exquisitely.
As much as the crowd and I were surprised to see Matty Healy as the opener that night. I might’ve been the only one caught off guard by Phoebe and her band walking out to “I Gotta Feeling” by the Black Eyed Peas. I later discovered she was referencing a memory from High School. When she made and gave a mixtape to a high school crush. Somehow this song choice just made sense, it was very “Phoebe”. They somehow easily segued into “Motion Sickness”. A track that lyrically is full of anger and sadness among so much else. “Motion Sickness” was also one of the few tracks she performed from her debut record “Stranger in the Alps”. Most of the setlist included songs from her Emo meets Folk-Pop second act, “Punisher”. Songs like the beautifully quirky “Moon Song” or the pensive “Garden Song” rang out like soft lullabies. While the menacing “Punisher” cut through the silence. Bridgers ended on with the amusing sarcasm of her Bo Burnham encore cover of “That Funny Feeling”. Simply letting the music speak for itself that night with exception of a few well placed quips throughout her set. Phoebe led her orchestral leaning band of skulls (still sporting those infamous glow in dark skull onesies I mentioned earlier) in quite the autumnal rallying cry in the canyons. A true storyteller at heart her songs are not party jams (no, “Kyoto” doesn’t count but it’s still a bop”). Yet, the crowd stayed on their feet the entire time enjoying the overall atmosphere. An audience that that was truly happy to sing along to Phoebe that night and to have the hometown bestie back. You can check out my full photo gallery from the show below. To stream “Punisher” go here.
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HEY VIOLET // CONCERT REVIEW + GALLERY
Pop Rock band Hey Violet delivered an highly energetic and fun set at The Troubadour this past Thursday (May 30th), to an enthusiastic crowd of fans. The opener was Pop R&B newcomer Sage Charmaine whose stage presence was effervescent, her songs spunky and fun. Yet it was clear the audience was there for Hey Violet. The band having just released two new singles "Close My Eyes" and "Better By Myself". The latter which I reviewed here. The band walked out to massive cheers and a crowd that knew every single line and lyric. Lead singer Rena Lovelis voice was surprisingly sweet set against Electro rock numbers and she overcame the slight sound issues earlier in the set very well. Her crowd interaction was amazing. Rena shook hands, gave hugs, and handshakes as she sang even jumping into the crowd at one point, nearly causing some of her fans to freak out. For Hey Violet crowd interaction with fans is key. The band despite how young they are, are all pros. Rena's sister and drummer Nia Lovelis is lively on the drums and the back-beat of the band. Guitarist Casey Moreta is a jack of all trades in Hey Violet truly rounding out the band. The addition of touring live bassist Hayley Jane Batt (who had to learn 15 songs in a week) rounded out to a high energy and fun show at The Troubadour. Check out my gallery from the gig below and the full set list as well.
HEY VIOLET // The Troubadour Set list
All We Ever Wanted
Brand New Moves
Better By Myself
My Consequence
ODD
Queen of The Night
Pure
Unholy
Guys My Age
Where Have You Been (All My Night)
Close My Eyes
Viva La Vida (Coldplay cover)
Clean
Break My Heart
HEY VIOLET // Socials
Website / Facebook / Instagram / Twitter
Thanks to Capitol Records for the invite out!
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Until then,
Brittney x
