THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 100-51
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
100. SPARKS
“The Girl Is Crying In Her Latte”
99. Joshua Radin
“Neverland”
98. Abraham Alexander
“Tears Run Dry”
97. Killers Of The Flower Moon By Robbie Robertson
“Osage Oil Boom”
96. Sharaya Summers
“Forever You & Me”
95. Maren Morris
“The Tree”
94. Megan Thee Stallion
“Cobra”
93. Charlotte Cardin
“Confetti”
92. Avalon Emerson
“Astrology Poisoning”
91. Bakar
“Alive!”
90. Halle
“Angel”
89. Faye Webster
“But Not Kiss”
88. Ryan Gosling
“I’m Just Ken”
87. Bleachers
“Modern Girl”
86. Poppy
“Hard”
85. Jeon Somi
“Fast Forward”
84. Bad Bunny
“Monaco”
83. Mothica (feat. Sophie Powers)
“Sirens”
82. Little Simz
“Gorilla”
81. Descartes a Kant
“After Destruction”
80. Marika Hackman
“No Caffeine”
79. Bishop Briggs
“Baggage”
78. olivia dean
“Carmen”
77. EVERYTHING, EVERYTHING
“Cold Reactor”
76. NMIXX
“Love Me Like This”
75. Spider-Man: Across the Spider-Verse (Original Score) by daniel pemberton
“Across the Spider-Verse (Intro)”
74. AMA LOU
“Silence”
73. Romy (feat. Fred Again)
“Strong”
72. DAUGHER
“Be On Your Way”. ”
71. Boygenius
“Not Strong Enough”
70. Coco Jones
“ICU”
69. The Beaches
“Blame Brett”
67. Lovejoy
“Normal People Things”
68. Dreamville + JID + Lute
“Ma Boy”
65. Doechii (FEAT. Kodak Black)
“What It Is (Block Boy) ”
66. Depeche Mode
“My Favourite Stranger”
64. Agust D
“Haegeum”
63. Foo Fighters
“Rescued”
62. Stephen Sanchez
“Be More”
60. CHVRCHES
“Over”
61. Troye Sivan
“Rush”
57. MUNA
“One That Got Away”
59. Griff
“Vertigo”
57. Billie Marten
“I Can’t Get My Head Around You”
56. Maya Hawke
“Coming Around Again”
55. TORI KELLY (Feat. Jon Bellion)
“Young Gun”
54. Grace Weber
“Intimate (A Colors Show Version”
53. Måneskin
“Honey (Are U Coming)”
52. Slowdive
“the slab”
51. Kelela
“Enough for Love”
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 50-1
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
50. Saint Harison (feat. Tiana Major9)
“Homies”
49. Chelsea Wolfe
“Tunnel Lights”
48. Leslie Odom Jr.
“Holding on to Us”
47. v
“Love Me Again”
46. Kenya Grace
“Strangers”
45. TINASHE
“Talk To Me Nice”
44.
