THE RECLUSIVE BLOGGER’S TEN BEST ALBUMS OF 2022
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. These are my picks for the 10 Best albums of 2022…
I hope you had time to read and ponder the first list. If not, you can catch up and read my picks for the 100 best songs of 2022 here and here. Below are my top ten picks for best albums of the year. In a year that was full of incredibly diverse soundscapes from a plethora of artists. From breakout artists tipping the needle to your establishment acts pushing their artistry. It was initially hard to narrow down to only ten albums from the entire year. That’s why I made an extended version that featured my top 15 albums in an Instagram reel video which you can view by clicking here. But first, let’s dive into that top ten.
#10 Yard Act
“The Overload”
The Leeds-based act is one of three albums from my list that was on the shortlist for the Mercury Prize for this year. Their acerbic and in-your-face take on new Gen/Brexit era post-punk. Yard Act was a fresh sound and style full of depth, to say the least, with many of the tracks cultivating echoes of Talking Heads and even Joy Division.
Key Track: “Tall Poppies”
#9 Mitski
“Laurel Hell”
An unflinching synth-pop meets electro-rock record about bad relationships and the unsettling realities of the music industry she was honestly suffering in. Her sweet lilting vocals are a sharp contrast to the biting visceral lyrics. Mitski is an artist stepping into her own, and on Laurel Hell, she created a full-bodied piece of art that was quite hard to put down.
Key Track: “Love Me More”
#8 Everything,
Everything
“Raw Data Feel”
An album that is at once encapsulates the horrors, loneliness, uncertainty, and reliance we all have on social media and tech. It part-way features elements of A.I. through a bot named Kevin, whose a recurring character throughout the record and provides some lyrical content. Lead vocalist Jonathan Higgs finds his footing as a frontman as he deals with underlying trauma head-on. Ultimately the band creates some of their freshest work and spot-on production. Everything, Everything juxtaposes what should be at odds with each other putting the listener into a fun, hyperrealistic, and at times unsteady dance-pop world. One that adeptly mimics the current human existence of having to live a large majority of your life online.
Key Track: “Teletype”
#7 Lizzo
“Special”
The self-proclaimed 'America's Next Great Bop Star', herself, Lizzo, latest outing offers up her most emotionally connected work and one of the most feel-good releases of 2022. Lizzo dives into a well of deservedly pent-up feelings from an utterly life-changing few years. Her superb songwriting skills and knack for writing infectious pop hooks shine brightly throughout this record. That details stories of love, longing, heartbreak, loss, and regret, all through inescapable funk dance rhythms, silky pop-r&b melodies, and the disco-pop dance-floor readiness of lead single, About Damn Time.
Key Track: “To Be Loved”
#6 Wet Leg
“Wet Leg”
The Isle of Wight duo and their spunky and, at times, downright cocky debut were a fun and enlivened highlight of the year. A breath of fresh air to a genre and industry that can be stifling in many ways, it can be hard to keep up. Their witty comedic timing, the often on-point takedowns of nihilistic millennial/Gen Z behavior, and overall great musicality have proven this to be an instant hit and new gen classic.
Key Track: “Angelica”
#5 Placebo
“Never Let Me Go”
Brit Rock iconoclasts, Placebo made their 2022 return to music with the album Never Let Me Go. Not only a surprise but an absolute delight, particularly for the fans. Never Let Me Go, as an album, had Placebo in a robust form painting a layered sonic palette of dynamic synths, thrashing guitars, and driving bass lines. Molko's famous vocals are still there, along with his ever-present existential dread haunting every lyric. There are more hope-filled songs on the record such as the anthemic lead single, "Beautiful James". It is also worth noting that the pacing is perfect, with everything given room to flow.
Key Track: “Happy Birthday to the Sky”
#4 Beyoncé
“Renaissance”
Arguably the most well-rounded and sonically diverse record. It is one album on this list designed to be listened to from start to finish. The tracks seamlessly blend into each other. Beyonce has once more switched up her sound and taking a risk doing so. Structurally this is a Dance, Disco, and House album. Yet, interwoven throughout as well are the melodics and harmonics of pop and R&B music. Lyrically, the songs are fluid with black femininity and sexuality and the power of holding that space. It’s also worth noting how stunning her vocals are here.
Key Track: “Break My Soul”
#3 Bastille
“Give Me The Future”
What wound up being a record I could hardly turn off and put down for many reasons. One of the biggest reasons of note was how Bastille perfectly captures a sense of longing, nostalgia, loss, and those post-lockdown fears and paranoia many of us from the millennial and Generation Z set. That and our addiction and ambivalence to social media and tech are truly driven home lyrically in this infectious dance-pop meets electro-rock escapade. So, seeing as Bastille has always had a knack for synthesizing introspective and bleak lyrical themes in culture and then setting them to upbeat danceable music. The band’s journey to get to this point and this album where they honed in on those skills was oh-so-satisfying.
Key Track: “No Bad Days”
#2 Nova Twins
“Supernova”
This exceptional duo create a sound that is hard to pin down, yet you know you want more. The Nova Twins easily win as the artists that have excited me the most this year, bringing an all-encompassing force and freshness to Rock that I have not heard or seen in some time. Their ferocity, femininity, strength, talent, loudness, and sexuality are heard loud and unmistakable here as Black women on this powerful and raw record. Not only do Amy Love and Georgia South take musical cues from Alternative Rock, R&B, Rock, Metal, Pop, Hip-Hop, Rap, Punk, and pretty much everything. They infuse their style, unique way of playing (heavy usage of pedals, including pitch shift pedals), and an overall hip vibe to create something I haven’t heard before and don’t think sounds like anything else out now. I’m excited to see how they push forward from here.
