THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 100-51
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
100. SPARKS
“The Girl Is Crying In Her Latte”
99. Joshua Radin
“Neverland”
98. Abraham Alexander
“Tears Run Dry”
97. Killers Of The Flower Moon By Robbie Robertson
“Osage Oil Boom”
96. Sharaya Summers
“Forever You & Me”
95. Maren Morris
“The Tree”
94. Megan Thee Stallion
“Cobra”
93. Charlotte Cardin
“Confetti”
92. Avalon Emerson
“Astrology Poisoning”
91. Bakar
“Alive!”
90. Halle
“Angel”
89. Faye Webster
“But Not Kiss”
88. Ryan Gosling
“I’m Just Ken”
87. Bleachers
“Modern Girl”
86. Poppy
“Hard”
85. Jeon Somi
“Fast Forward”
84. Bad Bunny
“Monaco”
83. Mothica (feat. Sophie Powers)
“Sirens”
82. Little Simz
“Gorilla”
81. Descartes a Kant
“After Destruction”
80. Marika Hackman
“No Caffeine”
79. Bishop Briggs
“Baggage”
78. olivia dean
“Carmen”
77. EVERYTHING, EVERYTHING
“Cold Reactor”
76. NMIXX
“Love Me Like This”
75. Spider-Man: Across the Spider-Verse (Original Score) by daniel pemberton
“Across the Spider-Verse (Intro)”
74. AMA LOU
“Silence”
73. Romy (feat. Fred Again)
“Strong”
72. DAUGHER
“Be On Your Way”. ”
71. Boygenius
“Not Strong Enough”
70. Coco Jones
“ICU”
69. The Beaches
“Blame Brett”
67. Lovejoy
“Normal People Things”
68. Dreamville + JID + Lute
“Ma Boy”
65. Doechii (FEAT. Kodak Black)
“What It Is (Block Boy) ”
66. Depeche Mode
“My Favourite Stranger”
64. Agust D
“Haegeum”
63. Foo Fighters
“Rescued”
62. Stephen Sanchez
“Be More”
60. CHVRCHES
“Over”
61. Troye Sivan
“Rush”
57. MUNA
“One That Got Away”
59. Griff
“Vertigo”
57. Billie Marten
“I Can’t Get My Head Around You”
56. Maya Hawke
“Coming Around Again”
55. TORI KELLY (Feat. Jon Bellion)
“Young Gun”
54. Grace Weber
“Intimate (A Colors Show Version”
53. Måneskin
“Honey (Are U Coming)”
52. Slowdive
“the slab”
51. Kelela
“Enough for Love”
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 50-1
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
50. Saint Harison (feat. Tiana Major9)
“Homies”
49. Chelsea Wolfe
“Tunnel Lights”
48. Leslie Odom Jr.
“Holding on to Us”
47. v
“Love Me Again”
46. Kenya Grace
“Strangers”
45. TINASHE
“Talk To Me Nice”
44.
The National (feat. Taylor Swift)
“The Alcott”
43. Beharie
“We Never Knew”
42. Laufey
“From The Start”
41. FLO (feat. Missy Elliott)
“Fly Girl”
40. CHRIS sTAPLETON
“White Horse”
39. Renee Rapp (feat. Coco Jones)
“Tummy Hurts ” - Remix
38. JUNGLE (FEAT. BAS)
“Pretty Little Thing”
37. Bruno Major
“The Show Must Go On”
36. flowerovlove
“Coffee Shop”
35. Aespa
“Drama”
34. Rosalia
“LLYLM”
33. NOTHING BUT THEIVES
“Overcome”
32. Doja Cat
“Paint The Town Red”
31. Sabrina Carpenter
“Feather”
30. Dean Lewis
“How Do I Say Goodbye”
29. Jisoo
“Flower”
28. SPIRITBOX
“Jaded”
27. XG
“LEFT RIGHT”
26. SZA (feat. Doja Cat)
“Kill Bill (Remix)”
25. Zach Bryan (feat. Kacey Musgraves)
“I Remember Everything”
24. Lana Del Rey
“A&W”
23. Kylie Minogue
“Padam Padam”
22. YARD ACT
“Dream Job”
21. NewJeans
“Super Shy”
20. Mitski
“My Love Mine All Mine”
19. Tate McRae
“Greedy”
18. JungKook (FEAT. LATTO)
“Seven”
17. Niall Horan
“Heaven”
16. LE SSERAFIM [FEAT. NILE RODGERS]
“Unforgiven”
15. Caroline Polachek
“Dang”
14. Allie X
“Black Eye”
13. Taylor Swift (Feat. Ice Spice)
“Karma”
12. Paramore
“Big Man Little Dignity”
11. The Hives
“Bogus Operandi”
10. The Kills
“New York”
Why it’s #10: “New York” features some of the duo’s grittiest and sludgiest sounds from one of their most cohesive records yet. Just when you think this can’t get grungier. They dig their heels in and find depths of emotion to create some of the most incredible music, including this song.
9. Bastille (feat. Hans Zimmer)
“Pompeii MMXXIII”
Why it’s #9: For this visionary rework of Bastille’s mega-hit Pompeii. The band teams up with legendary film composer Hans Zimmer. The rework lays bare the inner workings of a truly brilliant and now timeless song and gives breadth to the often-overlooked songwriting talent of Frontman Dan Smith. Zimmer and crew aren’t just showing it in a new light. They craft a version of Pompeii for a new era. It’s lush, sweeping, and gorgeous.