The National (feat. Taylor Swift)
“The Alcott”
43. Beharie
“We Never Knew”
42. Laufey
“From The Start”
41. FLO (feat. Missy Elliott)
“Fly Girl”
40. CHRIS sTAPLETON
“White Horse”
39. Renee Rapp (feat. Coco Jones)
“Tummy Hurts ” - Remix
38. JUNGLE (FEAT. BAS)
“Pretty Little Thing”
37. Bruno Major
“The Show Must Go On”
36. flowerovlove
“Coffee Shop”
35. Aespa
“Drama”
34. Rosalia
“LLYLM”
33. NOTHING BUT THEIVES
“Overcome”
32. Doja Cat
“Paint The Town Red”
31. Sabrina Carpenter
“Feather”
30. Dean Lewis
“How Do I Say Goodbye”
29. Jisoo
“Flower”
28. SPIRITBOX
“Jaded”
27. XG
“LEFT RIGHT”
26. SZA (feat. Doja Cat)
“Kill Bill (Remix)”
25. Zach Bryan (feat. Kacey Musgraves)
“I Remember Everything”
24. Lana Del Rey
“A&W”
23. Kylie Minogue
“Padam Padam”
22. YARD ACT
“Dream Job”
21. NewJeans
“Super Shy”
20. Mitski
“My Love Mine All Mine”
19. Tate McRae
“Greedy”
18. JungKook (FEAT. LATTO)
“Seven”
17. Niall Horan
“Heaven”
16. LE SSERAFIM [FEAT. NILE RODGERS]
“Unforgiven”
15. Caroline Polachek
“Dang”
14. Allie X
“Black Eye”
13. Taylor Swift (Feat. Ice Spice)
“Karma”
12. Paramore
“Big Man Little Dignity”
11. The Hives
“Bogus Operandi”
10. The Kills
“New York”
Why it’s #10: “New York” features some of the duo’s grittiest and sludgiest sounds from one of their most cohesive records yet. Just when you think this can’t get grungier. They dig their heels in and find depths of emotion to create some of the most incredible music, including this song.
9. Bastille (feat. Hans Zimmer)
“Pompeii MMXXIII”
Why it’s #9: For this visionary rework of Bastille’s mega-hit Pompeii. The band teams up with legendary film composer Hans Zimmer. The rework lays bare the inner workings of a truly brilliant and now timeless song and gives breadth to the often-overlooked songwriting talent of Frontman Dan Smith. Zimmer and crew aren’t just showing it in a new light. They craft a version of Pompeii for a new era. It’s lush, sweeping, and gorgeous.
8. Victoria Monet
“On My Mama”
Why it’s #8: A song that perfectly imbues the essence and vibes of 80s Dance, Funk, and R&B/Soul without sounding trite or pandering. Monet has captured the best pop/dance song and video this year. ‘On My Mama’, is note for note, a stylish and nuanced celebration of Blackness and the culture we bring to the table. If the driving bass line doesn’t get you, the insanely slick production, with some blaring horns for good measure, or the classical catchy hook. Then you might need your ears checked.
7. Chappell Roan
“Red Wine Supernova”
Why it’s #7: While it seemed like there weren’t a lot of artists this year making fun club pop hits (especially ones geared towards the LGBTQ+ community). Chappell Roan said let me try and more than try, she did. She succeeded. The song is lifted from her stellar debut album, The Rise and Fall of a Midwest Princess, and is an absolutely saucy and cheeky number. One that is sure to fill dance floors with its 80s spunky synths and funky bass lines.
6. Miley Cyrus
“Flowers”
Why it’s #6: It’s the (affirmational) bop of the year of the Spring, Summer, Fall, and Winter. This was the song that Miley needed and deserved. That’s all.
5. The Last Dinner Party
“Nothing Matters”
Why it’s #5: Another band coming out of nowhere like a bat out of hell. Artfully blending Pop, Art-Rock, Indie, and an amalgamation of many other genres, the band has carved out a unique space and sound design. ‘Nothing Matters’ is a song that has become a beloved fave of mine this year with its honest lyricism and gothic charm. Since the band has only been together since 2021, they already have a pretty well-defined sound and stage presence that is so refreshing. I cannot wait to see what 2024 has in store for them.
4. Slow Pulp
“Slugs”
Why it’s #4: Another surprise artist for me this year, but the heavy guitars feel sludgy and distorted as they harken back to the early 90s Brit-Pop and Shoegaze. The song “Slugs’ is the magic combo lead vocalist Emily Massey's soft love-lorn vocals sync well against the band’s angsty soundscape.
3. Sampha
“Spirit 2.0”
Why it’s #3: You know the quote, “The music is not in the notes but in the silence between them”. Spirit 2.0 is a perfect example of that. What seems sparse in production and sound allows the beauty of this gorgeous track to shine through. It’s not like anything we’ve heard from Sampha before and definitely not like anything out now. That’s what makes it so brilliant.