Key Track: “K.M.B”
#1 Arctic Monkeys
‘“The Car”
I understand this band is not everyone's cup of tea, but what they do, they do brilliantly. Frontman Alex Turner's vocals have developed into a strong troubadour sound here. That set against the lushly layered soundscapes (I caught the addition of orchestral arrangements here, what?!!) from a band that is tighter than ever, and Matt Helders on the pocket succinct drumming. The Car is their most cohesive album to date. It's a melting pot of cinema scores, music from the 60s and 70s, those signature Arctic Monkeys inflections, and Beatlesesque harmonies. Arctic Monkeys as a band has never been known for subtlety in sound or proper pacing, but with The Car, they've achieved both. Ultimately, making it such a worthwhile listen.
Key Track: “Hello You”
This is the list of albums for my 2022! Also, what were your favorite albums this year? Let me know about by dropping a comment below or through a tweet!
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART TWO
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022… Part two
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on— and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
50. Bryce Vine - “Moonrock”
49. Noah Cyrus - “I Just Want A Lover”
48. Suelgi - “28 Reasons”
47. SOHN - “Segre”
46. Halsey - “So Good”
45. Dove Cameron - "Boyfriend"
44. Doechii - "Persuasive"
43. Denzel Curry (Feat. slowthai) - "Zatoichi"
42. Dry Cleaning - "Anna Calls From The Arctic"
41. Polyphia (Feat. Steve Vai) - “Ego Death”
40. The Weeknd - "Sacrifice"
39. Willow - “curious/furious”
38. Sabrina Carpenter - “Fast Times“
37. Empress Of - "Save Me"
36. Rina Swayawayna - "This Hell"
35. Aespa - "Illusion"
34. FKA Twigs (feat. The Weeknd) - "Tears In The Club"
33. Yeah Yeah Yeahs (Feat. Perfume Genius) - "Spitting Off The Edge of The World"
32. MUNA - "What I Want"
31. Conan Gray - "Disaster"
30. The 1975 - “All I Need To Hear”
29. Maggie Rogers - "That's Where I Am"
28. Bad Bunny - "Titi Me Pregunto"
27. IYLA - “FOH”
26. Ab-Soul - "Do Better"
25. Yard Act - "The Overload"
24. LE SSERAFIM - "ANTIFRAGILE"
23. Florence + The Machine - "King"
22. Bloc Party - "In Situ"
21. Mothica - “Sensitive”
20. Franz Ferdinand - “Curious”
19. Harry Styles - “As It Was”
18. Caroline Palochek - "Billions"
17. MICHELLE - "Pose"
16. Soccer Mommy - "Shotgun"
15. Kendrick Lamar - “N95”
14. Mitski - "Working For The Knife"
13. Lizzo - “About Damn Time”
12. Phoebe Bridgers - "Sidelines"
11. Everything, Everything - "Pizza Boy"
10. Placebo - “Beautiful James”
9. NewJeans - “Hype Boy”
8. Wet Leg - "Ur Mum"
7. Paramore - "This Is Why"
6. Bastille - “Hope For The Future”
5. Rosalia - “SOAKO”
4. Beyoncé -“Alien Superstar”
3. Arctic Monkeys - “Body Paint”
2. Nova Twins - "Cleopatra"
1. My Chemical Romance - "The Foundations Of Decay"
That’s it that’s my list for my 2022! Stay tuned for my top albums and music videos! Also, let me know what your favorite songs were this year? Is there anything on this list you disagree about? Let me know about by dropping a comment in the comments section or through emoji.
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART ONE
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022…
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on—and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
