INTERVIEW WITH ELECTRO-POP ARTIST + TV/FILM COMPOSER TYLER DURHAM OF LIMINA
Tyler Durham is a musician, songwriter, and film composer for TV, films, and games, and, under the artist name LIMINA, he flexes his songwriting and production muscles to craft catchy and dynamic electro-pop soundscapes. The latest track, Sanctum, is out now, with his newest single, Dissolved, set for a release on March 12. The album Coming Home is due for release next month, features both tracks, and centers around “exploring and creating a musical journey through anxiety, doubt, anger, hope, acceptance, and love”. In my interview with Tyler, we chat about his musical influences, composing for film/TV, the LIMINA album Coming Home, and much more.
THE RECLUSIVE BLOGGER: Hey, Tyler! How are you doing, how’s your year been so far?
LIMINA: Hi Brittney, my year is going well - my work is picking up quite a bit, and I have some exciting projects coming down the pipeline
THE RECLUSIVE BLOGGER: How did you get your start composing for films? What was it in particular that drew you in?
LIMINA: I grew up in a musical family so I have always loved listening to and playing music.
However, my film-scoring passion developed in high school. My brother introduced me to the Eminence Symphony Orchestra which almost exclusively plays video game and film soundtracks, and I immediately became hooked. The layers of emotive expression, the powerful waves of sound, and the storytelling capabilities of orchestral writing inspired me to explore every bit of that language. I started pulling clips from films on YouTube to score and reaching out to anyone and everyone who had a project so I could learn how to tell stories through music. The challenge of finding the right musical language for a scene or a film has continued my passion into today.
THE RECLUSIVE BLOGGER: Do you have a favorite film composer or a composer in general?
LIMINA: The answer is, “It depends.” =)
I love many composers for different reasons as they have their own unique writing styles. However, the composers I find myself studying or listening to the most are Camille Saint-Saen, Stravinsky, and Arvo Part. Regarding film composers, Johann Johansson and James Newton Howard are right at the top. I do spend a lot of time listening to music outside of the classical and film worlds as well. Sigur Ros and Son Lux are two of my favorite bands.
THE RECLUSIVE BLOGGER: Can we talk about the current single “Sanctum” from your upcoming album, “Coming Home”. Now that it’s out how has the reaction been? How does this song fit into the album's sound and themes overall?
LIMINA: I’ve been so grateful for the initial response to “Sanctum.” I’ve received many sincere messages from people expressing that the track has elicited some peace in their day. It’s the best compliment I could receive because that’s what the track is all about.
"Sanctum" is a piece about self-reflection and unearthing a place in ourselves where doubt, love, joy, and anger are all welcome. A place where we can be consoled, seen, and restored.The layered voices and rolling piano in the opening act as a call into ourselves. Once we step through the door into our own "sanctum" an essence of spirituality emerges through the pump organ and pitch-shifted, deep bell accents. Just as we allow all of our emotions to pass through us, the musical phrasing has a conscious ebb and flow with strings that are both fragile and emotive. It’s the 9th track on the album so it comes towards the end of the story when the protagonist is beginning to derive her self-worth internally, not externally.
THE RECLUSIVE BLOGGER: Since you started this album creation cycle back in 2020 during the pandemic. Where was your headspace going into this? And how do you think that time influenced the project, if at all?
LIMINA: My first E.P. Hidden Spaces was written at the height of the pandemic and in a time where it was difficult to find work, Hidden Spaces was a way to stay connected with my art and passion for creating. I started working on and off on Coming Home in 2022. As a film composer, my music is often commenting and supporting someone else’s story and while I absolutely love to collaborate in that way, “Coming Home” became a chance to create and explore a story of my own. The inspiration for the album emerged from spending time on the London Tube. You see so many people and only get the faintest glimpse of their experience through a laugh, a clenched fist, or just silent contemplation. All of this is accompanied by a loud, yet soothing hum and pulse from the train. I wondered about different experiences people might be silently confronting. I imagined a story of someone estranged from their family but wanting to make amends and what that emotional journey would look like. That simple idea became the bedrock of the album and allowed me to explore and create a journey through anxiety, doubt, anger, hope, acceptance, and love. “Coming Home” is ultimately a story about redemption and rediscovering oneself. Outside of the underlying narrative, I’ve always been drawn to neoclassical elements, electronics, unique and layered musical textures, and playing with form. “Coming Home” was created, in some way, to rediscover my own musical voice and challenge my creativity.
THE RECLUSIVE BLOGGER: What has been the most unlikely influence on you for your LIMINA project and its forthcoming album, Coming Home?
LIMINA: I love exploring sound design so much of my influence comes from various sounds in the world or new synthesizers. For Coming Home, it was the London Tube system. I loved exploring different ways I could incorporate the setting of the story into the music itself. In “Let it Take You,” I built most of the percussion bed from the sounds of the Tube’s wheels rolling on the tracks.
THE RECLUSIVE BLOGGER: How do you go about challenging yourself as a creative overall to stay fresh and the best you can be?
LIMINA: I’ve found the best way to stay fresh and excited about creating is by listening to new music and experimenting with my own. If I hear an interesting progression, orchestration technique, or complex synth sound, I will figure out how it was made. It’s so important to be constantly adding new tools to my sonic toolkit and every time I discover something new, my creative juices immediately start flowing.
THE RECLUSIVE BLOGGER: What’s one thing that people are generally surprised to find out about you?
LIMINA: How much I talk to myself while I am writing. =)
THE RECLUSIVE BLOGGER: Lastly, What’s up next for you?
LIMINA: Unfortunately, I can’t say too much, but I’m working on a great Netflix docuseries as well as a drama series. I'll be sharing all the details as soon as I can!
Pre-Order LIMINA’s forthcoming record by clicking on the photo below!
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INTERVIEW WITH NEWCOMER POP SINGER-SONGWRITER ISA BRUDER
I got to chat with up-and-coming Brazilian-American pop artist Isa Bruder, whose rich vocals, emotional storytelling, and layered harmonics are just in their infancy. I asked Isa about her songwriter, culture, and what’s to come this year in an interview, which you can read below.
THE RECLUSIVE BLOGGER: Thanks for answering a few questions for The Reclusive Blogger. How has your 2023
been?
ISA BRUDER: Happy 2024 to you and your readers! I am really grateful for 2023 -- I got to travel to new places, spend time with my family and friends, go to incredible concerts, and write lots of music. :)
THE RECLUSIVE BLOGGER: Can you talk a bit about your background and culture and how that encompasses your music?
ISA BRUDER: Sure! I grew up in São Paulo, Brazil. In addition to loving our Samba's swing and percussive musicality, Brazilian people have a reputation for being really fierce music fans -- and I definitely think that passion is embedded in me. The crowd's joy at a concert in Brazil is contagious. It can sometimes take years or even decades for a musical act to make its way to South America, so we're extra excited and grateful to finally witness that music in real life. The energy really is on another level #ComeToBrazil iykyk
THE RECLUSIVE BLOGGER: How did you normally approach writing and recording as a singer-songwriter?
ISA BRUDER: I am constantly writing feelings and concepts in my notes (notes app girlies rise), so in preparation for a session I usually pull a couple ideas from there that particularly resonate with me. Then I catch up with my cowriter(s), and we talk about our feelings / what kind of song we want to write! Sometimes a producer is included in these conversations / during the session if I have the luxury of being in a physical room with one -- most of my music I write through Zoom since most of my collaborators live in LA! I love writing music with people, as opposed to alone, because I find it takes me out of my own head and helps weed out the good ideas from the less interesting ones.
THE RECLUSIVE BLOGGER: What's the best piece of advice another musician ever gave you?
ISA BRUDER: Know who you are, because if you don't people will try to tell you. Believe in your vision!
