PASADENA’S CRUEL WORLD FESTIVAL RETURNS IN ALL OF ITS DAZZLING GOTHIC GLORY
PASADENA’S CRUEL WORLD FESTIVAL RETURNS IN ALL OF ITS DAZZLING GOTHIC GLORY
Photo Credit: Brittney Williams | The Reclusive Blogger
The SOLD-OUT festival is now in its second year and entertained a crowd of thousands of hard-core music lovers with a taste for punk, proto-punk, Goth, Industrial, Electronica, Rock, and Alternative Rock, all looking to dance the humidity away on a Saturday and depending on your age relive some teenage memories. Given the performers, it was no coincidence that this was casually referred to as the Gen X lineup. This year's electric lineup featured mostly artists and bands from the late 70s and the 80s, with some sounds from today that echo a similar hauntingly chaotic vibe. The festival is in Pasadena's Brookside Park, located south of the Rose Bowl Stadium, and showcases the best Goth/Punk/Alt culture, fashion, and music. A niche subculture that's quickly growing in the mainstream culture or media space. You guys can debate the merits or negatives of that. While fashion, with its roots in freedom of expression, was a focal point and was more than spot-on artistically and sartorially. So as much as everyone had come dressed to impress in black with fishnet, lace, leather, or mesh that perfectly accented their ensemble. Cruel World was still a music festival, and music was the hallmark of Goth culture. After the festival had to overcome two fan favorites dropping out, The Motels and Adam Ant. They continued with new additions, Squeeze, and one of last year's highlights, Berlin. Now to talk about the best of the festival and well that ending ...
Photo Credit: Pooneh Ghana
Photo Credit: Coen Rees
I'm pretty sure by now everyone has heard about what happened towards the end of the Cruel World Festival. It wasn't until the end of the festival when Iggy was playing we got word of a lighting storm headed our way, so we needed to evacuate safely, quickly, and calmly. There were many signs, including flashes of lighting and even some actual strikes (I even saw a few lightning flashes). How close was it? I'm not sure exactly, but you can never hedge a bet with something like that. It's always better to be safe than sorry. So you won't wind up dealing with potentially horrific repercussions afterward. Anyway, I am very thankful that the storm never made it and petered out. It's also worth noting that Iggy Pop still slayed even through potential danger, and I finally got to hear one of my favorite songs from childhood, The Passenger.
Many festival-goers (including other musicians and ones sharing the bill) made it known that Goth Punk icon Siouxsie Soux was who they had trekked out to the festival to see. Siouxsie was playing her first show in over fifteen years, and this would be her only show in the Americas. So when the evacuation happened that killed her set, disappointment was an absolute understatement, but Goldenvoice (the festival promoter) came through and went above and beyond by creating a second-day mini-fest with a re-do of both hers' and Iggy Pop sets, adding Gary Numan, and a DJ set from the Club Dooms' Dave. Iggy Pops' expanded second set had twelve songs closing out with tracks from his time with two epic Stooges tracks, the blistering Search and Destroy, and sleazy pop stump, I Wanna Be Your Dog. Siouxsie closed the night out in a disco lamé jumpsuit to a roaring and adoring crowd of thousands playing through her classics, solo work, and fan favorites. You can check out her entire setlist below.
Some other highlights include the soulful British Pop band ABC who got the crowd going and pumped in the mid-afternoon. Lead Singer and showman Martin Fry held a captive audience as they sang along to every word to hits like Poison Arrow, The Look of Love, and When Smokey Sings. Billy Idol's rebel rock energy brought us into the dusk with an energetic 80s Rock revival as he flexed through hits like Dancing With Myself, Flesh For Fantasy, Rebel Yell, White Wedding, his cover of the Tommy James & the Shondells classic, Mony Mony and so many more. The crowd even sang Happy Birthday to his Granddaughter, Poppy, who turned three. I was shocked at the size of the audience that came to see and hear him on the Sad Girls stage. It was massive! Billy Idol fans are still hard-core to this day, and I bet he picked up so many new ones with his Cruel World debut.