100. LATTO - “It’s Givin’”
99. EDITORS - “Karma Climb”
98. Em Beihold - “Numb Little Bug”
97. Kae Temptest (Feat. Lianne La Havas) - "No Prizes"
96. Labrinth + Zendaya (Euphoria Season 2 Soundtrack) - “I’m Tired”
95. Ralph Pelleymounter - “Steady Love”
94. Kimbra - “replay!”
93. Carly Rae Jepsen - “Beach House”
92. Gayle - "abcdefu"
91. BIM - "O.T.R"
90. Tove Styrke - “Cool Me Down”
89. Tove Lo - “How Long” From (Euphoria Season 2 Soundtrack)
88. Jazmine Sullivan - “Roster”
87. Eddie Benjamin (Feat. Alessia Cara) - “Only You”
86. Hope Tala - “Stayed At The Party”
85. Charlie Puth - "Light Switch"
84. Ethel Cain - “A House In Nebraska”
83. Hermanos Gutierrez - “Thunderbird”
82. Pink Pantheress -"Picture In My Mind"
81. Arkells + Lights - "Human Being"
80. Meghan Thee Stallion - "Her"
79. Freddie Gibbs - “Dark Hearted”
78. Kings Elliott - “Butterfly Pen”
77. Stormzy - “This Is What I Mean”
76. Omar Apollo - “Evergreen”
75. Joesef - "Just Come Home With Me Tonight"
74. Joji - “Glimpse Of Us”
73. Sophie Ellis-Bextor + Wuh Oh - "Hypnotized"
72. Paige Bea - "4x4"
71. Stromae - “L’enfer”
70. Allison Ponthier - “Hollywood Forever Cemetery”
69. Jonah Yano - “leslianne”
68. Boys World - “So What”
67. Nina Nesbitt - “Pressure Makes Diamonds”
66. Maneskin - “The Loneliest”
65. Ed Sheeran (Feat. Lil’ Baby) - “2step”
64. Slipknot - “Yen”
63. Weyes Blood - “Grapevine”
62. Twice - “Talk That Talk”
61. ARO - "Against Mine"
60. Camila Cabello + WILLOW - “Psychofreak”
59. Giant Rooks - "Morning Blue"
58. Spiritbox - "Rotoscope"
57. Adele - "Oh My God"
56. J-Hope - "Arson"
55. Billie Eillish - "TV"
54. Dave - "Starlight"
53. (G)I-DLE - “My Bag”
52. Steve Lacy - "Bad Habit"
51. FLO - "Cardboard Box"
INTERVIEW WITH… NORTH LONDON INDIE POP SINGER NATALIE SHAY
INTERVIEW WITH NORTH LONDON INDIE-POP ARTIST NATALIE SHAY (@natalieshay) #TheReclusiveBlogger #MusicInterviews
North London Indie-Pop artist Natalie Shay and Brit school alum latest release is an titled “MILK”. It’s full of earnest and bright melodic pop numbers that explored different feelings and experiences that occurred during the lockdown. I chatted with Natalie about her new music, the ups and downs in her life in the past couple of years, her influences, and even Taylor Swift.
THE RECLUSIVE BLOGGER: Hi, Natalie, First off... How have you been? What has 2022 been like for you? Especially in comparison to last year?
NATALIE SHAY: Hey! thanks so much for having me, ive been well thanks for asking, 2022 has been a really great year for me and my music, a big step up from last year for sure! Aside from music it's been a rocky year, lots of ups and downs, but generally good :)
THE RECLUSIVE BLOGGER: Can speak a bit on your musical background? Has music always played role in your life?
NATALIE SHAY: Yes, music has always been a big part of my life, I began playing classical guitar aged 5, and I started training in musical theatre around the same time. However the whole 'singer/songwriter' dream did not arise until I was about 10 years old, when i first discovered Taylor Swift's fearless album, I thought it was incredible, and that inspired what I do now!
THE RECLUSIVE BLOGGER: Since your sound is a has a lot of 80s pop influences particular the new EP... What’s your go to 80s jam?
NATALIE SHAY: My fave 80s jam is ``Heaven is a Place on earth" or'' Boys of Summer''. I listen to both on repeat, always.
THE RECLUSIVE BLOGGER: When you’re in album making mode do you ever have visuals in mind as you write songs?
NATALIE SHAY: I don't often have the visuals until the song is written, when listening back to things and imagining where they could go, that's when the production style/visuals etc begin to form. When I'm writing, it's totally just about me getting my thoughts and emotions into a lyric.
THE RECLUSIVE BLOGGER: What's the music scene like in North London and how does it influence you artistically if at all?
NATALIE SHAY: I've been involved in the gernal London music scene for a long time, I began playing gigs and shows aged 13, and I've been doing things like this ever since. The London music scene is one of the greatest in the world I'm sure, it's such a mixed hub of cultures and different kinds of people and creatives. this has definitely influenced me, just the sheer amount of different collaborators and people ive met or performed wirth have inspired me so so much
THE RECLUSIVE BLOGGER: Your second EP "MILK" is out. Can you talk a little bit about how the recording and writing process was for it?
NATALIE SHAY: This ep was written and recorded with so many different people, pretty much every track has its own unique combination of collaborators and talent involved. and all of the people i worked with, were all over the country. We wrote practically every track in 2020, in and around the lockdowns. This ep really does represent a whole year of my life in every way.
THE RECLUSIVE BLOGGER: We’re any songs of the 'MILK' EP that we’re more challenging to write? Some that came together quickly?
NATALIE SHAY: The easiest one to write was 'new wave' . It's the feel good happy pop track on the ep, the lyrics are sweet, simple and to the point. harder ones to write were heaven and two sparks, 'two sparks' is such a personal song to me, the lyrics needed my full attention and time, and same for 'heaven', i had so much i wanted to say, just needed to figure out how to say it.
THE RECLUSIVE BLOGGER: What would you say that your latest release "MILK" biggest inspirations and influences are? Can you delve into that more?
NATALIE SHAY: lyrically, everything is autobiographical. Musically, a real mix, taylors 1989 is always my go to ref for sound and production, same with haim days are gone. Every track on the ep is about something I experienced, discovered or felt over a year of my life, all different topics too.
THE RECLUSIVE BLOGGER: How do you think studying at The Brit School has helped you in as you began to shape and mold your career?
NATALIE SHAY: without brit i probably wouldn't be doing what i do now, it gave me the tools and understanding to be able to take the dive into making music my full time career, i met lots of the people i still work with regularly now when i was there, it's also just generally very inspiring to be somewhere like that. and be surrounded with like minded driven people.
THE RECLUSIVE BLOGGER: Are there any current artists that have been “On Repeat” for you as a band lately? What music have you been playlisting?