THE RECLUSIVE BLOGGER: What's your process for dealing with performance anxiety?
ISA BRUDER: I actually find a couple of hours before my show more stressful than being on stage -- I wouldn't say I really get performance anxiety. During the hours before I'm stressing about logistics, if my band is gonna arrive on time, if my outfit is creasing on the subway, if people are actually gonna show up, if I'll remember all the lyrics... by the time I'm about to go onstage, I'm more so relieved that I don't have to think about all that anymore! Performing is my favorite part of being an artist, so I look forward to it and try to book as many shows as I can.
THE RECLUSIVE BLOGGER: Do you have a favorite lyric that you’ve written or that you wish you had written?
ISA BRUDER: I have "I wish I wrote that" moments all the time! Today, what comes to mind is What I Want by MUNA. "That's what I want, there's nothing wrong with what I want!" So simple yet so affirming, it's a perfect pop song in my opinion.
THE RECLUSIVE BLOGGER: Since we’re coming up to the end of the year for 2023 do you have a favorite album and/or song of the year?
ISA BRUDER: My favorite album of 2023 is without a doubt Raye's My 21st Century Blues! She moves across genres and themes so freely -- but still with such a clear vision and identity. I love the production on the record, I love her voice, and I love her honesty and vulnerability. She recently released a My 21st Century Symphony version of the album, which is recorded live from Royal Albert Hall with The Heritage Orchestra. It's so beautiful, you guys gotta check it out!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you Isa in 2024?
ISA BRUDER: Hmm... I'd love to play a show somewhere other than New York this year since I've only ever played with my band in the city. In a greater sense, my dream and hope for 2024 is that the music I release reaches people who resonate with and enjoy it :)
INTERVIEW WITH… GERMAN-BASED SINGER-SONGWRITER M.BYRD TALKS DEBUT ALBUM + MORE
INTERVIEW WITH… GERMAN SINGER + MULTI-INSTRUMENTALIST M. BYRD
Photo credit: Miriam Marlene
M. Byrd is a German-based singer, multi-instrumentalist, and songwriter whose stark, inspired, and confessional pop-inspired folk-rock music. The artist is turning heads and opening ears with his intense and contemplative sound, which marks his debut album, The Seed. A body of work that is out now and happens to be a deeply personal collection of songs for him, as it was also a healing process for him. For the listener, M. Byrd hopes the aptly named record plants a seed and encourages the listeners’ evolution or growth in some way, as it did for him. I got to interview M. Byrd about his debut record and much more. You can read his answers below.
THE RECLUSIVE BLOGGER: Let's start with learning a bit about your background. Did music always have a role in your life? Did you always know you wanted to pursue this path professionally?
M. BYRD: My grandfather collected jazz records, so I early on became interested in swing music by e.g. Duke Ellington. Music had always played a huge role when I grew up in a small town - it presented me with a new language that would always be a companion.
I never made a conscious choice to pursue music professionally, it was more of an accident that we made some songs that people responded to. I think, even if I changed career paths you’d still find me in the studio experimenting - it’s just such a big part of my life
THE RECLUSIVE BLOGGER: How has your year been so far both professionally and personally?
M. BYRD: It’s been a wild ride so far - I didn’t get to spend a lot of time at one spot and have been traveling back and forth in Europe playing shows or recording. This makes it possible for me to visit a lot of friends that I otherwise wouldn’t see too often and I am very grateful to combine these things!
THE RECLUSIVE BLOGGER: You just released your debut album, The Seed. What’s a typical creative and writing process like for you? And was it any different to record this record?
M. BYRD: I like to start with a very rough voice memo. My voice memos really are like little, grainy, old photographs that I take during my travels. When I start working on one of these days’ ideas, I like to have people in the room, that see the same potential in these little ideas as I do - everything from there is an open field of experimentation, and whatever instruments work best at that moment.
THE RECLUSIVE BLOGGER: Was there a track on The Seed that you found particularly challenging to craft? One that came together quite easily?
M. BYRD: Pyrrhula was quite challenging because it’s played completely live and not on a grid or anything that could lead my timing. I recorded a loooot of versions of this until I stuck with one of the initial takes.
Flood came together quite easily - I remember the process as a fun day of playing with sounds and structure.
THE RECLUSIVE BLOGGER: I did some digging and discovered that you played bass in a band called, Ilgen-Nur. Was there anything from that time playing and touring that you brought with you into this current solo project?
M. BYRD: Well, Ilgen is a super talented writer - she has a calm but very sharp sense of observation, which really inspires me. Also, the end everybody really encouraged me to release my own songs!
THE RECLUSIVE BLOGGER: The visuals to your songs really emphasize the emotion felt in your music. Is that something you were keen to get across?
M. BYRD: Absolutely! Glad you recognized.
THE RECLUSIVE BLOGGER: Who are some of your biggest artistic influences?
M. BYRD: That changes a lot. I’ve lately been digging Daniel Norgren’s music, in case you haven’t heard it. It’s all recorded to tape and sounds super analogue. On the other hand, I am also digging into Cocteau Twins’ discography a lot. Oh, and there’s a lot of Japanese ambient music out there (e.g. Haruomi Hosono) that I’ve been listening to.
THE RECLUSIVE BLOGGER: Lastly, what is next up on the horizon for M. Byrd?
M. BYRD: EU Tour in September and October! Come to the shows and say hi if you read this interview :-)!
M. Byrd’s “The Seed” is out so stream now
INTERVIEW WITH… LAS VEGAS PUNK ROCKERS MERCY MUSIC
INTERVIEW WITH… LAS VEGAS PUNK ROCKERS MERCY MUSIC
Photo credit: Corlene Machine
‘What What You Stand To Lose’ is the fourth album from the Las Vegas trio Mercy Music. The album sonically might sound like a fun Pop driven Punk record, with some of the band’s cleanest production. Lyrically, it’s a heavy record. The band, and in particular, lead vocalist/guitarist Brendan Scholz was going through a challenging time in life. So, this new album, ‘What You Stand To Lose’, captured the turmoil with clarity, rawness, and precision. It’s an album that neatly fits amongst the resurgence of Pop-Punk as much as it does Punk itself. Yet, it also seems tailor-made for Gen Z’s astute self-awareness and, yes, their love of angst. I ask a few questions of Brendan about his new album. You can read his responses in my interview with him below. Also, don’t forget to check out the new Mercy Music record, which is out now.
You can check out my interview with Brendan of Mercy Music below…
THE RECLUSIVE BLOGGER: How did the band form? Was music something that always played a role in everyone's life?
BRENDAN SCHOLZ OF MERCY MUSIC: Mercy Music formed as a solo project as my previous band had fallen apart. After a few years of touring solo, I began to build a band around it. Speaking for everyone, I’d have to say music has always played a huge role in their life.
THE RECLUSIVE BLOGGER: Can you talk about the newly released album, What You Stand To Lose? What was this recording and writing process like? Did it differ from your previous releases?
BRENDAN SCHOLZ OF MERCY MUSIC: I’d say the main difference in the process this time around was that we had the ability to really demo the material as our bass player, Jarred Cooper, had built a home studio during the pandemic.
THE RECLUSIVE BLOGGER: I want to touch upon one of the singles that were sent to me, which is "Found Out That I'm Useless". Where did the inspiration for the song and video come from? The track is quite unrelenting, especially in comparison to its music video.
BRENDAN SCHOLZ OF MERCY MUSIC: The inspiration for "Found Out I am Useless" came from the dissolution of a major relationship in my life. The video was initially supposed to be animated, but due to time restraints, we opted to use tour footage. We think it came out quite well.
THE RECLUSIVE BLOGGER: What lyric from What You Stand To Lose would you say is stuck in your head?