Berlin, Modern English, Echo and the Bunnymen, and Gary Numan were all clear fan favorites with packed sets and brought top-tier electronic and synth music and vibes to the festival. For me, Gary Numan stole the show with his vibrant and electric mix of avant-garde Industrial electronica. Once again, as in many of the artists mentioned before, Numan's power was in his stage presence and comfortability. He played through a mix of old and new work and, of course, played Cars, the song (or one of the songs) that inevitably changed the landscape of Electronic music. It was a treat for not only fans but anyone that's a fan of the genre or makes music within it.
Lastly, Cruel World Festival also highlighted newer artists that carried the torch of the various genres and ethos. Ela Minus is a Columbian singer whose DIY electro-punk aesthetic and synthesizer made a big splash at the festival. Then there was Riki, who brought strong vocals set against spiked bubblegum synth-wave sounds, and the duo of Boy Harsher, whose darkwave and EBM sound filled the air with a sense of foreboding as you danced. Molchat Doma, a Belarusian post-punk band whose mournful sound was another rare offering, fell in line with the tradition of the festival highlighting niche overseas bands. The high point for me out of the newer bands had to be Texas' Urban Heat their music was an electric mix of post-punk and darkwave. The trio, led by captivating frontman Jonathan Horstmann gathered a large crowd around the Lost Boy stage at the hottest time of the day, enduring the heat and humidity. I also got to interview and take some portraits of Jonathan, so please stay tuned for that.
It was quite the wild ride at this year's festival, and it seems that Adam Ant, as the Bunnymen had in the previous year, has been rescheduled to next year. Adam is the reason why skull rings are a jewelry staple for me. So, I'd like to thank Goldenvoice for everything, and I'll see you all at Cruel World 2024 with my 'Goody Two Shoes' on.
MY CRUEL WORLD FESTIVAL PHOTO GALLERY | ALL PHOTOS BELOW TAKEN BY ME AND THE PRIOR GARY NUMAN PHOTO. THE SIOUXSIE SIOUX PHOTO TAKEN BY POONEH GHANA AND THE IGGY POP PHOTO TAKEN BY COEN REES. THANKS GOLDENVOICE FOR THE USE OF THOSE PHOTOS!Photo Credit: Brittney Williams | The Reclusive Blogger
PHOTO GALLERY: 15th ANNUAL STAGECOACH MUSIC FESTIVAL
PHOTO GALLERY: 15th ANNUAL STAGECOACH MUSIC FESTIVAL
This past weekend after Coachella wrapped its two weekend stinct in Indio, CA. Stagecoach Music Festival rolled into town and took over to continue the party in the California desert. While the annual country music event is only one weekend, it still brought a pretty star packed lineup of country stars, icons, boundary pushers, genre blenders, and a bit of diversity. This year headliners were Luke Bryan, Kane Brown, and Chris Stapleton, each turned out incredibly massive crowds for their main stage shows. Artists and fan favorites like Breland, Jon Pardi, Elle King, Lainey Wilson, Priscilla Block, and Bailey Zimmerman also performed and had everyone singing along. Nikki Lane (A Stagecoach Veteran), along with band Old Dominion, Ryan Bingham, Keb Mo, and Valerie June, to name a few, were some who brought a more Alternative or Bluesy sound. DJs Diplo & Dillion Francis, plus Rapper Nelly brought party vibes to Stagecoach, while Rock icons ZZ Top and Bryan Adams still held their own. This year was the festival’s 15th year and anniversary.
You can view a ton of photos from the festival from incredible photographers in a slideshow gallery below courtesy of Stagecoach.