2. RAYE
“Oscar Winning Tears.” (Live at the Royal Albert Hall)
Why it’s #2: First off, her voice, already stunning, just soars on this gorgeous live take at her special Royal Albert Hall concert. Raye hits every note on this song with so much depth and soul. Yet, Raye saves the best for the last ending on a spectacular vocal run that is the cherry on top.
1. Olivia Rodrigo
“get him back!”
Why it’s #1: For one, it’s the song that has been sounded off in my head since the first listen. The punchy lyrics are filled with grit and a punky effervescence that captures youth and heartbreak at its core, even if that means some revenge.
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
JAMES BAY CHARMS IN OPENING SPOT ON THE LUMINEERS BRIGHTSIDE WORLD TOUR AT THE HOLLYWOOD BOWL
Indie Folk act The Lumineers (“Ho Hey”, “Cleopatra”) brought their Brightside World Tour to The Hollywood Bowl last Friday (September 15th), playing a dazzling sold-out show with special guest and opener James Bay (“Let It Go”, “Hold Back The River”). It was the second time The Lumineers were playing the Hollywood Bowl, so this was a special night for them. The last time The Lumineers played here in 2016, they had just released their debut Grammy-nominated album. So, tonight was big for them and their fans. It was also a significant night for their special guest and opener, James Bay. An accomplished artist in his own right, he had many of his fans turn out for the gig. One of those fans who attended was me. It is always great to see music fans turn up early to support the opener. I would love to see more of this happen for smaller upcoming artists. The Bowl was starting to fill up quickly with people running in just as James Bay had begun to play his first song, the Pop Rock Stomper, “Best Fake Smile” from his debut, ‘Chaos and the Calm’. Bay's striking guitar melodies echoed throughout the canyons of the gorgeously lit arena. Even though I had been to the Hollywood Bowl once before, the current view I had with my seat in the garden box section allowed me to see the stunning bowl shape everyone talked about so much. I finally understood what everyone was talking about. It was also the first time I had seen James in concert since 2018 with the ‘Electric Light’ era. I could see how much has changed and grown since then, a clear and clean melding of the best parts of all his album eras. It was also great to hear how fantastic his current tour band lineup sounds with Bay. The drummer adds a hard-hitting and soulful element into the mix. James' guitar solos in the set are distinct, precise, and have a purpose. Overall, his opening set seemed to delight his and Lumineers fans alike. Other song highlights were “When We Were On Fire”, the emotional “Let It Go”, and “Hold Back The River”, where the crowd sang along. We even got to hear an unreleased track titled, “All My Broken Pieces”, which he played before his latest single, “Goodbye Never Felt So Bad”.
James Bay | Let It Go (Live at The Hollywood Bowl)
The unreleased track and his current singles note his seamless shift towards a new musical direction. The newer sounds are much more mellow and assured, leaning towards a poppier folk, towards a similar musical vein like The Lumineers. Although, his progression seems like a natural ark that his music would take. I cannot help but attribute some of this progression to him recently becoming a father and husband as you mature quickly. Many of the attendees were families and couples who were enjoying a night out on a Friday. Headliners The Lumineers, whom much of this crowd was waiting for, and in all honesty, quite patiently, walked onstage to Rihanna's “Desperado” and the audience's loud applause. Besides the intriguing walkout track, the band had a lot of energy, starting with some of their biggest hits like “Hey Ho”, “Stubborn Love”, and “Angela”. I had not heard of this before bands or artists performing their big hits and crowd faves first. This setlist was an interesting choice by The Lumineers. Frontman and Lead singer Wesley Schultz's anecdotal stage banter was also notable and affable. The Brightside Tour was a fun and incredibly joyful night, and when laid out in all of its dazzling folk rock glory, a massive triumph for their fans. If you were new to The Lumineers or fans of the opener, James Bay, it was a night of inspired fun, seeing into the luminescent and nostalgic world of The Lumineers. You can check out some of my snapshots from the gig below, no pro camera this time!