BRENDAN SCHOLZ OF MERCY MUSIC: Probably the chorus of “waiting to begin” : “ Bleed me out and draw me in, I’m waiting to begin”.
THE RECLUSIVE BLOGGER: Name three words that define or describe the soundscape of Mercy Music?
BRENDAN SCHOLZ OF MERCY MUSIC: Poppy. Real. Hopeful.
THE RECLUSIVE BLOGGER: What is up next on the horizon for the band?
BRENDAN SCHOLZ OF MERCY MUSIC: Right now it’s staying as busy as possible supporting the record. Thank you for taking the time to speak with us!
Mercy Music's “What You Stand To Lose ” is out so stream now
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
| MEET SMILEZ |
SMILEZ is a rising Los Angeles rapper, musician, and producer who just dropped his debut album ‘Ur in My World’. His sound is a genre-blending mix of rock-edged hip-hop beats that he self-produces, incorporating samples. Now that he is quickly carving out a fanbase with tracks like ‘Someday’. Which samples a part of the early Aughts band The Strokes song of the same name. Then ‘Coffee Queen’, a gen z take on finding your one and only. The artist known for his vibrant sunny yellow-hued persona (all puns intended), as much as his deadpan rap delivery, answered some questions for The Reclusive Blogger, which you can read below. SMILEZ talks about his influences, debut record, and how SMILEZ acquired his name.
THE RECLUSIVE BLOGGER: Thanks for taking some time out for a few questions. So, how has your 2023 been both professionally and personally, if you mind me asking?
SMILEZ: It’s been amazing, I’ve been really locked in on my craft this year. If I’m not in the studio I’m making music videos all the time. Right now I’m in Tokyo, so I’m on a high so I can’t complain about this year at all.
THE RECLUSIVE BLOGGER: Let's talk about how you got into the music scene, where the music persona SMILEZ came from, and how it all fits into where you are today?
SMILEZ: I’ve been making music for years since I was a little kid really. I’ve always loved punk rock and hip-hop. When I started going by SMILEZ it was just this lighthearted like fuck it why not go by some ridiculous name Its memorable which is what I liked. The name just fits the color aesthetic which Is kind of a color theme to my music videos etc. Yellow and bright colors musically I’m always on those 2 lines of punk rock and hip hop.
THE RECLUSIVE BLOGGER: What was the recording and writing process like for the album ‘Ur in My World’? Was it any different that any of your past experiences creating music?
SMILEZ: It was mainly different because I was making it with the whole project in mind. Most of my older music was just kind of random songs I had made. I made this whole album at home. Recording vocals and guitars myself and producing the whole thing. I love working with people but I wanted this to be very personal so I just was like fuck it ill do it myself. I wanted it to be a transparent look at my life.
THE RECLUSIVE BLOGGER: One of my favorite tracks off the record and the catchiest as well is “Someday”. I loved how you incorporated The Strokes sample. Can you talk more about how that came together? Is the blending of rock and hip-hop something that you did for this album or is that just innate in your music?
SMILEZ: Both, it kind of happens naturally but I love that idea of mixing rock and hip-hop in a new cool way. Blending both elements of the production and songwriting. The idea of what would the strokes or Nirvana sound like if they started today always interests me.
THE RECLUSIVE BLOGGER: What was it like opening up for such hip-hop and rap names like Wiz Khalifa and the passed-on JuiceWRLD?
SMILEZ: They were both insane experiences. I love performing so its just a pure rush for me. To be around Iconic artists like that was just inspiring.
THE RECLUSIVE BLOGGER: What was the last album you played that had no skips?
SMILEZ: Lil Uzi Vert Pink Tape would be the closest thing to no skips but I probably would skip the track with Travis Scott.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the SMILEZ sound and aesthetic?
SMILEZ: Pikachu, for the color theme, and Batman because that’s who I aspire to be
THE RECLUSIVE BLOGGER: Who are three artists from any type of artistic world, it doesn't have to be music, that influence you the most as a creative?
SMILEZ: Since we just mentioned Batman, Christopher Nolan as a director is inspiring for sure.
-I’m in Tokyo right now I’m definitely very inspired by the art and culture here.
-Anything that is cool and interesting to me
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS #TheReclusiveBlogger #Interviews
SHARAYA SUMMERS | Photo by: Kate Rentz
Oregon-based Singer-Songwriter Sharaya Summer's reflective, heartfelt, and honest Indie Folk and Americana melodies are garnering her acclaim and fans alike. In her latest single, ‘Forever You and Me’, she explores the fragility of relationships while examining her own, reminding everyone of loved ones and the memories you share close. The idea of the song emerged after a particularly challenging time full of changes for her. Summers had just had a daughter, was recording a new record, and lost her Grandmother. Now Summers is determined to look forward and find the light amongst the shadows, a theme she explores in her forthcoming release.
You can check out my interview with Indie Folk and Americana artist Sharaya Summers below!
THE RECLUSIVE BLOGGER: Can you talk about your latest single “Forever You and Me” and the inspiration behind it?
SHARAYA SUMMERS: I wrote this song after attending my grandmother's funeral last year. As the slideshow of her life played in a five-minute span, I observed my heartbroken grandfather on the pew watching. I wrote this thinking that I would play it at my husband's funeral far far in our future. But now as I am ready to release the song, we are actually separated and going through a pretty low point in our marriage. The song has taken on new meaning as I realize that no matter how, why, or when love ends there's nothing we can do to prepare for it. I suppose now it's a more positive spin on a break up considering that no matter what the future brings we will always have the wonderful memories and two beautiful children we share.
THE RECLUSIVE BLOGGER: Can you speak a bit about your musical background? Has music always played a role in your life?
SHARAYA SUMMERS: I was a 90's youth group kid growing up. I learned how to play guitar and play music in church. I went through somewhat of an existential crisis in my mid-twenties and bailed on church and moved to Nashville to be a songwriter. I don't have any negative feelings about the experience, it was just that as I grew up and saw more of the world, music and God became bigger than something I could keep in such a limited box. When I am practicing creation/creativity it's the closest I feel to the divine. So yes, I'd say it's been an integral part of my life.
THE RECLUSIVE BLOGGER: You have an LP tentatively due out later this year. How is the writing and recording process going so far?
SHARAYA SUMMERS: The album is complete! It's being mixed as we speak, soon to be mastered. I recorded with Raymond Richards in Portland, OR. When I started tracking I was nine months pregnant with my now one-year-old baby girl. It was quite a commitment to finish, as having a newborn is a challenge I can not even begin to describe. I am grateful to my mother who supported me with babysitting and Jacob, my husband, for helping to keep me motivated and contributing as band director.
THE RECLUSIVE BLOGGER: Do you have a bucket list of dream artists that you’d love to collab with? If so, who are they?
SHARAYA SUMMERS: Stevie Nicks, Jackson Browne, or Norah Jones
THE RECLUSIVE BLOGGER: What was the last thing you discovered about your artistic self?
SHARAYA SUMMERS: After becoming a mother I thought my artistic career would be over. While I may not be free to tour or play shows or hustle as much as I used to, I was happy to discover that I didn't stop writing, it's just a part of who I am and what I do, so that was cool to realize that being an artist has nothing to do with age or situation.
THE RECLUSIVE BLOGGER: Who are some of your biggest artistic influences or inspirations?
SHARAYA SUMMERS: Right now as cheesy as it sounds my two kids are my inspiration. I love seeing the world in a totally new way through their eyes. My son is 3 and my daughter is 1. The joy and wonder is everything everyone says about becoming a parent. It's just so cool. So hard, but so fun too. They inspire me to slow down and really be present where I am at, to be more observant of the world around me, and more appreciative and grateful for the small things every day.