NATALIE SHAY: Taylor swift all the time, all the way. my fave band is little comets, i also love some of my friends music, artists such as, kayla grace, lucy deakin and beth mccarthy
THE RECLUSIVE BLOGGER: What has been one of the most rewarding experiences for you this year?
NATALIE SHAY: The most rewarding thing this year was just the whole summer, some great festival experiences and opportunities, i enjoyed this summer very very much.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with your sound or aesthetic?
NATALIE SHAY: mitchie in camp rock
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
NATALIE SHAY: sophisticated honest pop
THE RECLUSIVE BLOGGER: What was it like stepping into the EDM world and working with those artists? You worked with Grum and Kryder right?
NATALIE SHAY: yes! doing the EDM stuff has been super fun, ive loved seeing the tracks go global, and also attending the shows, the fans know all the words, and i'm stood in the crowd with them, but they dont know its me or my vocal, very cool experiences.
THE RECLUSIVE BLOGGER: To close, What’s one thing that people are generally surprised to find out about you?
NATALIE SHAY: I think people are always surprised at the actual depth of my obsession with musicals. I'm a massive theatre kid, love it!
STREAM NATALIE SHAY’S “MILK” EP HERE
HEAR THIS NOW: THE MUSIC SOUNDCHECK EDITION 12
THIS IS EDITION 12 OF THE 'HEAR THIS NOW' THE MUSIC SOUNDCHECK AT TRB
Paramore is back, Arctic Monkeys dropped another brilliant song from their forthcoming album, ‘The Car’, and Sam Smith and Kim Petras team up. All these tracks and more lead edition 12 of my ‘Hear This Now’ roundup where we’ve got a bit of everything for everyone. From lilting soft melodic indie-pop to 60s-inspired Alt-Pop, then bombastic hip-hop numbers, and "Unholy” mainstream pop collabs. This is The Music Soundcheck edition 12.
You can listen to all the music mentioned here and much more in this playlist here, The Reclusive Blogger's Mixtape Melodies..
Paramore - “This Is Why”
After a four year break since After Laughter and Hayley’s “Simmering” solo work (see what I did there). Paramore are back with a new insanely groovy new song and sound taking bits and pieces of influences from everywhere. 60s beat, 70 soul/funk, The Beatles, 90 Indie, and British naughties bands like Bloc Party. A band which Hayley has been quoted as saying was big influence for this new album and era.
Click the link to see ‘This Is Why’ we love Paramore and their groovy new tune!
Antonio Sanchez (feat. Trent Reznor + Atticus Ross ) -“I Think We’re Past That Now”
The newly released music video features otherworldly animation from the Mexican animation company Animatitlan. It’s the perfect accompaniment to what is such a hard hitting track and collaboration between the trio.
Stream Antonio’s epic collab with Trent & Atticus at the link
Freddie Gibbs -“Dark Hearted”
Another banger from Freddie Gibbs this time featuring beautifully laid out minimalist production from James Blake. It’s all set against a darkly surrealist animated music video.
Explore the offbeat surrealism of ‘Dark Hearted’ by pressing play on the link here
Paige Bea - "4x4"
This track from the London Songwriter and producer is the second offering from her upcoming EP, ‘Goodbye, Then!'. Paige takes us on a euphoric journey of a new relationship (and the obsession that can happen) via the haunting mix of avant-garde electronic pop.
To feel all the feels of a new love, stream 4x4 by listening here
Tommy Newport (Feat. Jazz Cartier) - “Jackpot"
Manchester’s Indie cool kid Tommy Newport teams up with Toronto rapper and Juno Award winner Jazz Cartier on “Jackport”. The duo create what is the ultimate vibe on this groovy, soulful yet gritty track.
To stream ‘Jackpot’ press play here
THE DRIVES - “Not That Bad”
This garage rock foursome weigh out the aftermath of relationship that never really got started with a punk realness flickering through their pop melodies.
To listen to “Not That Bad” go here
ARCTIC MONKEYS - “BODY PAINT”
The second offering from the bands’ forthcoming album “The Car”. The song oozes 60s influences like the use of orchestral elements and layered melodies and harmonies a la The Beatles. Those nods to past give the track a certain air of nostalgia all while firmly planted in the roots of todays Alternative Rock sound. Plus frontman Alex Turner vocals have never sounded this strong.
To see if there’s still a trace of “Body Paint” go here
JONAH YANO - "leslianne"
If there was ever a song that could be called short and sweet (it’s under 2 minutes). This is the perfect song. The track which is the second helping from Yano’s forthcoming sophomore album ‘Portrait of a Dog’ finds the artist gracefully musing over a girl finding her way home. Along the way Yano fuses his voice with his piano work and it’s exquisite.
Find your way home to “leslianne” here
Pre-order ‘Portrait of a Dog’ here
SAM SMITH + Kim PETRAS - “UNHOLY”
Pop balladeer Sam Smith does a complete 360 and changes up his sound in his new collab with eclectic pop singer Kim Petras. In the racy music video for the new track, appearances aren’t always as they seem and things quickly get… well “Unholy”.
Get “Unholy” with Sam and Kim here
THE BAD PLUS - “SELF-TITLED”
Then there’s the visionary Jazz group The Bad Plus. A group redefining the sonics of Jazz through their unique skill set and pedigrees. On the bands’ latest release and first as a quartet the redefine what Jazz can be through dynamic musical language, refreshing soundscapes, and ultimately the drive and passion to go beyond what Jazz is, but to what it can be.