Thank you to Republic Records for inviting me out, and don’t forget to check out James Bay’s new single “Goodbye Never Felt So Bad” which is out now on all DSPs.
BASTILLE ELECTRIFIES L.A.’S ART DECO WILTERN THEATRE WITH THRILLING POP NOSTALGIA
The London pop-rockers brought their only date of the Bad Blood X tour in America to Los Angeles to celebrate the tenth anniversary of their debut album Bad Blood.
You know a show is one for the record books when you hear attendees speaking about it as soon as it is over, not in sadness so much but in the mix of utter joy (no, pardoning the pun here), and we cannot wait to do this again. It was that good. The chatter from the only Bad Blood X American tour date held in the very apropos art deco downtown L.A. Wiltern theater brought the masses and wrapped around the corner. After all, we were celebrating something big. It had been ten years since. This band, our band, had released the album Bad Blood, which changed their lives and, for many of us, our lives too. So, picking Los Angeles to celebrate this occasion was perfect. They got their record deal here, their first hit, Pompeii, had its music video filmed here, and of course, Dan mentioned later on at the gig he met his art hero, David Lynch. So many pivotal things happened here, and now a return that included a sold-out gig.
While rumors of a surprise opening act flickered about, ultimately, it was only rumored. The Los Angeles date of Bad Blood X belonged to Bastille, who took to the Wiltern stage (to a boisterous crowd, I might add) at an early 8:30 p.m. start time for a twenty-one song set, which saw the band play the entirety of their debut album Bad Blood.
The venue was buzzing with energy as we all waited, with bated breath, for the band to appear. It seemed like the last Los Angeles show was forever ago (not last year) as Bastille kicked the night off to a host of spirited screams and applause, launching into the song that changed it all for Pompeii. It is also worth noting that they usually close out with this one. Next, the band launched into the first songs of the record, which included the single Things We Lost In The Fire, a song noted for its haunting melodies and somber-sounding heavy Tom drums, the sinister-sounding synth-driven Bad Blood, and rarely heard gems like Weight of Living PT. 1. Then tracks like Daniel In The Den, and Get Home added a softness to the setlist and an angelic quality as both songs reverberated in the room. On cue, as the opening notes of Oblivion began, so did the lights from everyone's phones, illuminating the darkened Art Deco theatre. It was a special moment, but honestly, the entire night was a special moment as there was such a feeling of togetherness, joy, laughter, celebrating music, and the good that music can bring. You see, the thing about Bastille shows is that it's a place where you can be yourself and feel comfort in that. That's because it all starts with the band and seeing how much they have grown and evolved in the ten years since releasing Bad Blood and become better artists themselves, Including seeing just how comfortable and how fun Dan now has performed onstage.
After the band performed the first part of the show, they returned to the stage for the encore. They played a round of songs from albums released after their debut. Bastille finally played No Angels. A track from one of their OPH mixtapes, (with Bim singing Ella Eyres spot and killing it), The Draw, club bangers Million Pieces, and WHAT YOU GONNA DO? were also performed. The latter two tracks had the crowd head banging and going insanely. Shut Off The Lights was the perfect end to a beautiful night. The Wiltern felt alive and electric with excitement and happiness. You could hear people chatting about this gig on their way out leaving. All the attendees that night fully realized that this was one not to miss, and they did not. Knowing how much Bastille and their team put into these shows, giving their all, for us means a lot and probably more than they will ever know. From the concert interludes (which featured music video snippets and BTS footage) to the performances, the stage setup, and small onstage details (we see you wolf hoodie and street lamps). Bastille with the Bad Blood X tour leaned into the nostalgia fittingly.
You can check out my photo gallery from the gig below!