THE RECLUSIVE BLOGGER: What was the last album you played with no skips?
SHARAYA SUMMERS: Erykah Badu - Baduizm - last week while making dinner, sipping wine, and then doing the never-ending dishes.
THE RECLUSIVE BLOGGER: And lastly, what’s next on the horizon for you?
SHARAYA SUMMERS: I've always been someone with a 5-year plan. This year has shown me that I can not control anything but my view of the world, and my reactions to it. I feel like I've grown into a completely new person, someone who for this season has literally no plan other than to be mindful, to listen, and to choose to be grateful for every moment. I find that my creativity has never been so free-flowing as when I'm just here to take it all in and observe the pain along with the joy. I don't know what is next, but I do know that I am not finished.
Stream Sharaya’s new single “Forever You & Me” which is out now by clicking here
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA —
BLUPHORIA | Photo by: Jena Yannone
Meet Nashville’s rising new Alt-Rock band Bluphoria, the blues rock meets psychedelic alternative rock is comprised of Frontman/Lead Guitarist Reign LaFreniere, Rhythm guitarist/ Backing Vocalist Dakota Landrum, Bassist/Backing Vocalist Rex Wolf, Drummer/Backing Vocalist Dani Janae. Lead vocalist, Reign took some time out of their busy schedule to speak with me just ahead of their debut album, which is out now. I spoke with frontman, Reign LaFreniere about the new self-titled debut, his artistic influences, being a Black man in Alternative music, the band’s origin, and much more.
You can check out my interview with Reign of Bluphoria below and stream the band’s self-titled debut here.
THE RECLUSIVE BLOGGER: Thanks for taking the time to speak with me at The Reclusive Blogger. How are you guys doing?
REIGN OF BLUPHORIA: Thanks for having us! We are doing great and are very stoked about the new album release.
THE RECLUSIVE BLOGGER: You guys formed in Eugene, Oregon, but now call Nashville home. Frontman Reign grew up in NorCal. How much would you say those distinct soundscapes from these notable music cities pop up within your sound?
REIGN OF BLUPHORIA: Growing up in the bay was very influential for me as an artist. The bay area has been the center of so many music scenes over the years and I feel like, because of that, I’ve internalized all of those influences within the sound we have now. Being in Nashville has also been super inspiring because all the musicians here are so helpful and collaborative and it seems as though the bare minimum is to be talented here but at the same time because of the culture here every musician is welcome.
THE RECLUSIVE BLOGGER: Even though we are progressing with bands/artists like yours, Meet Me At The Altar, Gary Clark Jr., and overseas with the Nova Twins. How do you feel this space can be more open to artists of color, particularly black artists, despite what we all know is the origin story of rock music?
REIGN OF BLUPHORIA: I think that by changing the narrative on what is expected of black art would do leaps and bounds. I remember writing music when I was younger and being intimidated by the fact that I didn’t have a lot of people to look up to that looked like me making my kind of music. You’d see Gary Clark Jr. and Leon Bridges and such but I think by just being present and promoting those artists will normalize it more and kids who are like me when I was younger will be more inspired to create and follow their passion.
THE RECLUSIVE BLOGGER: Can we talk about your forthcoming album? What was the creative and writing process for it like? Did you have a particular sound that you wanted going in? How did it differ from any of your past recording sessions?
REIGN OF BLUPHORIA: It’s kind of crazy to say but most of the songs we wrote in the last three years were written during the pandemic. A lot of the songs on this album kind of reflect that feeling as well. We wanted to make a project where the whole crux of it was to capture a peaceful melancholy. Most of our songs are upbeat and driven by major chords but at the same time the lyrics tell a sadder story which was very reflective of our experiences during covid trying to make the best out of a bad situation. This album is a much more mature version of our previous projects sonically and it really came to life because of the help we got from Mark Needham.
THE RECLUSIVE BLOGGER: The producer on your record Mark Needham has worked with many major acts like Imagine Dragons and The 1975. What was it like working with the Grammy-winning producer? How did he shape your sound?
REIGN OF BLUPHORIA: He was great! He brought a lot of experience to the studio which helped us and his patience was unmatched. We had gone into recording having never used a click track and bickering about what would make songs better and his mantra was always to try whatever ideas we had and see what the outcome was. It really allowed us to grow our songs and turn the project into what it is today.
THE RECLUSIVE BLOGGER: Were there any songs off the forthcoming full-length release that were more challenging to write? Which ones came together quickly?
REIGN OF BLUPHORIA: Most of them came to us quickly. I’m personally one of those writers who, if I have an idea, finish writing the song on the spot. We did bring "Set Me Up" to the studio completely unfinished and it was interesting working on it and seeing how it changed and filled out. That song was difficult because it started as an indie rock down-tempo ballad of sorts and we messed around with a lot of ideas to really make it angrier and sound how it is today.
THE RECLUSIVE BLOGGER: What would you say are Bluphoria's biggest inspirations or influences? These can be from an artistic, musical, and even personal standpoint.
REIGN OF BLUPHORIA: Our band has such an eclectic music taste. I am very influenced by '60s soul, rock n roll, and funk. I grew up a big fan of Sam Cooke and Bob Marley then high school came around and I was a Hendrix and Beatles fan. Dakota is very influenced by psychedelic rock of the '60s and '70s like Pink Floyd and Velvet Underground which is an interesting match for the rest of the rhythm section who are big fans of punk and '90s grunge and most of the time name bands that I’ve never heard of! It does seem to work somehow and I like how all of our influences connect in our music.
THE RECLUSIVE BLOGGER: Name a fictional character you think would most identify with your soundscape or aesthetic.
REIGN OF BLUPHORIA: That’s a hard one. I have my favorites but I feel like we could have our music pop up in the Guardians of the Galaxy spaceship at some point! Especially if we were an '80s band!
THE RECLUSIVE BLOGGER: And my last question. What is up next for Bluphoria in 2023? Thanks again, guys! I wish you so much success going forward!
REIGN OF BLUPHORIA: We are just preparing for our album release on May 5th and the shows that follow! We hope to be going on tour this summer and get back to writing some more music! We appreciate you and thanks for having us on!
Thanks for the interview time, Reign! You can learn more about Bluphoria including info on their upcoming summer tour below. The band’s self-titled debut album is out on all DSP’s now!
Bluphoria, please visit http://www.bluphoriaband.com/
Watch “Ain’t Got Me” on YouTube here
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
Em Beihold // Courtesy of Republic Records/Moon Projects
Em Beihold is currently opening up for Lewis CapALdi and RECENTLY HOPPED ON a collaboration with Lauren Spencer Smith and GAYLE.
Em Beihold is not a fan of rollercoasters because they make her sad. I think… Well, it's a statement she makes loud and clear in the song Rollercoasters Make Me Sad. The track is effusive with punchy melodies and dulcet harmonies, while Em's lyrics often capture dissonant emotions through snappy metaphors. Here Beihold has carved out a niche with songs like the previously mentioned track, Rollercoasters Make Me Sad, Groundhog Day, 12345, and the massive hit Numb Little Bug. Rollercoasters Make Me Sad adds another ace to Beihold's songwriting book with how she succinctly captures feelings and a moment in time. It also should be on your Spotify or Apple Music rotation and playlists if it's not. It was back in March when I got to chat with Em during a presser, learning a little more about her as an artist and songwriter, how her songwriting process works, and even a bit about the inspiration behind her songs, which most of her songs touch on modern-day anxieties, relationships, and mental health/illness. She was also excited to be touring with Lewis Capaldi, a tour she is currently on. I asked her about working with Stephen Sanchez and how turning Until I Found Her into a duet came about. The song has her singing from the girl's perspective. One of the biggest collabs all started from Em liking his reels and her manager noticing, thinking they should do a song together. So, to my fellow creatives, this is a gentle reminder. You never know what might happen and who might see it. Keep creating, and do not be afraid to shoot your shot. I also asked about her future collaborations. Em said her dream collab is with Regina Spektor, an artist she says has been at the fiber of her work and artistry since day one. While Em may not be too fond of rollercoasters, she is currently on the wildest one of her life, and it's only getting started.