Stream their self-titled album here
MEET ME @ THE ALTAR - “SAY IT (TO MY FACE)”
The WOC pop-punk trio returns with the first offering from the bands’ forthcoming debut album. A spunky diss track to all the haters from the group who has come to have a love/hate relationship with the internet these days. From the gang vocals in the chorus, fast riffs, loud guitars, hard hitting drums, and huge hooks. These girls are ready for the limelight and representation in pop-punk is sorely needed.
PRECIOUS PEPALA - “LOOKING FOR TROUBLE”
Rising English act Precious Pepala is already making waves with her impressive voice and storytelling. At only 17 her latest single “Looking For Trouble” tackles a tale as old as time, but with a refreshing honesty, Millennial/Gen Z relatability, and a soulful pop vocal delivery beyond her years. Precious is certainly one to watch.
Madison Cunningham - “Revealer”
Revealer is the new album by artist, singer, and songwriter Madison Cunningham. While her sound may feel familiar with its heavy notes of nostalgia plucked throughout. Her vocals, lyrical delivery and choice in words and wordplay is all fresh, she’s throws in her many influences from Jazz, Pop, and even Alternative Rock. Her Folk-Americana sound is uniquely her as she often touches upon the anxieties of her generation, the hopes, the fears, the highs and lows. Which is what I asked her about when I got the chance during a small presser last month. What has been the most rewarding experience for her so far? Despite Grammy noms, doing a NPR Tiny Desk Concert, and performing on late night shows. Cunningham said opening up for Harry Styles was it. She was in awe of how gracious his fans were even taking the time to learn her songs. Although, I have a feeling some were already fans.
To stream “Revealer” go here
Duncan Lawrence - “Electric Life”
While the “Arcade” singer new single subject matter is quite heavy. It’s song about loved ones who have passed on and the transformation of deep sorrow to hope about it. Duncan masks the sorrowful nature of the song in dynamic, warm, 70s inspired sonics. The artist creating what is ultimately a bombastic tune.
You watch the music video which he directed himself here.
Buzzy electro-pop band VALLEY have an infectious and optimistic pop anthem out titled “The Problem Song”. Non-binary Bedroom Pop artist Khai Dreams returns with a new track and animated music video for their vibe heavy track “Bugs”. Queer singer-songwriter Darren Hayes (who you might recognize from the 90s band Savage Garden) makes statement in the power of vulnerability laying reclamation to the word “Homosexual” by naming his new album that title. Vancouver artist EKKSTACY drops his new album “Misery”, an album that explores Alternative music and dark side of it and life. You can also watch the music video for his latest single “I’m So Happy” here. For fans of the pop vocal or the group Pentatonix you can check out Scott Hoying’s debut track “Mars” here.
Lastly, there’s new music out from pop artists like North London’s Natalie Shay, Salt Lake City’s Addison Grace, and Canada’s Rêve. The last three all have a penchant for great storytelling that under pin either catchy beats, great pop hooks or euphoric melodies.
INTERVIEW WITH… ELECTRO POP INDIE NEWCOMER FORREST ISN’T DEAD
Meet Forrest Isn’t Dead
Indie Electro-Pop artist Forrest Isn’t Dead skittering blend of spacey, punchy synth-pop has the artist steadily making a name for himself in the indie music scene. The artist has already garnered support from Spotify, VEVO, and the music blogosphere, but most importantly fans with his candid lyrics that often tackle hardcore subject matter like the difficulty of life and relationships, absentee parents or the unknowns of life, and even death. His debut full-length titled, “The End of Everything”, is out now and I chatted with him about the debut record and more in my interview which you can read below.
THE RECLUSIVE BLOGGER: So, to start can you talk about your childhood and upbringing? How pivotal was music to you then? What were the artists/bands that shaped those early years?
FORREST ISN’T DEAD: So I really started off being into punk music such as Dead Kennedys, T.S.O.L., Nekromantix, Suicidal Tendencies, etc. and it shifted into more of what’s considered emo punk such as My Chemical Romance, Armor For Sleep, and Aiden. Then, when I was in maybe 7th grade, I really got into death metal and started playing guitar in some local bands. Once I was about 14, I decided I want to try experimenting with solo music so I started producing and singing myself. It honestly was horrible up until maybe like 2017. I’d say professionally I’ve been doing it since 2019. Also, my mom had Wish by The Cure on CD and I loved the artwork so I would throw it in my CD player when I was very, very little and I’d just sit right in front of it and listen to the album front to back. That was kind of my favorite thing to do as a kid was to sit in front of the radio and listen to CDs.
THE RECLUSIVE BLOGGER: How did Forrest Isn’t Dead come to fruition?
FORREST ISN’T DEAD: It started off with me and my business partner Matt and keyboardist Wes. We kept trying things and trying things until we landed on the sound and brand that is Forrest Isn’t Dead.
THE RECLUSIVE BLOGGER: In terms of the music that shaped your life, what was the first band or that you first became obsessed with? The one made you want to be a musician yourself.
FORREST ISN’T DEAD: Easily The Cure and My Chemical Romance when I was about nine years old. I played Wish by The Cure and Bullets by My Chem like they were the only albums that existed. I listened to “Demolition Lovers” and “Early Sunsets” every night on repeat on my Walkman when I’d go to sleep.