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS #TheReclusiveBlogger #Interviews
SHARAYA SUMMERS | Photo by: Kate Rentz
Oregon-based Singer-Songwriter Sharaya Summer's reflective, heartfelt, and honest Indie Folk and Americana melodies are garnering her acclaim and fans alike. In her latest single, ‘Forever You and Me’, she explores the fragility of relationships while examining her own, reminding everyone of loved ones and the memories you share close. The idea of the song emerged after a particularly challenging time full of changes for her. Summers had just had a daughter, was recording a new record, and lost her Grandmother. Now Summers is determined to look forward and find the light amongst the shadows, a theme she explores in her forthcoming release.
You can check out my interview with Indie Folk and Americana artist Sharaya Summers below!
THE RECLUSIVE BLOGGER: Can you talk about your latest single “Forever You and Me” and the inspiration behind it?
SHARAYA SUMMERS: I wrote this song after attending my grandmother's funeral last year. As the slideshow of her life played in a five-minute span, I observed my heartbroken grandfather on the pew watching. I wrote this thinking that I would play it at my husband's funeral far far in our future. But now as I am ready to release the song, we are actually separated and going through a pretty low point in our marriage. The song has taken on new meaning as I realize that no matter how, why, or when love ends there's nothing we can do to prepare for it. I suppose now it's a more positive spin on a break up considering that no matter what the future brings we will always have the wonderful memories and two beautiful children we share.
THE RECLUSIVE BLOGGER: Can you speak a bit about your musical background? Has music always played a role in your life?
SHARAYA SUMMERS: I was a 90's youth group kid growing up. I learned how to play guitar and play music in church. I went through somewhat of an existential crisis in my mid-twenties and bailed on church and moved to Nashville to be a songwriter. I don't have any negative feelings about the experience, it was just that as I grew up and saw more of the world, music and God became bigger than something I could keep in such a limited box. When I am practicing creation/creativity it's the closest I feel to the divine. So yes, I'd say it's been an integral part of my life.
THE RECLUSIVE BLOGGER: You have an LP tentatively due out later this year. How is the writing and recording process going so far?
SHARAYA SUMMERS: The album is complete! It's being mixed as we speak, soon to be mastered. I recorded with Raymond Richards in Portland, OR. When I started tracking I was nine months pregnant with my now one-year-old baby girl. It was quite a commitment to finish, as having a newborn is a challenge I can not even begin to describe. I am grateful to my mother who supported me with babysitting and Jacob, my husband, for helping to keep me motivated and contributing as band director.
THE RECLUSIVE BLOGGER: Do you have a bucket list of dream artists that you’d love to collab with? If so, who are they?
SHARAYA SUMMERS: Stevie Nicks, Jackson Browne, or Norah Jones
THE RECLUSIVE BLOGGER: What was the last thing you discovered about your artistic self?
SHARAYA SUMMERS: After becoming a mother I thought my artistic career would be over. While I may not be free to tour or play shows or hustle as much as I used to, I was happy to discover that I didn't stop writing, it's just a part of who I am and what I do, so that was cool to realize that being an artist has nothing to do with age or situation.
THE RECLUSIVE BLOGGER: Who are some of your biggest artistic influences or inspirations?
SHARAYA SUMMERS: Right now as cheesy as it sounds my two kids are my inspiration. I love seeing the world in a totally new way through their eyes. My son is 3 and my daughter is 1. The joy and wonder is everything everyone says about becoming a parent. It's just so cool. So hard, but so fun too. They inspire me to slow down and really be present where I am at, to be more observant of the world around me, and more appreciative and grateful for the small things every day.
THE RECLUSIVE BLOGGER: What was the last album you played with no skips?
SHARAYA SUMMERS: Erykah Badu - Baduizm - last week while making dinner, sipping wine, and then doing the never-ending dishes.
THE RECLUSIVE BLOGGER: And lastly, what’s next on the horizon for you?
SHARAYA SUMMERS: I've always been someone with a 5-year plan. This year has shown me that I can not control anything but my view of the world, and my reactions to it. I feel like I've grown into a completely new person, someone who for this season has literally no plan other than to be mindful, to listen, and to choose to be grateful for every moment. I find that my creativity has never been so free-flowing as when I'm just here to take it all in and observe the pain along with the joy. I don't know what is next, but I do know that I am not finished.