Stream “Eggs In The Backseat” out now on all DSPs
INTERVIEW WITH… SOUTH AFRICAN POP NEWCOMER WILL LINLEY
INTERVIEW WITH… SOUTH AFRICAN POP NEWCOMER WILL LINLEY
WILL LINLEY
Pop newcomer and Island Records artist Will Linley took some time out and spoke with The Reclusive Blogger about his new project and song “Last Call”, his influences, and artistical self, and growing up in Cape Town, South Africa, and the vibrant music scene there. You can read his interview below and check out his song and music video for “Last Call”.
THE RECLUSIVE BLOGGER: Hi, How are you doing, Will? Thanks for the interview time!
WILL LINLEY: Thank you so much for having me, I’m doing so so well!
THE RECLUSIVE BLOGGER: Can you talk about your origin story and how that relates to the artist you are today?
WILL LINLEY: I grew up in Cape Town, South Africa, and music has always been a part of my upbringing. From my earliest days as a kid, I remember putting on shows for my dad when he’d come home from work or singing in all the choirs I could possibly be a part of. Music defined my childhood and I think that’s a huge reason why I’m doing music today.
THE RECLUSIVE BLOGGER: What was the pivotal moment in music that rang the bell for you to choose this career?
WILL LINLEY: When I met the guys I make most of my music with, David Balshaw and Bubele Booi. We just connected from the first moment and they showed me how easy it was to create with a sense of freedom when you create music with your friends.
THE RECLUSIVE BLOGGER: Let's talk about the single "Last Call". What was the inspiration behind it? And how did the music video come together?
WILL LINLEY: I wanted to create a song that everyone could sing and dance to, in the rooms, kitchens, or at a party! When dreaming of the music video, I wanted to incorporate my fans as much as possible and so I reached out to them and got 50 fans to be in the video as extras. It was such a fun day and I’m so glad we were able to pull it off because they made the video so much more special.
THE RECLUSIVE BLOGGER: Can we talk about your typical creative process when writing? Did your normal writing/recording process change when making 'kill all my feelings', particularly since it was your major label debut?
WILL LINLEY: The process stayed more or less the same. The only thing that we had to work with was doing everything online over Zoom! That was the biggest challenge.
THE RECLUSIVE BLOGGER: How has hailing from such a culturally rich place like Cape Town, South Africa influenced your sound or aesthetic, if at all? And what is the music scene like there?
WILL LINLEY: The music scene is bumping here in South Africa! There’s such a rich and diverse space here that is truly so special. The pop scene is still growing, but it’ll come! We gonna make it happen.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
WILL LINLEY: Energetic, fun, “happy-sad”
THE RECLUSIVE BLOGGER: Recommend a playlist or podcast that has been 'on repeat"?
WILL LINLEY: “On Being” by Krista Tippett
THE RECLUSIVE BLOGGER: And for my last question, what's up next for you in 2023?
WILL LINLEY: Lots more music and lots more shows!
Thanks for the interview time, Will! You can learn more about Will Linley below!
Stream “Last Call” on all DSP’s here
INTERVIEW WITH… TIKTOK BEDROOM POP ARTIST ADDISON GRACE
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more.
THE RECLUSIVE BLOGGER: Hey, Addison! How are you doing, how’s your 2022 been so far?
ADDISON GRACE: It’s been pretty busy! I released my first EP, ”Immaturing”, this year after touring with Cavetown and Tessa Violet. After that, I was traveling during the summer to write and record my second EP, ”Things That Are Bad for Me” that’s coming out November 11th. I also went on my first headline tour which was so exciting!
THE RECLUSIVE BLOGGER: Can you talk about your origin story a bit and how that relates to your career as a musician today?
ADDISON GRACE: I was raised by a single mom who would put me and my siblings in any and every sport and/or performing art. It was her way of keeping us busy and letting us find what interested us while she would be working. The only thing that ever stuck for me was singing. Growing up I joined nearly every school and church choir. When I was 13, my brother bought a ukulele while in France. I ended up “stealing” it from him because I had seen recent videos of YouTubers making their own songs on the ukulele. From then on I had started to do the same, making original music with the ukulele, and started my own little online pages too. I think because I had a mom that was so passionate about me finding what I loved is why I am and able to be a singer-songwriter today.
THE RECLUSIVE BLOGGER: Let’s talk about your new single ‘Pretty Girl’. What was the recording and writing process like? The inspiration for this new single?
ADDISON GRACE: “Pretty Girl” was written in Nashville with one of my favorite co-writers, Charli Adams, who’s also an incredible artist. I told her about my gender transition and how I had dated someone before as a girl. This person, in my mind, was my soulmate. I was frustrated because there was a chance for us to get back together but I had made the self discovery that I’m transgender and I knew they weren’t, and aren’t, attracted to boys. I also told her about how I hated still being loved “as a girl” and seen ”as a girl“ by a lot of people in society and on the internet. I knew I wanted the song to be called “Pretty Girl” but finding the artistic words for those specific feelings had been stumping me. Charli absolutely helped me pull them out and make it into the song it is today. Recording with Andy Seltzer was incredible as well. He absolutely got the sound/production perfect for what I wanted and needed in this song.
THE RECLUSIVE BLOGGER: Do you have a typical songwriting process or do you just go with the flow and create with inspiration hits?
ADDISON GRACE: Honestly, my songwriting always changes and I’ve never had a specific flow. Usually I just write when I’m feeling an intense emotion. If I end up getting inspiration when I’m somewhere that I can’t write, I just make a note of it for later. Songwriting is genuinely my diary.
THE RECLUSIVE BLOGGER: What lyric have you written that you feel best represents the world around us right now?
ADDISON GRACE: “Take it off, oxygen, cut your hair, grow it out again. The world will end a couple times.” I think it really represents the stress we all feel with everything going on but it also brings comfort with it. I really love the idea that we can be broken, beaten, and bruised but still find a way back up. Hope and determination are both very powerful.
THE RECLUSIVE BLOGGER: How do you feel TikTok will play a part in finding artists and new music in the coming years of the music industry?
ADDISON GRACE: I think we’re gonna get a wave of a lot of new indie artists and experimental ones too. I genuinely hope it leads to people being more creative since TikTok can be relatively easy to go “viral” on. I would hope it just allows for more unknown artists to get their stuff out there fast and also allow for a more diverse set of popular musicians.
THE RECLUSIVE BLOGGER: Who are some of your favorite new or underground music artists on TikTok?
ADDISON GRACE: I recently discovered @cowgirlb3b0p, also known as ash tuesday, who deserves way more recognition! Her voice, melodies, and songwriting are all incredible. Olive Klug, @oliveklug, is also amazing- I really adore their voice and all the little inflections they put on key lyrics/words. Kevin Atwater, @kevinatwatermusic, is another who’s been picking up speed recently who I just love so much.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
ADDISON GRACE: Passionate, peculiar, and self-recognizing.
THE RECLUSIVE BLOGGER: What has been the most rewarding thing about being a songwriter and having a platform?
ADDISON GRACE: Being able to give people the songs that I needed growing up or still need even now. I’m just so grateful I’ve gotten to a point where I can put words to such intimate, specific feelings. I’m glad others relate to it, it makes me feel less alone and also like my experiences weren’t truly isolating. I like to think that I’m who I needed as a kid and I’m glad I can be that person now for both adults and kids.