WHO: HEADLINERS: Luke Bryan, Kane Brown, and Chris Stapleton. Jon Pardi, Old Dominion, Brooks & Dunn, Riley Green, Gabby Barrett, Parker McCollum, ZZ Top, Bryan Adams, Tyler Childers, Elle King, Niko Moon, Turnpike Troubadours, Breland, Nelly, Diplo, Melissa Etheridge, Morgan Wade, Lainey Wilson, Priscilla Block, Ryan Bingham, Sammy Kershaw, Marty Stuart, Parmalee, Ian Munsick, Mary Chapin Carpenter, Bailey Zimmerman, Nate Smith, Kameron Marlowe, Luke Grimes, Jackson Dean, Nikki Lane, Valerie June, Trixie Mattel, Corey Kent, Warren Zeiders, Seaforth, Lily Rose, Sierra Ferrell, Drake Milligan, American Aquarium, Restless Road, Flamin' Groovies, The Last Bandoleros, Keb' Mo', Nick Shoulders, Jaime Wyatt.
WHAT: Stagecoach Music Festival
WHEN: April 28 - 30, 2023
WHERE: Empire Polo Fields, Indio, CA
PHOTO CREDITS: Are listed on each photo and courtesy of Stagecoach
MY CHEMICAL ROMANCE HITS ALL THE RIGHT NOTES ON OPENING NIGHT OF KIA FORUM RESIDENCY
MY CHEMICAL ROMANCE HITS ALL THE RIGHT NOTES ON OPENING NIGHT OF THEIR KIA FORUM RESIDENCY
MY CHEMICAL ROMANCE ARE IN THE MIDST OF A SOLD OUT FIVE NIGHT RESIDENCY AT L.A.’s KIA FORUM
TRB WAS AT OPENING NIGHT LAST TUESDAY
READ THE FULL SHOW REVIEW WITH CONCERT PHOTOS BELOW…
Gerard and that Flamethrower
For a band that first came onto the scene at a time when it seemed like many of that generation were carbon copies of each other or just very surface-level. My Chemical Romance has easily been the band that has stood the test of time astutely navigating an increasingly challenging music industry. One where bands come and go or quickly lose their identity and creative freedom somewhere down the line. So to hear that My Chemical Romance was to return in 2019. A band that stuck their roots AND experimented. The band whose songs many of us adored in our teenage and young adult years when we felt unsure or worse about ourselves was back. Waiting two more years would only cause the feverish excitement around this reunion to grow.
On each of the five nights, the band featured different opening acts. For night one, they had Youth Code, an EBM (Electronic Body Music) and Industrial music duo, then the band Taking Back Sunday. Youth Code shook up the crowd. Unfortunately, much of it was still arriving. Lead vocalist Sara Taylor has a visceral and fierce stage presence. Something that truly opened up the show and what would ultimately be five nights of incredible music. Taking Back Sunday took to the stage next, with the crowd slowly filling up and even TBS taking note of that. The guys of Taking Back Sunday put on a fast-paced, energetic eight-song set. Frontman Adam Lazzara pulled out some sweet dance moves with every swing of his microphone. They ended with their 2006 classic and biggest hit, MakeDamnSure.
You could feel the weight of the two-and-a-half years reverberating throughout the forum. Hearing the crowd chant MCR! MCR! as The Foundations Of Decay familiar signature buzzing sound began to whirl until silence. My Chemical Romance takes to the stage under the cloak of darkness, with frontman Gerard Way walking out dressed as a cheerleader holding an actual flamethrower! Wait... what just happened? Before anyone can digest that, the band launches into The Foundations Of Decay, the first new song from the group in years, and it sounded just as harrowing and insane live. It was the perfect way to reintroduce the band in a city that can quickly become jaded. The band has never sounded better and more in sync with each other live. The band said early on that they were playing whatever they wanted each night, and that's what they did.