Stream Sharaya’s new single “Forever You & Me” which is out now by clicking here
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA —
BLUPHORIA | Photo by: Jena Yannone
Meet Nashville’s rising new Alt-Rock band Bluphoria, the blues rock meets psychedelic alternative rock is comprised of Frontman/Lead Guitarist Reign LaFreniere, Rhythm guitarist/ Backing Vocalist Dakota Landrum, Bassist/Backing Vocalist Rex Wolf, Drummer/Backing Vocalist Dani Janae. Lead vocalist, Reign took some time out of their busy schedule to speak with me just ahead of their debut album, which is out now. I spoke with frontman, Reign LaFreniere about the new self-titled debut, his artistic influences, being a Black man in Alternative music, the band’s origin, and much more.
You can check out my interview with Reign of Bluphoria below and stream the band’s self-titled debut here.
THE RECLUSIVE BLOGGER: Thanks for taking the time to speak with me at The Reclusive Blogger. How are you guys doing?
REIGN OF BLUPHORIA: Thanks for having us! We are doing great and are very stoked about the new album release.
THE RECLUSIVE BLOGGER: You guys formed in Eugene, Oregon, but now call Nashville home. Frontman Reign grew up in NorCal. How much would you say those distinct soundscapes from these notable music cities pop up within your sound?
REIGN OF BLUPHORIA: Growing up in the bay was very influential for me as an artist. The bay area has been the center of so many music scenes over the years and I feel like, because of that, I’ve internalized all of those influences within the sound we have now. Being in Nashville has also been super inspiring because all the musicians here are so helpful and collaborative and it seems as though the bare minimum is to be talented here but at the same time because of the culture here every musician is welcome.
THE RECLUSIVE BLOGGER: Even though we are progressing with bands/artists like yours, Meet Me At The Altar, Gary Clark Jr., and overseas with the Nova Twins. How do you feel this space can be more open to artists of color, particularly black artists, despite what we all know is the origin story of rock music?
REIGN OF BLUPHORIA: I think that by changing the narrative on what is expected of black art would do leaps and bounds. I remember writing music when I was younger and being intimidated by the fact that I didn’t have a lot of people to look up to that looked like me making my kind of music. You’d see Gary Clark Jr. and Leon Bridges and such but I think by just being present and promoting those artists will normalize it more and kids who are like me when I was younger will be more inspired to create and follow their passion.
THE RECLUSIVE BLOGGER: Can we talk about your forthcoming album? What was the creative and writing process for it like? Did you have a particular sound that you wanted going in? How did it differ from any of your past recording sessions?
REIGN OF BLUPHORIA: It’s kind of crazy to say but most of the songs we wrote in the last three years were written during the pandemic. A lot of the songs on this album kind of reflect that feeling as well. We wanted to make a project where the whole crux of it was to capture a peaceful melancholy. Most of our songs are upbeat and driven by major chords but at the same time the lyrics tell a sadder story which was very reflective of our experiences during covid trying to make the best out of a bad situation. This album is a much more mature version of our previous projects sonically and it really came to life because of the help we got from Mark Needham.
THE RECLUSIVE BLOGGER: The producer on your record Mark Needham has worked with many major acts like Imagine Dragons and The 1975. What was it like working with the Grammy-winning producer? How did he shape your sound?
REIGN OF BLUPHORIA: He was great! He brought a lot of experience to the studio which helped us and his patience was unmatched. We had gone into recording having never used a click track and bickering about what would make songs better and his mantra was always to try whatever ideas we had and see what the outcome was. It really allowed us to grow our songs and turn the project into what it is today.
THE RECLUSIVE BLOGGER: Were there any songs off the forthcoming full-length release that were more challenging to write? Which ones came together quickly?