THE RECLUSIVE BLOGGER: Since Halloween is coming up, what do you have a favorite Halloween film or score?
ADDISON GRACE: I’ve always been a huge fan of Coraline for some reason! I was lucky that it never scared me as a kid, haha!
THE RECLUSIVE BLOGGER: And lastly, what is up next for you Addison Grace?
ADDISON GRACE: I’m going on tour with Ricky Montgomery who’s a good friend of mine! I’m also releasing my second EP on November 11th called “Things That Are Bad for Me” (OUT NOW). Hopefully soon I’ll be making my first album or headlining again!
STREAM ADDISON GRACE’S NEW SOPHOMORE EP “THINGS THAT ARE BAD FOR ME” OUT NOW
INTERVIEW WITH... WISTFUL POP SINGER-SONGWRITER KINGS ELLIOT
Kings Elliot is not your typical pop singer and songwriter, while many of today's pop artists turn to a bass-heavy, synth-based sound that is often reminiscent of the 80s and catered to dance floors & clubs. Elliot skirts all of this. On her new EP, Bored Of The Circus, the artist creates a palette of wistfully beautiful cinematic stories set against ethereal pop. Visit The Reclusive Blogger and click the link to read my interview with Kings Elliot
Kings Elliot is not your typical pop singer and songwriter, while many of today's pop artists turn to a bass-heavy, synth-based sound that is often reminiscent of the 80s and catered to dance floors & clubs. Elliot finds inspiration for her sound and lyrics from Disney (she divulges her favorite below), her small hometown in Switzerland, her struggles with mental health, and music from the 1940s & 1950s. On her new EP, ‘Bored Of The Circus’, the artist creates a palette of wistfully beautiful cinematic stories set against ethereal pop. You can read the interview I did with Elliot below. I asked about her childhood, music influences, songwriting process, and more.
THE RECLUSIVE BLOGGER: Hi, Kings Elliot! Thanks for taking time out with me and TRB for this interview. My first question is how has your 2022 been so far both creatively and personally?
KINGS ELLIOT: Of course!! Thank you for taking the time!
2022 has truly been my favourite year on this planet so far! I've had the privilege of going on my first ever tour, and that being a stadium tour with Imagine Dragons which was just absolutely mind-blowing. I've released my second EP 'Bored Of The Circus' which I'm so very proud of and I'm about to lock myself in the studio to write and produce new music which I could not be more excited about.
THE RECLUSIVE BLOGGER: Can you talk about how you got start in music? Was music and playing music something that was always present in your life? Particularly growing up?
KINGS ELLIOT: I've always sang and I always made up my own songs, ever since I was in pre-school. Now I know I was 'writing' and it just never left me. It's always been my greatest coping tool and it will never not be that for me.
THE RECLUSIVE BLOGGER: Growing up in a small Swiss town, How do you think growing up in a small town has shaped your artistry? If it has at all?
KINGS ELLIOT: Because I was kind of the only one in my immediate surrounding chasing this pretty unrealistic dream, I had to learn to prove myself and become very headstrong at a very young age. No one ever encouraged me or said it was a good idea. Many (including myself) doubted that I could make it my profession one day.
I think that made me more dedicated than maybe someone who slipped into it more easily. I finished my education in Switzerland, I worked and saved up money, relocated to a different country and I just kept pushing for it.
THE RECLUSIVE BLOGGER: I’d like to ask you about your latest EP, ‘Bored Of The Circus’ and the overall creative process for the EP? How has your creative process adapted or grown over the years?
KINGS ELLIOT: It's honestly always different. I find that question hard because it's kind of like an ever-flowing process. I write down lyrics and melodies randomly when I feel something. My main collaborator Conway (halfrhymes) and I are in constant contact and exchange thoughts and ideas all the time. When I get into the studio we can then hone in on it all and have fun creating the world around the words and melodies. It's always different and it's my favourite part.
THE RECLUSIVE BLOGGER: I love the haunting, melodious almost lilting quality your song “Butterfly Pen” has. Can you delve into the backstory of the track and talk a bit more the visuals as well?
KINGS ELLIOT: The lyrics in this song are my favourite lyrics of the whole EP. They describe the state of a world that has turned grey after the hurt I've experienced. In the background you sometimes hear a little birdy sing and thats kevin, a small baby bird I rescued and looked after for a week before handing him to wildlife rehabilitation. I love that he has a place in this song forever. The visuals to the song capture the sadness and helplessness one can feel while in a depressive episode where even leaving the bed is a very difficult thing to do.
THE RECLUSIVE BLOGGER: Where tackling themes of mental health and mental health in love and relationships in your storytelling something that you naturally gravitated towards? How do you make sure that you maintain a healthy balance between creative endeavors and self-care?
KINGS ELLIOT: It's what I've personally mostly struggled with for a lot of my life, so it was natural for me to process that trauma in the songs I write. Making these songs automatically improves my self-care but I'm definitely still working on a balanced and healthy self-preservation..
THE RECLUSIVE BLOGGER: I’ve read that you grew up watching Disney films and that they heavily influence your music. What are some of your favorites or biggest influences?
KINGS ELLIOT: 'Dumbo' is my favourite Disney movie. 'Baby mine' playing in the scene of dumbo's mum cradling dumbo through the metal bars has me in absolute pieces every time. The song is so gorgeous and so sad, and since it was made in the 40s it has that beautiful feel from that era which I love so much. I started listening to more songs from that era and realised quickly that the 40s and 50s are my favourite years of music and it's now where I draw most of my inspiration from
THE RECLUSIVE BLOGGER: What has it been like touring with such an established act like Imagine Dragons?
KINGS ELLIOT: It was absolutely mind-blowing. They are out of this world performers, the show is insane and to make it even better they are all so kind and welcoming. I had no idea I would be accepted with such open arms and honestly being given the opportunity to sing in stadium with one of the biggest bands in the world is an experience I will remember for the rest of my life and I don't expect it to be topped by anything else!
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the Kings Elliot soundscape and aesthetic?
KINGS ELLIOT: Definitely Dumbo!! He is an outcast, he feels alienated from everyone else and the one person that loved him the most gets taken away from him. He needs some soothing songs and a world to escape to. Makes me cry thinking of it.
THE RECLUSIVE BLOGGER: If you were to put one of your lyrics onto a message in a bottle, what lyric would you choose and why?
KINGS ELLIOT: 'When I'm breaking apart I won't call it a weakness I'll stumble and fall I don't care if they see it.' - everyone who's struggling and feels ashamed of how their mind works needs to hear that.
THE RECLUSIVE BLOGGER: What’s one album you could listen to over and over and from start to finish?
KINGS ELLIOT: Banks - Goddess
THE RECLUSIVE BLOGGER: To end, What’s next on the horizon for you, Kings Elliot?
KINGS ELLIOT: More tours and more music! Once I'm back home from the European tour I am on right now I will lock myself in the studio and I can't wait for that!! I also have something really cool coming out in the next few weeks that I can't announce yet but it's a huge bucket list moment for me!!
Follow Kings Elliot:
Instagram | TikTok | Twitter | Facebook | YouTube | Spotify | Apple Music | Website
Stream Kings Elliot -“Bored Of The Circus”
INTERVIEW WITH… NORTH LONDON INDIE POP SINGER NATALIE SHAY
INTERVIEW WITH NORTH LONDON INDIE-POP ARTIST NATALIE SHAY (@natalieshay) #TheReclusiveBlogger #MusicInterviews
North London Indie-Pop artist Natalie Shay and Brit school alum latest release is an titled “MILK”. It’s full of earnest and bright melodic pop numbers that explored different feelings and experiences that occurred during the lockdown. I chatted with Natalie about her new music, the ups and downs in her life in the past couple of years, her influences, and even Taylor Swift.