8. Victoria Monet
“On My Mama”
Why it’s #8: A song that perfectly imbues the essence and vibes of 80s Dance, Funk, and R&B/Soul without sounding trite or pandering. Monet has captured the best pop/dance song and video this year. ‘On My Mama’, is note for note, a stylish and nuanced celebration of Blackness and the culture we bring to the table. If the driving bass line doesn’t get you, the insanely slick production, with some blaring horns for good measure, or the classical catchy hook. Then you might need your ears checked.
7. Chappell Roan
“Red Wine Supernova”
Why it’s #7: While it seemed like there weren’t a lot of artists this year making fun club pop hits (especially ones geared towards the LGBTQ+ community). Chappell Roan said let me try and more than try, she did. She succeeded. The song is lifted from her stellar debut album, The Rise and Fall of a Midwest Princess, and is an absolutely saucy and cheeky number. One that is sure to fill dance floors with its 80s spunky synths and funky bass lines.
6. Miley Cyrus
“Flowers”
Why it’s #6: It’s the (affirmational) bop of the year of the Spring, Summer, Fall, and Winter. This was the song that Miley needed and deserved. That’s all.
5. The Last Dinner Party
“Nothing Matters”
Why it’s #5: Another band coming out of nowhere like a bat out of hell. Artfully blending Pop, Art-Rock, Indie, and an amalgamation of many other genres, the band has carved out a unique space and sound design. ‘Nothing Matters’ is a song that has become a beloved fave of mine this year with its honest lyricism and gothic charm. Since the band has only been together since 2021, they already have a pretty well-defined sound and stage presence that is so refreshing. I cannot wait to see what 2024 has in store for them.
4. Slow Pulp
“Slugs”
Why it’s #4: Another surprise artist for me this year, but the heavy guitars feel sludgy and distorted as they harken back to the early 90s Brit-Pop and Shoegaze. The song “Slugs’ is the magic combo lead vocalist Emily Massey's soft love-lorn vocals sync well against the band’s angsty soundscape.
3. Sampha
“Spirit 2.0”
Why it’s #3: You know the quote, “The music is not in the notes but in the silence between them”. Spirit 2.0 is a perfect example of that. What seems sparse in production and sound allows the beauty of this gorgeous track to shine through. It’s not like anything we’ve heard from Sampha before and definitely not like anything out now. That’s what makes it so brilliant.
2. RAYE
“Oscar Winning Tears.” (Live at the Royal Albert Hall)
Why it’s #2: First off, her voice, already stunning, just soars on this gorgeous live take at her special Royal Albert Hall concert. Raye hits every note on this song with so much depth and soul. Yet, Raye saves the best for the last ending on a spectacular vocal run that is the cherry on top.
1. Olivia Rodrigo
“get him back!”
Why it’s #1: For one, it’s the song that has been sounded off in my head since the first listen. The punchy lyrics are filled with grit and a punky effervescence that captures youth and heartbreak at its core, even if that means some revenge.
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
BASTILLE ELECTRIFIES L.A.’S ART DECO WILTERN THEATRE WITH THRILLING POP NOSTALGIA
The London pop-rockers brought their only date of the Bad Blood X tour in America to Los Angeles to celebrate the tenth anniversary of their debut album Bad Blood.
You know a show is one for the record books when you hear attendees speaking about it as soon as it is over, not in sadness so much but in the mix of utter joy (no, pardoning the pun here), and we cannot wait to do this again. It was that good. The chatter from the only Bad Blood X American tour date held in the very apropos art deco downtown L.A. Wiltern theater brought the masses and wrapped around the corner. After all, we were celebrating something big. It had been ten years since. This band, our band, had released the album Bad Blood, which changed their lives and, for many of us, our lives too. So, picking Los Angeles to celebrate this occasion was perfect. They got their record deal here, their first hit, Pompeii, had its music video filmed here, and of course, Dan mentioned later on at the gig he met his art hero, David Lynch. So many pivotal things happened here, and now a return that included a sold-out gig.
While rumors of a surprise opening act flickered about, ultimately, it was only rumored. The Los Angeles date of Bad Blood X belonged to Bastille, who took to the Wiltern stage (to a boisterous crowd, I might add) at an early 8:30 p.m. start time for a twenty-one song set, which saw the band play the entirety of their debut album Bad Blood.
The venue was buzzing with energy as we all waited, with bated breath, for the band to appear. It seemed like the last Los Angeles show was forever ago (not last year) as Bastille kicked the night off to a host of spirited screams and applause, launching into the song that changed it all for Pompeii. It is also worth noting that they usually close out with this one. Next, the band launched into the first songs of the record, which included the single Things We Lost In The Fire, a song noted for its haunting melodies and somber-sounding heavy Tom drums, the sinister-sounding synth-driven Bad Blood, and rarely heard gems like Weight of Living PT. 1. Then tracks like Daniel In The Den, and Get Home added a softness to the setlist and an angelic quality as both songs reverberated in the room. On cue, as the opening notes of Oblivion began, so did the lights from everyone's phones, illuminating the darkened Art Deco theatre. It was a special moment, but honestly, the entire night was a special moment as there was such a feeling of togetherness, joy, laughter, celebrating music, and the good that music can bring. You see, the thing about Bastille shows is that it's a place where you can be yourself and feel comfort in that. That's because it all starts with the band and seeing how much they have grown and evolved in the ten years since releasing Bad Blood and become better artists themselves, Including seeing just how comfortable and how fun Dan now has performed onstage.