My Chemical Romance then proceeded to hopscotch their way through their back catalog, playing with finesse and intensity. The crowd sang along, chanting, dancing, and even crying. Nostalgia had hit hard for many as the band went from songs like This Is The Best Day Ever, which has a harrowing punkish lean. To the power pop strut of Na Na Na, each of these tracks are two albums apart. Other songs like Planetary (GO!), DESTROYA, and Teenagers had the audience go from head banging to straight-up booty shaking. Also, that night the band pulled out, Desolation Row for the first time since 2011. One of the most unique and edgy Bob Dylan covers. The show ended with a two-song encore with songs from their first album, I Brought You Bullets, You Brought Me Your Love. The moving heartache of Skylines and Turnstiles and the haunting euphoria of Demolition Lovers. Songs that both truly encapsulate why we fell in love with the music in the first place.
FITZ AND THE TANTRUMS + ANDY GRAMMER BRING THE WRONG PARTY TOUR TO L.A. WITH HELP FROM BRELAND
Last Saturday, Three of what seems like the unlikeliest artists brought what was an epic dance party to The Greek Theatre. Opener Breland with Hip-Hop Country, Andy Grammer with his happy Pop, and Fitz And The Tantrums, whose soulful pop tunes have ears tuned, feet dancing since their KCRW days have endearingly collided on their The Wrong Party tour.
Michael “Fitz” Fitzpatrick of Fitz And The Tantrums
Last Saturday, Three of what seems like the unlikeliest artists brought what was an epic dance party to The Greek Theatre. Opener Breland with Hip-Hop Country, Andy Grammer with his happy Pop, and Fitz And The Tantrums, whose soulful pop tunes have ears tuned, feet dancing since their KCRW days have endearingly collided on their The Wrong Party tour. While it may, on the surface, come across like a mish-mash of Adult Alternative radio artists with popular hits. It ultimately worked for many reasons, as it was a family show. Families were out and about on this breezy Saturday evening. Also, all three acts together brought showmanship. Lastly, two performers on the lineup (Breland and Andy Grammer) have roots in the country music space.
Breland performs at The Greek Theatre
Breland was first up on the lineup. His sound has its roots in country music but was so much more. "Praise The Lord" was gospel tinged with a hipper country sound. Then songs like "Thick" and "Throw It Back" completely leaned into the Country-Rap sound. So it was no surprise that his Nelly mashup was straight fire. The New Jersey native and Gen Z artist fused Hip-Hop, Gospel, Soul, and Pop into what I could only describe as a Breland fusion. A mix of funky, bouncy, feel-good music. That easily captured the audience. An audience that was only starting to trickle in. Make no mistake, though, Breland fans were there and ready to party. His opening set was full of exuberant boundless energy and the perfect joyful vibe to start the night out. His banter between his songs was my favorite as he regaled the audience with jokes and other anecdotes from his life. Including the time Keith Urban asked him out to Nashville to write music, and he hopped on a plane and arrived the following morning.
Andy Grammer performs at The Greek Theatre
Andy Grammer was next out, opening with a spoken word poem befitting his brand of joyful uplifting pop. That poem transitioned into the song "Damn It Feels Good to Be Me". A booming pop-jazz style band backed Grammer and was complete with backup singers who also played jazz instruments like the saxophone. For some, Grammer may not be a face that is easily recognizable but with his penchant for writing memorable pop hooks and catchy melodies. There is no doubt that you have heard a song or two from him. Infectious melodies, jazzy riffs, and dance-pop synths permeated the well-paced sixteen-song set. Some highlights include the new collab, “The Wrong Party”, with Michael ‘Fitz’ Fitzpatrick of Fitz And The Tantrums, who popped out to sing it with him. Then the monogamy and relationship anthem, Honey, I’m Good. Or the soulful foot stomper, Good To Be Alive. His vocals shined throughout and soared best on the more personal numbers like “Fresh Eyes”, Joy, or later on, during the encore “Saved My Life”. The jazz-inflected “Pennies From Heaven / Stay / Fine by Me” mashup was a sweet surprise. His debut track, “Keep Your Head Up”, was another brilliant moment during his encore. Those lyrics still resonate and speak to the dreamer in all of us.