THE RECLUSIVE BLOGGER: Let’s talk about ‘The End of Everything’. What was the recording and writing process like for this new record? Did you have a certain sound or concept that you wanted going into the album sessions?
FORREST ISN’T DEAD: So, me, Matt and Wes actually produced the songs as demos over the last couple years and then Wyatt Oates and Tanner Hendon over at our label, Madison Records, brought the songs to life. As far as our sound, we go for a My Chemical Romance-The Cure-Gorillaz in a blender sound. The goal is to make music that connects with people the way my favorite records did for me as a kid.
THE RECLUSIVE BLOGGER: What three words would you use to define Forrest Isn’t Dead’s sound?
FORREST ISN’T DEAD: Canorous, introspective, and hopeful.
THE RECLUSIVE BLOGGER: If you could pick one lyric from The End Of Everything that you’re inspired by or feel the most connected to currently, what would it be?
FORREST ISN’T DEAD:“Deputy Bones” has to be my most personal song. I wrote it about some of my traumas, suicidal moments, and the time I almost was murdered. “It’s beautiful yet haunting like this bloody blade. Life can be deceiving I’m plunging for the end. Every cut reminds me so how could I forget. All the loving injuries and being left for dead.”
THE RECLUSIVE BLOGGER: What’s one album you could listen to over and over from start to finish?
FORREST ISN’T DEAD:Three Cheers For Sweet Revenge by My Chemical Romance without a doubt.
THE RECLUSIVE BLOGGER: Who are your dream collaborations and why?
FORREST ISN’T DEAD: Robert Smith would be my number one, Gerard Way as number two, and Jack Grisham from T.S.O.L. as my number three. I would also really love to work with Jeremy from Touché Amore…his words inspire me more than any singer ever could.
THE RECLUSIVE BLOGGER: And to close out what's next for you, is there anything I may have missed?
FORREST ISN’T DEAD: Not that I can think of but thanks for taking the time to ask these questions!
Be sure to check out Forrest Isn’t Dead on his socials which I’ve listed below and stream his debut album which is out now!
FITZ AND THE TANTRUMS + ANDY GRAMMER BRING THE WRONG PARTY TOUR TO L.A. WITH HELP FROM BRELAND
Last Saturday, Three of what seems like the unlikeliest artists brought what was an epic dance party to The Greek Theatre. Opener Breland with Hip-Hop Country, Andy Grammer with his happy Pop, and Fitz And The Tantrums, whose soulful pop tunes have ears tuned, feet dancing since their KCRW days have endearingly collided on their The Wrong Party tour.
Michael “Fitz” Fitzpatrick of Fitz And The Tantrums
Last Saturday, Three of what seems like the unlikeliest artists brought what was an epic dance party to The Greek Theatre. Opener Breland with Hip-Hop Country, Andy Grammer with his happy Pop, and Fitz And The Tantrums, whose soulful pop tunes have ears tuned, feet dancing since their KCRW days have endearingly collided on their The Wrong Party tour. While it may, on the surface, come across like a mish-mash of Adult Alternative radio artists with popular hits. It ultimately worked for many reasons, as it was a family show. Families were out and about on this breezy Saturday evening. Also, all three acts together brought showmanship. Lastly, two performers on the lineup (Breland and Andy Grammer) have roots in the country music space.
Breland performs at The Greek Theatre
Breland was first up on the lineup. His sound has its roots in country music but was so much more. "Praise The Lord" was gospel tinged with a hipper country sound. Then songs like "Thick" and "Throw It Back" completely leaned into the Country-Rap sound. So it was no surprise that his Nelly mashup was straight fire. The New Jersey native and Gen Z artist fused Hip-Hop, Gospel, Soul, and Pop into what I could only describe as a Breland fusion. A mix of funky, bouncy, feel-good music. That easily captured the audience. An audience that was only starting to trickle in. Make no mistake, though, Breland fans were there and ready to party. His opening set was full of exuberant boundless energy and the perfect joyful vibe to start the night out. His banter between his songs was my favorite as he regaled the audience with jokes and other anecdotes from his life. Including the time Keith Urban asked him out to Nashville to write music, and he hopped on a plane and arrived the following morning.
Andy Grammer performs at The Greek Theatre
Andy Grammer was next out, opening with a spoken word poem befitting his brand of joyful uplifting pop. That poem transitioned into the song "Damn It Feels Good to Be Me". A booming pop-jazz style band backed Grammer and was complete with backup singers who also played jazz instruments like the saxophone. For some, Grammer may not be a face that is easily recognizable but with his penchant for writing memorable pop hooks and catchy melodies. There is no doubt that you have heard a song or two from him. Infectious melodies, jazzy riffs, and dance-pop synths permeated the well-paced sixteen-song set. Some highlights include the new collab, “The Wrong Party”, with Michael ‘Fitz’ Fitzpatrick of Fitz And The Tantrums, who popped out to sing it with him. Then the monogamy and relationship anthem, Honey, I’m Good. Or the soulful foot stomper, Good To Be Alive. His vocals shined throughout and soared best on the more personal numbers like “Fresh Eyes”, Joy, or later on, during the encore “Saved My Life”. The jazz-inflected “Pennies From Heaven / Stay / Fine by Me” mashup was a sweet surprise. His debut track, “Keep Your Head Up”, was another brilliant moment during his encore. Those lyrics still resonate and speak to the dreamer in all of us.