THE RECLUSIVE BLOGGER: Hi, Natalie, First off... How have you been? What has 2022 been like for you? Especially in comparison to last year?
NATALIE SHAY: Hey! thanks so much for having me, ive been well thanks for asking, 2022 has been a really great year for me and my music, a big step up from last year for sure! Aside from music it's been a rocky year, lots of ups and downs, but generally good :)
THE RECLUSIVE BLOGGER: Can speak a bit on your musical background? Has music always played role in your life?
NATALIE SHAY: Yes, music has always been a big part of my life, I began playing classical guitar aged 5, and I started training in musical theatre around the same time. However the whole 'singer/songwriter' dream did not arise until I was about 10 years old, when i first discovered Taylor Swift's fearless album, I thought it was incredible, and that inspired what I do now!
THE RECLUSIVE BLOGGER: Since your sound is a has a lot of 80s pop influences particular the new EP... What’s your go to 80s jam?
NATALIE SHAY: My fave 80s jam is ``Heaven is a Place on earth" or'' Boys of Summer''. I listen to both on repeat, always.
THE RECLUSIVE BLOGGER: When you’re in album making mode do you ever have visuals in mind as you write songs?
NATALIE SHAY: I don't often have the visuals until the song is written, when listening back to things and imagining where they could go, that's when the production style/visuals etc begin to form. When I'm writing, it's totally just about me getting my thoughts and emotions into a lyric.
THE RECLUSIVE BLOGGER: What's the music scene like in North London and how does it influence you artistically if at all?
NATALIE SHAY: I've been involved in the gernal London music scene for a long time, I began playing gigs and shows aged 13, and I've been doing things like this ever since. The London music scene is one of the greatest in the world I'm sure, it's such a mixed hub of cultures and different kinds of people and creatives. this has definitely influenced me, just the sheer amount of different collaborators and people ive met or performed wirth have inspired me so so much
THE RECLUSIVE BLOGGER: Your second EP "MILK" is out. Can you talk a little bit about how the recording and writing process was for it?
NATALIE SHAY: This ep was written and recorded with so many different people, pretty much every track has its own unique combination of collaborators and talent involved. and all of the people i worked with, were all over the country. We wrote practically every track in 2020, in and around the lockdowns. This ep really does represent a whole year of my life in every way.
THE RECLUSIVE BLOGGER: We’re any songs of the 'MILK' EP that we’re more challenging to write? Some that came together quickly?
NATALIE SHAY: The easiest one to write was 'new wave' . It's the feel good happy pop track on the ep, the lyrics are sweet, simple and to the point. harder ones to write were heaven and two sparks, 'two sparks' is such a personal song to me, the lyrics needed my full attention and time, and same for 'heaven', i had so much i wanted to say, just needed to figure out how to say it.
THE RECLUSIVE BLOGGER: What would you say that your latest release "MILK" biggest inspirations and influences are? Can you delve into that more?
NATALIE SHAY: lyrically, everything is autobiographical. Musically, a real mix, taylors 1989 is always my go to ref for sound and production, same with haim days are gone. Every track on the ep is about something I experienced, discovered or felt over a year of my life, all different topics too.
THE RECLUSIVE BLOGGER: How do you think studying at The Brit School has helped you in as you began to shape and mold your career?
NATALIE SHAY: without brit i probably wouldn't be doing what i do now, it gave me the tools and understanding to be able to take the dive into making music my full time career, i met lots of the people i still work with regularly now when i was there, it's also just generally very inspiring to be somewhere like that. and be surrounded with like minded driven people.
THE RECLUSIVE BLOGGER: Are there any current artists that have been “On Repeat” for you as a band lately? What music have you been playlisting?
NATALIE SHAY: Taylor swift all the time, all the way. my fave band is little comets, i also love some of my friends music, artists such as, kayla grace, lucy deakin and beth mccarthy
THE RECLUSIVE BLOGGER: What has been one of the most rewarding experiences for you this year?
NATALIE SHAY: The most rewarding thing this year was just the whole summer, some great festival experiences and opportunities, i enjoyed this summer very very much.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with your sound or aesthetic?
NATALIE SHAY: mitchie in camp rock
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
NATALIE SHAY: sophisticated honest pop
THE RECLUSIVE BLOGGER: What was it like stepping into the EDM world and working with those artists? You worked with Grum and Kryder right?
NATALIE SHAY: yes! doing the EDM stuff has been super fun, ive loved seeing the tracks go global, and also attending the shows, the fans know all the words, and i'm stood in the crowd with them, but they dont know its me or my vocal, very cool experiences.
THE RECLUSIVE BLOGGER: To close, What’s one thing that people are generally surprised to find out about you?
NATALIE SHAY: I think people are always surprised at the actual depth of my obsession with musicals. I'm a massive theatre kid, love it!
STREAM NATALIE SHAY’S “MILK” EP HERE
INTERVIEW WITH… ELECTRO POP INDIE NEWCOMER FORREST ISN’T DEAD
Meet Forrest Isn’t Dead
Indie Electro-Pop artist Forrest Isn’t Dead skittering blend of spacey, punchy synth-pop has the artist steadily making a name for himself in the indie music scene. The artist has already garnered support from Spotify, VEVO, and the music blogosphere, but most importantly fans with his candid lyrics that often tackle hardcore subject matter like the difficulty of life and relationships, absentee parents or the unknowns of life, and even death. His debut full-length titled, “The End of Everything”, is out now and I chatted with him about the debut record and more in my interview which you can read below.
THE RECLUSIVE BLOGGER: So, to start can you talk about your childhood and upbringing? How pivotal was music to you then? What were the artists/bands that shaped those early years?
FORREST ISN’T DEAD: So I really started off being into punk music such as Dead Kennedys, T.S.O.L., Nekromantix, Suicidal Tendencies, etc. and it shifted into more of what’s considered emo punk such as My Chemical Romance, Armor For Sleep, and Aiden. Then, when I was in maybe 7th grade, I really got into death metal and started playing guitar in some local bands. Once I was about 14, I decided I want to try experimenting with solo music so I started producing and singing myself. It honestly was horrible up until maybe like 2017. I’d say professionally I’ve been doing it since 2019. Also, my mom had Wish by The Cure on CD and I loved the artwork so I would throw it in my CD player when I was very, very little and I’d just sit right in front of it and listen to the album front to back. That was kind of my favorite thing to do as a kid was to sit in front of the radio and listen to CDs.
THE RECLUSIVE BLOGGER: How did Forrest Isn’t Dead come to fruition?
FORREST ISN’T DEAD: It started off with me and my business partner Matt and keyboardist Wes. We kept trying things and trying things until we landed on the sound and brand that is Forrest Isn’t Dead.
THE RECLUSIVE BLOGGER: In terms of the music that shaped your life, what was the first band or that you first became obsessed with? The one made you want to be a musician yourself.
FORREST ISN’T DEAD: Easily The Cure and My Chemical Romance when I was about nine years old. I played Wish by The Cure and Bullets by My Chem like they were the only albums that existed. I listened to “Demolition Lovers” and “Early Sunsets” every night on repeat on my Walkman when I’d go to sleep.
THE RECLUSIVE BLOGGER: Let’s talk about ‘The End of Everything’. What was the recording and writing process like for this new record? Did you have a certain sound or concept that you wanted going into the album sessions?
FORREST ISN’T DEAD: So, me, Matt and Wes actually produced the songs as demos over the last couple years and then Wyatt Oates and Tanner Hendon over at our label, Madison Records, brought the songs to life. As far as our sound, we go for a My Chemical Romance-The Cure-Gorillaz in a blender sound. The goal is to make music that connects with people the way my favorite records did for me as a kid.