After the band performed the first part of the show, they returned to the stage for the encore. They played a round of songs from albums released after their debut. Bastille finally played No Angels. A track from one of their OPH mixtapes, (with Bim singing Ella Eyres spot and killing it), The Draw, club bangers Million Pieces, and WHAT YOU GONNA DO? were also performed. The latter two tracks had the crowd head banging and going insanely. Shut Off The Lights was the perfect end to a beautiful night. The Wiltern felt alive and electric with excitement and happiness. You could hear people chatting about this gig on their way out leaving. All the attendees that night fully realized that this was one not to miss, and they did not. Knowing how much Bastille and their team put into these shows, giving their all, for us means a lot and probably more than they will ever know. From the concert interludes (which featured music video snippets and BTS footage) to the performances, the stage setup, and small onstage details (we see you wolf hoodie and street lamps). Bastille with the Bad Blood X tour leaned into the nostalgia fittingly.
You can check out my photo gallery from the gig below!
PHOTO GALLERY: OSHEAGA MUSIC FESTIVAL IN MONTREAL
Osheaga Festival kicked off its three-day jaunt to the delight of fans on August 4th, last Friday. The festival was held at Parc-Jean-Drapeau in Montreal and featured incredible performances from a wide range of different genres and artists like Rina Sawayana, Gabriels, Soccer Mommy, Cults, Carly Rae Jepsen, Baby Keem, Kendrick Lamar, Tom Odell, Rema, Bille Eilish, Fletcher, Sofi Tukker, Lil Yachty, and many many more.
You can view a photo gallery of some selects from the festival below from photographer Sophie Bouquillon.
All photos by photographer Sophie Bouquillon
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
| MEET SMILEZ |
SMILEZ is a rising Los Angeles rapper, musician, and producer who just dropped his debut album ‘Ur in My World’. His sound is a genre-blending mix of rock-edged hip-hop beats that he self-produces, incorporating samples. Now that he is quickly carving out a fanbase with tracks like ‘Someday’. Which samples a part of the early Aughts band The Strokes song of the same name. Then ‘Coffee Queen’, a gen z take on finding your one and only. The artist known for his vibrant sunny yellow-hued persona (all puns intended), as much as his deadpan rap delivery, answered some questions for The Reclusive Blogger, which you can read below. SMILEZ talks about his influences, debut record, and how SMILEZ acquired his name.
THE RECLUSIVE BLOGGER: Thanks for taking some time out for a few questions. So, how has your 2023 been both professionally and personally, if you mind me asking?
SMILEZ: It’s been amazing, I’ve been really locked in on my craft this year. If I’m not in the studio I’m making music videos all the time. Right now I’m in Tokyo, so I’m on a high so I can’t complain about this year at all.
THE RECLUSIVE BLOGGER: Let's talk about how you got into the music scene, where the music persona SMILEZ came from, and how it all fits into where you are today?
SMILEZ: I’ve been making music for years since I was a little kid really. I’ve always loved punk rock and hip-hop. When I started going by SMILEZ it was just this lighthearted like fuck it why not go by some ridiculous name Its memorable which is what I liked. The name just fits the color aesthetic which Is kind of a color theme to my music videos etc. Yellow and bright colors musically I’m always on those 2 lines of punk rock and hip hop.
THE RECLUSIVE BLOGGER: What was the recording and writing process like for the album ‘Ur in My World’? Was it any different that any of your past experiences creating music?
SMILEZ: It was mainly different because I was making it with the whole project in mind. Most of my older music was just kind of random songs I had made. I made this whole album at home. Recording vocals and guitars myself and producing the whole thing. I love working with people but I wanted this to be very personal so I just was like fuck it ill do it myself. I wanted it to be a transparent look at my life.
THE RECLUSIVE BLOGGER: One of my favorite tracks off the record and the catchiest as well is “Someday”. I loved how you incorporated The Strokes sample. Can you talk more about how that came together? Is the blending of rock and hip-hop something that you did for this album or is that just innate in your music?
SMILEZ: Both, it kind of happens naturally but I love that idea of mixing rock and hip-hop in a new cool way. Blending both elements of the production and songwriting. The idea of what would the strokes or Nirvana sound like if they started today always interests me.
THE RECLUSIVE BLOGGER: What was it like opening up for such hip-hop and rap names like Wiz Khalifa and the passed-on JuiceWRLD?
SMILEZ: They were both insane experiences. I love performing so its just a pure rush for me. To be around Iconic artists like that was just inspiring.
THE RECLUSIVE BLOGGER: What was the last album you played that had no skips?
SMILEZ: Lil Uzi Vert Pink Tape would be the closest thing to no skips but I probably would skip the track with Travis Scott.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the SMILEZ sound and aesthetic?
SMILEZ: Pikachu, for the color theme, and Batman because that’s who I aspire to be
THE RECLUSIVE BLOGGER: Who are three artists from any type of artistic world, it doesn't have to be music, that influence you the most as a creative?
SMILEZ: Since we just mentioned Batman, Christopher Nolan as a director is inspiring for sure.
-I’m in Tokyo right now I’m definitely very inspired by the art and culture here.