Noelle Scaggs of Fitz And The Tantrums performs at The Greek Theatre
Lastly, Fitz And The Tantrums closed out the night and the L.A. stop of The Wrong Party tour. Although far removed from their KRCW days where blue-eyed soul and a vintage sound dominated their music. Their evolution to Alterna-Pop heavy hitters makes this band so great, reminding us that a dream and hard work will ultimately pay off. The band fronted by two singers, the aforementioned Michael 'Fitz' Fitzpatrick and Noelle Scaggs plus their insane chemistry. The Greek Theatre showcased their exuberant blend of soulful dance pop and was the perfect way to cap off what was an eclectic dance party in the canyons of L.A. The band opened with “OCD” into a “Don’t Gotta Work It Out”, a Fitz classic and staple. Songs like “Complicated” got the party moving with its R&B bounce before moving into synth-laden “Out Of My League”. Other highlights from the band include their new cut “Sway”, the soul-inflected “MoneyGrabber”, and the skittering pop of “123456”. Fitz and The Tantrums continued the trend of incredible musicianship and professionalism that night. They closed out their eighteen-song set with an encore that included hits, “HandClap” and “The Walker”. “The Wrong Party” tour offered fans and music lovers a night of fun, dancing, and lighthearted escapism in its purest form. It was a bubbly hip-pop disco party accentuated by an incredible light show. Fun for all too, as you’re never late to this party.
PHOEBE BRIDGERS CAPTIVATES CLOSING OUT HER TWO NIGHT GREEK THEATER STINT ON A HIGH
Singer-songwriter Phoebe Bridgers, who sold out both nights at The Greek Theater, even brought along a few special guests. Which included her label signing, Charlie Hickey and guitarist Blake Mills among others.
Indie Folk phenom Phoebe Bridgers closed out the final night of her two sold-out headlining shows last Friday to much acclaim. Bridgers, riding high from Grammy nominations and critical acclaim from her second album “Punisher”. The singer-songwriter brought the “Reunion” tour to L.A. to the delight of fans. Playing through a well fleshed out set of Folk-Pop soundscapes in seventeen songs. She also had a surprise opener in store. None other than The 1975 frontman Matty Healy. He came out to do a intimate acoustic set in support of Phoebe. The best part was their duet. Their voices on that song blended quite exquisitely.
As much as the crowd and I were surprised to see Matty Healy as the opener that night. I might’ve been the only one caught off guard by Phoebe and her band walking out to “I Gotta Feeling” by the Black Eyed Peas. I later discovered she was referencing a memory from High School. When she made and gave a mixtape to a high school crush. Somehow this song choice just made sense, it was very “Phoebe”. They somehow easily segued into “Motion Sickness”. A track that lyrically is full of anger and sadness among so much else. “Motion Sickness” was also one of the few tracks she performed from her debut record “Stranger in the Alps”. Most of the setlist included songs from her Emo meets Folk-Pop second act, “Punisher”. Songs like the beautifully quirky “Moon Song” or the pensive “Garden Song” rang out like soft lullabies. While the menacing “Punisher” cut through the silence. Bridgers ended on with the amusing sarcasm of her Bo Burnham encore cover of “That Funny Feeling”. Simply letting the music speak for itself that night with exception of a few well placed quips throughout her set. Phoebe led her orchestral leaning band of skulls (still sporting those infamous glow in dark skull onesies I mentioned earlier) in quite the autumnal rallying cry in the canyons. A true storyteller at heart her songs are not party jams (no, “Kyoto” doesn’t count but it’s still a bop”). Yet, the crowd stayed on their feet the entire time enjoying the overall atmosphere. An audience that that was truly happy to sing along to Phoebe that night and to have the hometown bestie back. You can check out my full photo gallery from the show below. To stream “Punisher” go here.