THE RECLUSIVE BLOGGER: What three words would you use to define Forrest Isn’t Dead’s sound?
FORREST ISN’T DEAD: Canorous, introspective, and hopeful.
THE RECLUSIVE BLOGGER: If you could pick one lyric from The End Of Everything that you’re inspired by or feel the most connected to currently, what would it be?
FORREST ISN’T DEAD:“Deputy Bones” has to be my most personal song. I wrote it about some of my traumas, suicidal moments, and the time I almost was murdered. “It’s beautiful yet haunting like this bloody blade. Life can be deceiving I’m plunging for the end. Every cut reminds me so how could I forget. All the loving injuries and being left for dead.”
THE RECLUSIVE BLOGGER: What’s one album you could listen to over and over from start to finish?
FORREST ISN’T DEAD:Three Cheers For Sweet Revenge by My Chemical Romance without a doubt.
THE RECLUSIVE BLOGGER: Who are your dream collaborations and why?
FORREST ISN’T DEAD: Robert Smith would be my number one, Gerard Way as number two, and Jack Grisham from T.S.O.L. as my number three. I would also really love to work with Jeremy from Touché Amore…his words inspire me more than any singer ever could.
THE RECLUSIVE BLOGGER: And to close out what's next for you, is there anything I may have missed?
FORREST ISN’T DEAD: Not that I can think of but thanks for taking the time to ask these questions!
Be sure to check out Forrest Isn’t Dead on his socials which I’ve listed below and stream his debut album which is out now!
INTERVIEW WITH... TOPS SINGER & INDIE DISCO-POP ARTIST MARCI
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
Marci by Christina Bryson
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
THE RECLUSIVE BLOGGER: Can you talk about your normal songwriting process? Then how your writing/creative process was for this new song “Terminal”?
MARCI: I always write on piano, and demo as I am going. Once I have a decent demo, I bring it to David and we figure out which parts can be worked on.
There are a handful of songs that we wrote together, where I would sit on the piano and David on the bass or guitar.
For Terminal it all started with a guitar riff that David had while we were getting ready for a party. I started singing over top of the riff and we came up with the chorus of the song. When we got into the studio, we worked out the rest of the song on piano and guitar together.
THE RECLUSIVE BLOGGER: How did the music video for “Terminal” come together? and what was that process like and filming?
MARCI: The music video was almost going to be just a visualizer! Until my friend (and director) Christina Bryson decided that we absolutely needed to do a video and i'm so glad we did! It was done in one day at Christina's house, very relaxed and easy, the group of us girls (Isabelle Fields- stylist, and Melissa Rogers - makeup) had a relaxed and fun time, my friend Jackson Macintosh who played the hunky guy came over, was very fun!
THE RECLUSIVE BLOGGER: What does music and the craft of songwriting mean to you?
MARCI: It can be anything you want, there are no rules - I love the freedom in that. I also love how good it makes me feel, and how it's a never ending learning/growing experience.
THE RECLUSIVE BLOGGER: What are you most looking forward to for your upcoming tour?
MARCI: I'm excited to sing in front of an audience, and find out what kind of performer I am. Playing with a band will feel so great, hearing the songs live will be a whole new feeling - since it was a studio record.
THE RECLUSIVE BLOGGER: If you were to describe your sound in three words what words would you pick?
MARCI: Peppy, smooth, sparkly
THE RECLUSIVE BLOGGER: What’s one album that you can listen to straight through?
MARCI: Marvin Gaye - Here, My Dear
THE RECLUSIVE BLOGGER: What’s your pick for song of the summer 2022?
MARCI: Sofie Royer’s Baker Miller Pink has been on repeat
THE RECLUSIVE BLOGGER: And... last question, Is there anything else you would like to add? What up’s next for you?
MARCI: I might be releasing a new song very soon…. hehehe.
Thank you for the interview! :)
Find + Follow Marci Online:
Stream THE self-titled DEBUT ALBUM FROM MARCI out now.
INTERVIEW WITH... Brit Alt-Pop Singer-Songwriter Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand in love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
Brit Alt-Pop Singer Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand with love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
THE RECLUSIVE BLOGGER: Hi, Liz! How has your year been so far? Thanks for taking the time to speak with me at TRB.
LIZ CASS: Thanks for having me :)
THE RECLUSIVE BLOGGER: How did you each get your start in the music industry? Was it something that you felt a calling to?
LIZ CASS: I started singing when I was really young as I was a choral scholar. But I really got into other genres of music as a teenager and had a real urge to move to the big city and try and make it as a singer. I didn’t really care about anything else and ended up ditching my A-levels and hot-footing it to London. I was introduced to some amazing people and started writing songs with Fraser T Smith and met one of the heads of Warner Music who came to see me sing at a big concert in Leicester Square. But ultimately I wasn’t really ready for it all and had no idea what kind of artist I was. So I guess I blew it back then!
THE RECLUSIVE BLOGGER: Going back to your childhood a bit, did you grow up in a musical family? Was there a band or artist that in particular felt like home for you?
LIZ CASS: My parents weren’t musicians but Dad had a great vinyl collection and got me really interested in all the great artists and bands from the 60s, 70s, and 80s. Artists like Kate Bush, Sade, and Fleetwood Mac definitely have an influence on me and my music. The 80s is my decade. I love great baselines and synths are my heaven.
THE RECLUSIVE BLOGGER: Moving ahead… Can we talk about what your typical creative and writing process is like and how has that evolved for you as you’ve developed as an artist?
LIZ CASS: I wrote this album with Ed Graves who has an amazing studio in Bath called Rainbow Wood. Before we started working together I still didn’t have much confidence as a songwriter as I’d taken a long time out of the industry and I was really just experimenting with him and had no expectations of where it was going. But we just clicked and the music flowed. Being in that beautiful studio, the outside world melted away and as he started playing chords on the synths or strumming on the guitar the melodies and lyrics just started flowing out of me so quickly and easily. We’re so in sync. By the time he’s got a structure together for the song, I generally have all the lyrics and melody ready and we lay it all down. I’ve never had such an easy writing process with anyone before.
I’ve really figured out who I am as an artist through 3 years of writing sessions with Ed. I have stories to tell and I know how I want to deliver them. Now when I go to the studio I have the confidence I never had when I was younger and I know how to translate my thoughts and ideas into songs that represent me and the kind of music I love. It’s been a long road to get here but now I feel happy to keep experimenting and evolving. Got there in the end!
THE RECLUSIVE BLOGGER: Let’s discuss your latest single “Near Miss”, how did that song come together? What’s the backstory on it and how was the creative process?
LIZ CASS: It was inspired by a romantic situation I was struggling with. Being caught up in that no man’s land where someone is hot and cold and not ready to commit, so you don’t know where you stand. I was feeling quite low and confused and writing is like therapy for me, so I headed down to Rainbow Wood. I think we wrote that in about 6 hours from start to finish! I was feeling quite punchy through my frustration and wanted killer beats and baseline to get it all off my chest. It was definitely the start of a new direction for my music after a lot of wallowing during Covid. I just want to make more upbeat fun pop music for a while now.
THE RECLUSIVE BLOGGER: If you were to describe your sound to someone who hasn’t heard it in only three words. What words would you choose?
LIZ CASS: Emotive synth pop!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you on the horizon, Liz?
LIZ CASS: My album is coming out on 21st October which is exciting. It’ll be strange to send it out into the world after three years of writing it but I’m so ready. I’ve got a live show in London on 10th September at Laylow and I’m planning more gigs this autumn around the album release. I have a covers EP ready to be mixed of some of my all time favourite songs which I hope to release early next year. And then I guess I need to crack on and finish the next album! Stay tuned :)