-Anything that is cool and interesting to me
PASADENA’S CRUEL WORLD FESTIVAL RETURNS IN ALL OF ITS DAZZLING GOTHIC GLORY
PASADENA’S CRUEL WORLD FESTIVAL RETURNS IN ALL OF ITS DAZZLING GOTHIC GLORY
Photo Credit: Brittney Williams | The Reclusive Blogger
The SOLD-OUT festival is now in its second year and entertained a crowd of thousands of hard-core music lovers with a taste for punk, proto-punk, Goth, Industrial, Electronica, Rock, and Alternative Rock, all looking to dance the humidity away on a Saturday and depending on your age relive some teenage memories. Given the performers, it was no coincidence that this was casually referred to as the Gen X lineup. This year's electric lineup featured mostly artists and bands from the late 70s and the 80s, with some sounds from today that echo a similar hauntingly chaotic vibe. The festival is in Pasadena's Brookside Park, located south of the Rose Bowl Stadium, and showcases the best Goth/Punk/Alt culture, fashion, and music. A niche subculture that's quickly growing in the mainstream culture or media space. You guys can debate the merits or negatives of that. While fashion, with its roots in freedom of expression, was a focal point and was more than spot-on artistically and sartorially. So as much as everyone had come dressed to impress in black with fishnet, lace, leather, or mesh that perfectly accented their ensemble. Cruel World was still a music festival, and music was the hallmark of Goth culture. After the festival had to overcome two fan favorites dropping out, The Motels and Adam Ant. They continued with new additions, Squeeze, and one of last year's highlights, Berlin. Now to talk about the best of the festival and well that ending ...
Photo Credit: Pooneh Ghana
Photo Credit: Coen Rees
I'm pretty sure by now everyone has heard about what happened towards the end of the Cruel World Festival. It wasn't until the end of the festival when Iggy was playing we got word of a lighting storm headed our way, so we needed to evacuate safely, quickly, and calmly. There were many signs, including flashes of lighting and even some actual strikes (I even saw a few lightning flashes). How close was it? I'm not sure exactly, but you can never hedge a bet with something like that. It's always better to be safe than sorry. So you won't wind up dealing with potentially horrific repercussions afterward. Anyway, I am very thankful that the storm never made it and petered out. It's also worth noting that Iggy Pop still slayed even through potential danger, and I finally got to hear one of my favorite songs from childhood, The Passenger.
Many festival-goers (including other musicians and ones sharing the bill) made it known that Goth Punk icon Siouxsie Soux was who they had trekked out to the festival to see. Siouxsie was playing her first show in over fifteen years, and this would be her only show in the Americas. So when the evacuation happened that killed her set, disappointment was an absolute understatement, but Goldenvoice (the festival promoter) came through and went above and beyond by creating a second-day mini-fest with a re-do of both hers' and Iggy Pop sets, adding Gary Numan, and a DJ set from the Club Dooms' Dave. Iggy Pops' expanded second set had twelve songs closing out with tracks from his time with two epic Stooges tracks, the blistering Search and Destroy, and sleazy pop stump, I Wanna Be Your Dog. Siouxsie closed the night out in a disco lamé jumpsuit to a roaring and adoring crowd of thousands playing through her classics, solo work, and fan favorites. You can check out her entire setlist below.
Some other highlights include the soulful British Pop band ABC who got the crowd going and pumped in the mid-afternoon. Lead Singer and showman Martin Fry held a captive audience as they sang along to every word to hits like Poison Arrow, The Look of Love, and When Smokey Sings. Billy Idol's rebel rock energy brought us into the dusk with an energetic 80s Rock revival as he flexed through hits like Dancing With Myself, Flesh For Fantasy, Rebel Yell, White Wedding, his cover of the Tommy James & the Shondells classic, Mony Mony and so many more. The crowd even sang Happy Birthday to his Granddaughter, Poppy, who turned three. I was shocked at the size of the audience that came to see and hear him on the Sad Girls stage. It was massive! Billy Idol fans are still hard-core to this day, and I bet he picked up so many new ones with his Cruel World debut.
Berlin, Modern English, Echo and the Bunnymen, and Gary Numan were all clear fan favorites with packed sets and brought top-tier electronic and synth music and vibes to the festival. For me, Gary Numan stole the show with his vibrant and electric mix of avant-garde Industrial electronica. Once again, as in many of the artists mentioned before, Numan's power was in his stage presence and comfortability. He played through a mix of old and new work and, of course, played Cars, the song (or one of the songs) that inevitably changed the landscape of Electronic music. It was a treat for not only fans but anyone that's a fan of the genre or makes music within it.
Lastly, Cruel World Festival also highlighted newer artists that carried the torch of the various genres and ethos. Ela Minus is a Columbian singer whose DIY electro-punk aesthetic and synthesizer made a big splash at the festival. Then there was Riki, who brought strong vocals set against spiked bubblegum synth-wave sounds, and the duo of Boy Harsher, whose darkwave and EBM sound filled the air with a sense of foreboding as you danced. Molchat Doma, a Belarusian post-punk band whose mournful sound was another rare offering, fell in line with the tradition of the festival highlighting niche overseas bands. The high point for me out of the newer bands had to be Texas' Urban Heat their music was an electric mix of post-punk and darkwave. The trio, led by captivating frontman Jonathan Horstmann gathered a large crowd around the Lost Boy stage at the hottest time of the day, enduring the heat and humidity. I also got to interview and take some portraits of Jonathan, so please stay tuned for that.
It was quite the wild ride at this year's festival, and it seems that Adam Ant, as the Bunnymen had in the previous year, has been rescheduled to next year. Adam is the reason why skull rings are a jewelry staple for me. So, I'd like to thank Goldenvoice for everything, and I'll see you all at Cruel World 2024 with my 'Goody Two Shoes' on.