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CONCERT REVIEW + PHOTOS: GLASS ANIMALS AT HOLLYWOOD FOREVER
The new(ish) Indie Pop/Rock band are one the industry’s most exciting live music acts
Indie Rock quartet Glass Animals brought their groovy brand of heat to Hollywood Forever on Sunday with the ‘Dreamland’ tour. It’s a funky blend of nostalgic meets vaporwave that permeates the album but the shows as well. The tour featured the Electro Pop newcomer Binki as the opener. He played a short and engaging set closing out with “Heybb!”. A song you’ve most likely heard from its prominence of being in an Apple iPad commercial. While his energy was great, it was clear the crowd was there for Glass Animals (many didn’t arrive until they were on). The Indie Pop foursome comprised of childhood friends Joe Seaward, Ed Irwin-Singer and Drew Macfarlane is anchored by the feverishly bold lead singer, Dave Bayley. All walked out to a stunningly loud crowd full of cheers and energy that was ready to dance. Bayley who held a captive audience all night was also ready to party with us. He hovered somewhere between bewildered and emboldened, in awe of the crowd. Opening up the set with the futuristic lullaby “Dreamland”. Which segued into the tribal drum-heavy dance bop “Life Itself” & the island tinged “Tangerine” to kick off the party. Glass Animals tore through a 17 song setlist with such aplomb. Some of the major set highlights were the tour debut of “Poplar St.”. Where Dave Bayley forgot the lyrics (it had been a while) but powered through like a pro. “Space Ghost Coast to Coast”, which Dave remarked was a bit eerie playing in a cemetery. Their new track “I Don’t Wanna Talk (I Just Wanna Dance)” is truly the ultimate dance party. They closed out their fun albeit spooky two-day residency at Hollywood Forever with a two-song encore. Of which included the bands’ breakout hit “Heatwaves” and the glitch-inspired “Tokyo Drifting”. Overall, Glass Animals displayed exciting musicianship. Their knack for writing super catchy lyrics with dynamic pop hooks, all transferred brilliantly into a live setting. You can check out my photo gallery of the show below.
HEY VIOLET // CONCERT REVIEW + GALLERY
Pop Rock band Hey Violet delivered an highly energetic and fun set at The Troubadour this past Thursday (May 30th), to an enthusiastic crowd of fans. The opener was Pop R&B newcomer Sage Charmaine whose stage presence was effervescent, her songs spunky and fun. Yet it was clear the audience was there for Hey Violet. The band having just released two new singles "Close My Eyes" and "Better By Myself". The latter which I reviewed here. The band walked out to massive cheers and a crowd that knew every single line and lyric. Lead singer Rena Lovelis voice was surprisingly sweet set against Electro rock numbers and she overcame the slight sound issues earlier in the set very well. Her crowd interaction was amazing. Rena shook hands, gave hugs, and handshakes as she sang even jumping into the crowd at one point, nearly causing some of her fans to freak out. For Hey Violet crowd interaction with fans is key. The band despite how young they are, are all pros. Rena's sister and drummer Nia Lovelis is lively on the drums and the back-beat of the band. Guitarist Casey Moreta is a jack of all trades in Hey Violet truly rounding out the band. The addition of touring live bassist Hayley Jane Batt (who had to learn 15 songs in a week) rounded out to a high energy and fun show at The Troubadour. Check out my gallery from the gig below and the full set list as well.
HEY VIOLET // The Troubadour Set list
All We Ever Wanted
Brand New Moves
Better By Myself
My Consequence
ODD
Queen of The Night
Pure
Unholy
Guys My Age
Where Have You Been (All My Night)
Close My Eyes
Viva La Vida (Coldplay cover)
Clean
Break My Heart
HEY VIOLET // Socials
Website / Facebook / Instagram / Twitter
Thanks to Capitol Records for the invite out!
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Until then,
Brittney x