Noelle Scaggs of Fitz And The Tantrums performs at The Greek Theatre
Lastly, Fitz And The Tantrums closed out the night and the L.A. stop of The Wrong Party tour. Although far removed from their KRCW days where blue-eyed soul and a vintage sound dominated their music. Their evolution to Alterna-Pop heavy hitters makes this band so great, reminding us that a dream and hard work will ultimately pay off. The band fronted by two singers, the aforementioned Michael 'Fitz' Fitzpatrick and Noelle Scaggs plus their insane chemistry. The Greek Theatre showcased their exuberant blend of soulful dance pop and was the perfect way to cap off what was an eclectic dance party in the canyons of L.A. The band opened with “OCD” into a “Don’t Gotta Work It Out”, a Fitz classic and staple. Songs like “Complicated” got the party moving with its R&B bounce before moving into synth-laden “Out Of My League”. Other highlights from the band include their new cut “Sway”, the soul-inflected “MoneyGrabber”, and the skittering pop of “123456”. Fitz and The Tantrums continued the trend of incredible musicianship and professionalism that night. They closed out their eighteen-song set with an encore that included hits, “HandClap” and “The Walker”. “The Wrong Party” tour offered fans and music lovers a night of fun, dancing, and lighthearted escapism in its purest form. It was a bubbly hip-pop disco party accentuated by an incredible light show. Fun for all too, as you’re never late to this party.
INTERVIEW WITH... TOPS SINGER & INDIE DISCO-POP ARTIST MARCI
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
Marci by Christina Bryson
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
THE RECLUSIVE BLOGGER: Can you talk about your normal songwriting process? Then how your writing/creative process was for this new song “Terminal”?
MARCI: I always write on piano, and demo as I am going. Once I have a decent demo, I bring it to David and we figure out which parts can be worked on.
There are a handful of songs that we wrote together, where I would sit on the piano and David on the bass or guitar.
For Terminal it all started with a guitar riff that David had while we were getting ready for a party. I started singing over top of the riff and we came up with the chorus of the song. When we got into the studio, we worked out the rest of the song on piano and guitar together.
THE RECLUSIVE BLOGGER: How did the music video for “Terminal” come together? and what was that process like and filming?
MARCI: The music video was almost going to be just a visualizer! Until my friend (and director) Christina Bryson decided that we absolutely needed to do a video and i'm so glad we did! It was done in one day at Christina's house, very relaxed and easy, the group of us girls (Isabelle Fields- stylist, and Melissa Rogers - makeup) had a relaxed and fun time, my friend Jackson Macintosh who played the hunky guy came over, was very fun!
THE RECLUSIVE BLOGGER: What does music and the craft of songwriting mean to you?
MARCI: It can be anything you want, there are no rules - I love the freedom in that. I also love how good it makes me feel, and how it's a never ending learning/growing experience.
THE RECLUSIVE BLOGGER: What are you most looking forward to for your upcoming tour?
MARCI: I'm excited to sing in front of an audience, and find out what kind of performer I am. Playing with a band will feel so great, hearing the songs live will be a whole new feeling - since it was a studio record.
THE RECLUSIVE BLOGGER: If you were to describe your sound in three words what words would you pick?
MARCI: Peppy, smooth, sparkly
THE RECLUSIVE BLOGGER: What’s one album that you can listen to straight through?
MARCI: Marvin Gaye - Here, My Dear
THE RECLUSIVE BLOGGER: What’s your pick for song of the summer 2022?
MARCI: Sofie Royer’s Baker Miller Pink has been on repeat
THE RECLUSIVE BLOGGER: And... last question, Is there anything else you would like to add? What up’s next for you?
MARCI: I might be releasing a new song very soon…. hehehe.
Thank you for the interview! :)
Find + Follow Marci Online:
Stream THE self-titled DEBUT ALBUM FROM MARCI out now.
INTERVIEW WITH... Brit Alt-Pop Singer-Songwriter Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand in love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
Brit Alt-Pop Singer Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand with love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
THE RECLUSIVE BLOGGER: Hi, Liz! How has your year been so far? Thanks for taking the time to speak with me at TRB.
LIZ CASS: Thanks for having me :)
THE RECLUSIVE BLOGGER: How did you each get your start in the music industry? Was it something that you felt a calling to?
LIZ CASS: I started singing when I was really young as I was a choral scholar. But I really got into other genres of music as a teenager and had a real urge to move to the big city and try and make it as a singer. I didn’t really care about anything else and ended up ditching my A-levels and hot-footing it to London. I was introduced to some amazing people and started writing songs with Fraser T Smith and met one of the heads of Warner Music who came to see me sing at a big concert in Leicester Square. But ultimately I wasn’t really ready for it all and had no idea what kind of artist I was. So I guess I blew it back then!
THE RECLUSIVE BLOGGER: Going back to your childhood a bit, did you grow up in a musical family? Was there a band or artist that in particular felt like home for you?
LIZ CASS: My parents weren’t musicians but Dad had a great vinyl collection and got me really interested in all the great artists and bands from the 60s, 70s, and 80s. Artists like Kate Bush, Sade, and Fleetwood Mac definitely have an influence on me and my music. The 80s is my decade. I love great baselines and synths are my heaven.