MY CRUEL WORLD FESTIVAL PHOTO GALLERY | ALL PHOTOS BELOW TAKEN BY ME AND THE PRIOR GARY NUMAN PHOTO. THE SIOUXSIE SIOUX PHOTO TAKEN BY POONEH GHANA AND THE IGGY POP PHOTO TAKEN BY COEN REES. THANKS GOLDENVOICE FOR THE USE OF THOSE PHOTOS!Photo Credit: Brittney Williams | The Reclusive Blogger
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA —
BLUPHORIA | Photo by: Jena Yannone
Meet Nashville’s rising new Alt-Rock band Bluphoria, the blues rock meets psychedelic alternative rock is comprised of Frontman/Lead Guitarist Reign LaFreniere, Rhythm guitarist/ Backing Vocalist Dakota Landrum, Bassist/Backing Vocalist Rex Wolf, Drummer/Backing Vocalist Dani Janae. Lead vocalist, Reign took some time out of their busy schedule to speak with me just ahead of their debut album, which is out now. I spoke with frontman, Reign LaFreniere about the new self-titled debut, his artistic influences, being a Black man in Alternative music, the band’s origin, and much more.
You can check out my interview with Reign of Bluphoria below and stream the band’s self-titled debut here.
THE RECLUSIVE BLOGGER: Thanks for taking the time to speak with me at The Reclusive Blogger. How are you guys doing?
REIGN OF BLUPHORIA: Thanks for having us! We are doing great and are very stoked about the new album release.
THE RECLUSIVE BLOGGER: You guys formed in Eugene, Oregon, but now call Nashville home. Frontman Reign grew up in NorCal. How much would you say those distinct soundscapes from these notable music cities pop up within your sound?
REIGN OF BLUPHORIA: Growing up in the bay was very influential for me as an artist. The bay area has been the center of so many music scenes over the years and I feel like, because of that, I’ve internalized all of those influences within the sound we have now. Being in Nashville has also been super inspiring because all the musicians here are so helpful and collaborative and it seems as though the bare minimum is to be talented here but at the same time because of the culture here every musician is welcome.
THE RECLUSIVE BLOGGER: Even though we are progressing with bands/artists like yours, Meet Me At The Altar, Gary Clark Jr., and overseas with the Nova Twins. How do you feel this space can be more open to artists of color, particularly black artists, despite what we all know is the origin story of rock music?
REIGN OF BLUPHORIA: I think that by changing the narrative on what is expected of black art would do leaps and bounds. I remember writing music when I was younger and being intimidated by the fact that I didn’t have a lot of people to look up to that looked like me making my kind of music. You’d see Gary Clark Jr. and Leon Bridges and such but I think by just being present and promoting those artists will normalize it more and kids who are like me when I was younger will be more inspired to create and follow their passion.
THE RECLUSIVE BLOGGER: Can we talk about your forthcoming album? What was the creative and writing process for it like? Did you have a particular sound that you wanted going in? How did it differ from any of your past recording sessions?
REIGN OF BLUPHORIA: It’s kind of crazy to say but most of the songs we wrote in the last three years were written during the pandemic. A lot of the songs on this album kind of reflect that feeling as well. We wanted to make a project where the whole crux of it was to capture a peaceful melancholy. Most of our songs are upbeat and driven by major chords but at the same time the lyrics tell a sadder story which was very reflective of our experiences during covid trying to make the best out of a bad situation. This album is a much more mature version of our previous projects sonically and it really came to life because of the help we got from Mark Needham.
THE RECLUSIVE BLOGGER: The producer on your record Mark Needham has worked with many major acts like Imagine Dragons and The 1975. What was it like working with the Grammy-winning producer? How did he shape your sound?
REIGN OF BLUPHORIA: He was great! He brought a lot of experience to the studio which helped us and his patience was unmatched. We had gone into recording having never used a click track and bickering about what would make songs better and his mantra was always to try whatever ideas we had and see what the outcome was. It really allowed us to grow our songs and turn the project into what it is today.
THE RECLUSIVE BLOGGER: Were there any songs off the forthcoming full-length release that were more challenging to write? Which ones came together quickly?
REIGN OF BLUPHORIA: Most of them came to us quickly. I’m personally one of those writers who, if I have an idea, finish writing the song on the spot. We did bring "Set Me Up" to the studio completely unfinished and it was interesting working on it and seeing how it changed and filled out. That song was difficult because it started as an indie rock down-tempo ballad of sorts and we messed around with a lot of ideas to really make it angrier and sound how it is today.
THE RECLUSIVE BLOGGER: What would you say are Bluphoria's biggest inspirations or influences? These can be from an artistic, musical, and even personal standpoint.
REIGN OF BLUPHORIA: Our band has such an eclectic music taste. I am very influenced by '60s soul, rock n roll, and funk. I grew up a big fan of Sam Cooke and Bob Marley then high school came around and I was a Hendrix and Beatles fan. Dakota is very influenced by psychedelic rock of the '60s and '70s like Pink Floyd and Velvet Underground which is an interesting match for the rest of the rhythm section who are big fans of punk and '90s grunge and most of the time name bands that I’ve never heard of! It does seem to work somehow and I like how all of our influences connect in our music.
THE RECLUSIVE BLOGGER: Name a fictional character you think would most identify with your soundscape or aesthetic.
REIGN OF BLUPHORIA: That’s a hard one. I have my favorites but I feel like we could have our music pop up in the Guardians of the Galaxy spaceship at some point! Especially if we were an '80s band!
THE RECLUSIVE BLOGGER: And my last question. What is up next for Bluphoria in 2023? Thanks again, guys! I wish you so much success going forward!
REIGN OF BLUPHORIA: We are just preparing for our album release on May 5th and the shows that follow! We hope to be going on tour this summer and get back to writing some more music! We appreciate you and thanks for having us on!
Thanks for the interview time, Reign! You can learn more about Bluphoria including info on their upcoming summer tour below. The band’s self-titled debut album is out on all DSP’s now!
Bluphoria, please visit http://www.bluphoriaband.com/
Watch “Ain’t Got Me” on YouTube here
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
Em Beihold // Courtesy of Republic Records/Moon Projects
Em Beihold is currently opening up for Lewis CapALdi and RECENTLY HOPPED ON a collaboration with Lauren Spencer Smith and GAYLE.
Em Beihold is not a fan of rollercoasters because they make her sad. I think… Well, it's a statement she makes loud and clear in the song Rollercoasters Make Me Sad. The track is effusive with punchy melodies and dulcet harmonies, while Em's lyrics often capture dissonant emotions through snappy metaphors. Here Beihold has carved out a niche with songs like the previously mentioned track, Rollercoasters Make Me Sad, Groundhog Day, 12345, and the massive hit Numb Little Bug. Rollercoasters Make Me Sad adds another ace to Beihold's songwriting book with how she succinctly captures feelings and a moment in time. It also should be on your Spotify or Apple Music rotation and playlists if it's not. It was back in March when I got to chat with Em during a presser, learning a little more about her as an artist and songwriter, how her songwriting process works, and even a bit about the inspiration behind her songs, which most of her songs touch on modern-day anxieties, relationships, and mental health/illness. She was also excited to be touring with Lewis Capaldi, a tour she is currently on. I asked her about working with Stephen Sanchez and how turning Until I Found Her into a duet came about. The song has her singing from the girl's perspective. One of the biggest collabs all started from Em liking his reels and her manager noticing, thinking they should do a song together. So, to my fellow creatives, this is a gentle reminder. You never know what might happen and who might see it. Keep creating, and do not be afraid to shoot your shot. I also asked about her future collaborations. Em said her dream collab is with Regina Spektor, an artist she says has been at the fiber of her work and artistry since day one. While Em may not be too fond of rollercoasters, she is currently on the wildest one of her life, and it's only getting started.
Stream “Eggs In The Backseat” out now on all DSPs
PHOTO GALLERY: 15th ANNUAL STAGECOACH MUSIC FESTIVAL
PHOTO GALLERY: 15th ANNUAL STAGECOACH MUSIC FESTIVAL
This past weekend after Coachella wrapped its two weekend stinct in Indio, CA. Stagecoach Music Festival rolled into town and took over to continue the party in the California desert. While the annual country music event is only one weekend, it still brought a pretty star packed lineup of country stars, icons, boundary pushers, genre blenders, and a bit of diversity. This year headliners were Luke Bryan, Kane Brown, and Chris Stapleton, each turned out incredibly massive crowds for their main stage shows. Artists and fan favorites like Breland, Jon Pardi, Elle King, Lainey Wilson, Priscilla Block, and Bailey Zimmerman also performed and had everyone singing along. Nikki Lane (A Stagecoach Veteran), along with band Old Dominion, Ryan Bingham, Keb Mo, and Valerie June, to name a few, were some who brought a more Alternative or Bluesy sound. DJs Diplo & Dillion Francis, plus Rapper Nelly brought party vibes to Stagecoach, while Rock icons ZZ Top and Bryan Adams still held their own. This year was the festival’s 15th year and anniversary.
You can view a ton of photos from the festival from incredible photographers in a slideshow gallery below courtesy of Stagecoach.
WHO: HEADLINERS: Luke Bryan, Kane Brown, and Chris Stapleton. Jon Pardi, Old Dominion, Brooks & Dunn, Riley Green, Gabby Barrett, Parker McCollum, ZZ Top, Bryan Adams, Tyler Childers, Elle King, Niko Moon, Turnpike Troubadours, Breland, Nelly, Diplo, Melissa Etheridge, Morgan Wade, Lainey Wilson, Priscilla Block, Ryan Bingham, Sammy Kershaw, Marty Stuart, Parmalee, Ian Munsick, Mary Chapin Carpenter, Bailey Zimmerman, Nate Smith, Kameron Marlowe, Luke Grimes, Jackson Dean, Nikki Lane, Valerie June, Trixie Mattel, Corey Kent, Warren Zeiders, Seaforth, Lily Rose, Sierra Ferrell, Drake Milligan, American Aquarium, Restless Road, Flamin' Groovies, The Last Bandoleros, Keb' Mo', Nick Shoulders, Jaime Wyatt.