THE RECLUSIVE BLOGGER: Moving ahead… Can we talk about what your typical creative and writing process is like and how has that evolved for you as you’ve developed as an artist?
LIZ CASS: I wrote this album with Ed Graves who has an amazing studio in Bath called Rainbow Wood. Before we started working together I still didn’t have much confidence as a songwriter as I’d taken a long time out of the industry and I was really just experimenting with him and had no expectations of where it was going. But we just clicked and the music flowed. Being in that beautiful studio, the outside world melted away and as he started playing chords on the synths or strumming on the guitar the melodies and lyrics just started flowing out of me so quickly and easily. We’re so in sync. By the time he’s got a structure together for the song, I generally have all the lyrics and melody ready and we lay it all down. I’ve never had such an easy writing process with anyone before.
I’ve really figured out who I am as an artist through 3 years of writing sessions with Ed. I have stories to tell and I know how I want to deliver them. Now when I go to the studio I have the confidence I never had when I was younger and I know how to translate my thoughts and ideas into songs that represent me and the kind of music I love. It’s been a long road to get here but now I feel happy to keep experimenting and evolving. Got there in the end!
THE RECLUSIVE BLOGGER: Let’s discuss your latest single “Near Miss”, how did that song come together? What’s the backstory on it and how was the creative process?
LIZ CASS: It was inspired by a romantic situation I was struggling with. Being caught up in that no man’s land where someone is hot and cold and not ready to commit, so you don’t know where you stand. I was feeling quite low and confused and writing is like therapy for me, so I headed down to Rainbow Wood. I think we wrote that in about 6 hours from start to finish! I was feeling quite punchy through my frustration and wanted killer beats and baseline to get it all off my chest. It was definitely the start of a new direction for my music after a lot of wallowing during Covid. I just want to make more upbeat fun pop music for a while now.
THE RECLUSIVE BLOGGER: If you were to describe your sound to someone who hasn’t heard it in only three words. What words would you choose?
LIZ CASS: Emotive synth pop!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you on the horizon, Liz?
LIZ CASS: My album is coming out on 21st October which is exciting. It’ll be strange to send it out into the world after three years of writing it but I’m so ready. I’ve got a live show in London on 10th September at Laylow and I’m planning more gigs this autumn around the album release. I have a covers EP ready to be mixed of some of my all time favourite songs which I hope to release early next year. And then I guess I need to crack on and finish the next album! Stay tuned :)
Stream Liz Cass's new single “Near Miss” which is out now.
PASADENA'S CRUEL WORLD FESTIVAL DELIGHTS WITH A HOST OF EIGHTIES GOTHIC NOSTALGIA
Not even the 95-degree heat could stop the beat or the fun at the first Cruel World Fest.
Last weekend kicked off the first Cruel World Festival held by Goldenvoice. A music powerhouse behind many of the biggest annual California festivals like Stagecoach and Coachella. Cruel World Fest had thousands partying into the night to eighties icons like Bauhaus, Morrissey (yes, that Morrissey), Devo, Missing Persons, Blondie, The Church, Berlin, The Psychedelic Furs, English Beat, and many more.
Held in Pasadena at the Brookside Park and Golf Course in Pasadena, so the heat was an issue, but otherwise, the two-day eighties goth oasis was an exhilarating blast from the past. It was also a day or two to be grateful, enjoying the sun, the music, any new friends made, and the vibes. After all, it has been a difficult and trying two and half years. Even though there were a few fest hiccups like Echo and the Bunnymen dropping out or your garden variety festival hiccups. It was sure to be an event for the ages and truly an event for Alternative and classic Alternative music lovers.
Living legends at the Cruel World Festival anchored by many next wave acts or niche artists of the time. Like The KVB, a husband and wife duo with a penchant for 90s melancholy via Shoegaze guitar rhythms, neon 80s synths, and dark melodies for ages. Despite the somewhat penchant for dark and brooding music, the duo was so lovely in my chat with them (that will be out soon). Solo artist TR/ST brought his vibe of sin-soaked angsty synth beats much to the surprise and delight of many. You also had your underground mainstays like Cold Cave and my faves Blaqk Audio, with each band garnering super loyal and supportive fanbases. They each brought a unique sense of new-age sleekness and style that the newer brand of goth-tinged synth-rock or pop showcase.
For me, and no doubt so many others, there was no question that Bauhaus stole the show. A magical feeling was prominent in the air as the moon was high. Bauhaus set the scene from the beginning with a fog machine to heavy strobe lights. The audience was feverish by the time Peter Murphy's booming baritone rang out. Singing through a catalog of Bauhaus classics like 'She's In Parties'and the obvious crowd fave, 'Bela Lugosi's Dead'. It was a night to remember one perfectly accented by the elusive (and perhaps reclusive?) Morrissey. His vocals are as dramatic as ever, from every ad-lib, yelp, and yodel.
The crowd clung to every word as many of them had grabbed barricade spots way early in the day, standing for hours. Other highlights were Berlin, lead vocalist Terri Nunn's crowd interaction was like no other, Automatic, The Church, Missing Persons, and Devo. While I missed the chance to photograph every band like I wanted to, the heat that day was more than I expected. You can check out my photo galleries from the festival below. I had a great time, as did many other fans of all ages. So, closing out, I'll see you at Cruel World 2023 and, yes, that means you too, Bunnymen.