WHAT: Stagecoach Music Festival
WHEN: April 28 - 30, 2023
WHERE: Empire Polo Fields, Indio, CA
PHOTO CREDITS: Are listed on each photo and courtesy of Stagecoach
INTRODUCING: THE BOMBASTIC ALTERNATIVE POP QUINTET THE SCARLET OPERA
INTRODUCING: THE SCARLET OPERA, THE BOMBASTIC ALTERNATIVE POP QUINTET
If you have not heard of The Scarlet Opera, the exciting quintet fusing Pop, Rock, and, yes, even Opera. Lyricist and frontman Luka Bazulka (whose natural grandeur is ever present and charming), with Colin Kenrick on Keys, Daniel Zuker on Bass, Justin Siegal on Drums, & Chance Taylor on Guitars. The glue holding the band together is friendship and identity. Identity, friendships, relationships, sexuality, love, loss, band life, and the music industry are major themes often explored within their lyrics.
Last month I got a few minutes to speak with The Scarlet Opera during a presser. I asked what the go-to karaoke songs were for everyone, and a fun type of chaos ensued. It seemed like ‘Skyfall’ by Adele was the overall favorite. You could feel the excitement from the guys. They were on the cusp of dropping their now-released new EP “Comedy”, the high of their first late-night tv performance on James Corden, and touring. There was a joy and bombast felt through the screen during the presser. Well aware of comparisons to their predecessors, they were flattered by it all. In an industry where bands and artists can get jaded quickly, it was refreshing to see. Yet, I found it more exciting to see a band that has finally begun to put the puzzle pieces together with their sound finding a niche in the big wide world of Pop music.
INTERVIEW WITH… SOUTH AFRICAN POP NEWCOMER WILL LINLEY
INTERVIEW WITH… SOUTH AFRICAN POP NEWCOMER WILL LINLEY
WILL LINLEY
Pop newcomer and Island Records artist Will Linley took some time out and spoke with The Reclusive Blogger about his new project and song “Last Call”, his influences, and artistical self, and growing up in Cape Town, South Africa, and the vibrant music scene there. You can read his interview below and check out his song and music video for “Last Call”.
THE RECLUSIVE BLOGGER: Hi, How are you doing, Will? Thanks for the interview time!
WILL LINLEY: Thank you so much for having me, I’m doing so so well!
THE RECLUSIVE BLOGGER: Can you talk about your origin story and how that relates to the artist you are today?
WILL LINLEY: I grew up in Cape Town, South Africa, and music has always been a part of my upbringing. From my earliest days as a kid, I remember putting on shows for my dad when he’d come home from work or singing in all the choirs I could possibly be a part of. Music defined my childhood and I think that’s a huge reason why I’m doing music today.
THE RECLUSIVE BLOGGER: What was the pivotal moment in music that rang the bell for you to choose this career?
WILL LINLEY: When I met the guys I make most of my music with, David Balshaw and Bubele Booi. We just connected from the first moment and they showed me how easy it was to create with a sense of freedom when you create music with your friends.
THE RECLUSIVE BLOGGER: Let's talk about the single "Last Call". What was the inspiration behind it? And how did the music video come together?
WILL LINLEY: I wanted to create a song that everyone could sing and dance to, in the rooms, kitchens, or at a party! When dreaming of the music video, I wanted to incorporate my fans as much as possible and so I reached out to them and got 50 fans to be in the video as extras. It was such a fun day and I’m so glad we were able to pull it off because they made the video so much more special.
THE RECLUSIVE BLOGGER: Can we talk about your typical creative process when writing? Did your normal writing/recording process change when making 'kill all my feelings', particularly since it was your major label debut?
WILL LINLEY: The process stayed more or less the same. The only thing that we had to work with was doing everything online over Zoom! That was the biggest challenge.
THE RECLUSIVE BLOGGER: How has hailing from such a culturally rich place like Cape Town, South Africa influenced your sound or aesthetic, if at all? And what is the music scene like there?
WILL LINLEY: The music scene is bumping here in South Africa! There’s such a rich and diverse space here that is truly so special. The pop scene is still growing, but it’ll come! We gonna make it happen.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
WILL LINLEY: Energetic, fun, “happy-sad”
THE RECLUSIVE BLOGGER: Recommend a playlist or podcast that has been 'on repeat"?
WILL LINLEY: “On Being” by Krista Tippett
THE RECLUSIVE BLOGGER: And for my last question, what's up next for you in 2023?
WILL LINLEY: Lots more music and lots more shows!
Thanks for the interview time, Will! You can learn more about Will Linley below!
Stream “Last Call” on all DSP’s here
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
Los Angeles transplant is on the rise since his brand of quirky, lo-fi, authentic, and emotionally brand of vibe heavy Indie Pop music has garnered him a viral hit with “Honeypie” and now a solid (and dare I say hardcore) fanbase. The artist suddenly found himself with newfound success after that viral TikTok signed to the major label Interscope in 2020, where he dropped his mixtape EP, For Abby. It was a mixtape that was wholly created and conceived in lowdown, with many of those curiosities and insecurities felt on it. Jawnys' sound began to develop with more tools, people, and more at his disposal. It was something that would push you as an artist or drive you crazy with anxiety, but Jawny seemingly just dug into the tide of Gen Z new age sensibilities for his latest projects. The new songs, fall in love, true, plus last year's wide-eyed all capture a breezy California energy with slicker production and insanely catchy hooks. In speaking with Jawny during a presser recently. I asked him what if he got the chance to write a song based on his favorite piece of pop culture, What would he pick? So, ever the Gen Z and pop culture nerd, he chose quite an etched-in-our-skull moment from pop music history. When Britney Spears and Justin Timberlake donned matching denim-on-denim ensembles at the 2001 VMAs. Although, I am unsure if Jawny will ever get a chance to put pen to paper on this subject. I certainly don't doubt that the vibey sound he has been crafting wouldn't do it justice...
GUEST BLOG: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
THE RECLUSIVE BLOGGER’S GUEST BLOGGER: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
Good Bison is an Indie Rock band comprised lead by Pablo Alvarez, Abe Mendez, Agustin Mas (lead guitar), Sebastian Delgado on drums/backing vocals, and George Spits on additional production, mixing, and mastering. The first single, “Can’t Waste This High” from the newly released EP “Ghost on Mulholland”, dropped last winter and is a synth-pop-led number. The complete EP has the band diving headfirst into spooky, almost haunting territory. They find themself taking inspiration from a variety of things, namely nostalgia, ghosts, Los Angeles, R.L. Stine, and of course, his famous Goosebumps book series.
Lorde // Solar Power - “It took me much longer to get into “Solar Power” than it did Lorde’s first two albums, but once I got into it, I was in deep. I love how this song puts her toxic relationship with California, and LA in particular, at the forefront.“
Sabastian Yatra // Dos Oruguitas - “As a Colombian, I cannot tell you how much “Encanto” meant to me. It was a beautiful representation of my culture, and I couldn’t stop listening to this song for months after watching it.”
Paul Simon // 50 Ways To Leave Your Lover - “Paul Simon is a master genre-bender. It’s incredible how many sonic landscapes he explored in his music.”
Gorillaz // On Melancholy Hill - “One of my favorite songs of all time. Just because we’re sad, it doesn’t mean we can’t dance.”
Billie Eilish // Getting Older -“There were a bunch of songs I loved on Billie Eilish’s latest record, but this is one I keep coming back to again and again. My favorite version is a live performance that’s just her and Finneas on the piano.”
Taylor Swift // this is me trying -“AT LEAST I’M TRYING. I feel you, Taylor. Me too.”
Tame Impala // Feels Like We Only Go Backwards -“I love how the bass line compliments the lyrics and the melody in the hood. It really makes you feel like you’re going backward. There’s also an Arctic Monkeys cover of it that I couldn’t stop listening to for a while.”
Bon Iver // For Emma -“I’ve been inspired by so many Bon Iver songs over the past few years, but the horns in this one speak to me in a way I can’t begin to explain.”
Mac Miller // Good News -“The vulnerability of Mac Miller’s songwriting here is incredibly moving. I was a fan of his since the first day I heard “Kool-Aid and Frozen Pizza.” It’s amazing how I can fully relate to both his upbeat music and his more introspective stuff.”
The Beatles // Golden Slumbers -“Abe was the one who really put me on to this song. I had never truly appreciated it until I heard him playing it on the piano. For a good while I was also obsessed with the transition into “Carry That Weight."
The Cure // A Letter To Elise -“This song says so much before the vocals ever come in. It’s amazing how much that guitar is able to communicate in the intro.”
Phil Collins // Can’t Stop Lovin’ You -“Phil Collins is an absolute master. Undeniably. I was annoyingly belting this chorus around the house for way too long. There’s also a really nice Taylor Swift cover of this song.”
Joy Division // Atmosphere -“I’m fascinated with the way Joy Division is able to create such a specific ambiance with their music. I feel transported as soon as this song comes on.”
Arctic Monkeys // Riot Van -“Have you been drinking, son? You don’t look old enough to me.” I’m sorry, officer, is there a certain age you’re supposed to be ‘cause nobody told me? One of my favorite lyrics ever.”
Phoebe Bridgers // I Know The End -“Been listening to Phoebe Bridgers non-stop for the past year. This song in particular has been my biggest obsession lately. I love the way it builds.”
Good Bison Socials:
Instagram: https://www.instagram.com/goodbison
Facebook: https://www.facebook.com/goodbisonmusic/
Twitter: https://twitter.com/goodbisonmusic
PHOTO GALLERY: 65TH GRAMMY Awards® WEEK EVENTS + PARTIES | 2023 MUSICARES persons of the year HONORING BERRY GORDY + SMOKEY ROBINSON
Hollywood is abuzz with GRAMMY® fever this week. The who’s who amongst the music scene clamoring about the glittering events and parties held for the annual occasion culminating this Sunday with the official GRAMMY Awards® ceremony.
On February 3rd, Motown living legends Berry Gordy and Smokey Robinson were honored at the Los Angeles Convention Center as the MusiCares Persons Of The Year for 2023. A host of special guests and performers were in attendance including John Legend, Elton John, The Four Tops, Marcus Mumford, Sheryl Crow, Rita Wilson, Tom Hanks, Trombone Shorty, Brandi Carlile, Molly Tuttle, and many more. You can view a photo gallery if the event below. All images are courtesy of Getty Images for The Recording Academy.
PHOTO GALLERY: 65TH GRAMMY Awards® WEEK EVENTS + PARTIES | RECORDING ACADEMY HONORS PRESENTED BY THE BLACK MUSIC COLLECTIVE
Hollywood is abuzz with GRAMMY® fever this week. The who’s who amongst the music scene clamoring about the glittering events and parties held for the annual occasion culminating this Sunday with the official GRAMMY Awards® ceremony.
Last night, on February 2nd, the second annual Recording Academy Honors at the Hollywood Palladium. This year’s honorees were Missy Elliot, Dr. Dre, Lil Wayne, and Epic Records CEO Sylvia Rhone, as the event honors the past, present, and future of, Hip-Hop, Black artists, and music. You can view a photo gallery below. All images are courtesy of Getty Images for The Recording Academy.