REIGN OF BLUPHORIA: Most of them came to us quickly. I’m personally one of those writers who, if I have an idea, finish writing the song on the spot. We did bring "Set Me Up" to the studio completely unfinished and it was interesting working on it and seeing how it changed and filled out. That song was difficult because it started as an indie rock down-tempo ballad of sorts and we messed around with a lot of ideas to really make it angrier and sound how it is today.
THE RECLUSIVE BLOGGER: What would you say are Bluphoria's biggest inspirations or influences? These can be from an artistic, musical, and even personal standpoint.
REIGN OF BLUPHORIA: Our band has such an eclectic music taste. I am very influenced by '60s soul, rock n roll, and funk. I grew up a big fan of Sam Cooke and Bob Marley then high school came around and I was a Hendrix and Beatles fan. Dakota is very influenced by psychedelic rock of the '60s and '70s like Pink Floyd and Velvet Underground which is an interesting match for the rest of the rhythm section who are big fans of punk and '90s grunge and most of the time name bands that I’ve never heard of! It does seem to work somehow and I like how all of our influences connect in our music.
THE RECLUSIVE BLOGGER: Name a fictional character you think would most identify with your soundscape or aesthetic.
REIGN OF BLUPHORIA: That’s a hard one. I have my favorites but I feel like we could have our music pop up in the Guardians of the Galaxy spaceship at some point! Especially if we were an '80s band!
THE RECLUSIVE BLOGGER: And my last question. What is up next for Bluphoria in 2023? Thanks again, guys! I wish you so much success going forward!
REIGN OF BLUPHORIA: We are just preparing for our album release on May 5th and the shows that follow! We hope to be going on tour this summer and get back to writing some more music! We appreciate you and thanks for having us on!
Thanks for the interview time, Reign! You can learn more about Bluphoria including info on their upcoming summer tour below. The band’s self-titled debut album is out on all DSP’s now!
Bluphoria, please visit http://www.bluphoriaband.com/
Watch “Ain’t Got Me” on YouTube here
INTRODUCING: THE BOMBASTIC ALTERNATIVE POP QUINTET THE SCARLET OPERA
INTRODUCING: THE SCARLET OPERA, THE BOMBASTIC ALTERNATIVE POP QUINTET
If you have not heard of The Scarlet Opera, the exciting quintet fusing Pop, Rock, and, yes, even Opera. Lyricist and frontman Luka Bazulka (whose natural grandeur is ever present and charming), with Colin Kenrick on Keys, Daniel Zuker on Bass, Justin Siegal on Drums, & Chance Taylor on Guitars. The glue holding the band together is friendship and identity. Identity, friendships, relationships, sexuality, love, loss, band life, and the music industry are major themes often explored within their lyrics.
Last month I got a few minutes to speak with The Scarlet Opera during a presser. I asked what the go-to karaoke songs were for everyone, and a fun type of chaos ensued. It seemed like ‘Skyfall’ by Adele was the overall favorite. You could feel the excitement from the guys. They were on the cusp of dropping their now-released new EP “Comedy”, the high of their first late-night tv performance on James Corden, and touring. There was a joy and bombast felt through the screen during the presser. Well aware of comparisons to their predecessors, they were flattered by it all. In an industry where bands and artists can get jaded quickly, it was refreshing to see. Yet, I found it more exciting to see a band that has finally begun to put the puzzle pieces together with their sound finding a niche in the big wide world of Pop music.
ALBUM REVIEW: Andrew McMahon in The Wilderness - “TILT AT THE WIND NO MORE”
ALBUM REVIEW: ANDREW MCMAHON IN THE WILDERNESS - “TILT AT THE WIND NO MORE”
When Andrew McMahon first set out on a new journey within his musical career as a solo artist he had to overcome one of his biggest challenges ever… tackling Cancer. Now twenty years later when so many artists seemingly disappear, even without all the hardships, McMahon continues to rise and make some noise in the Alt Rock and Indie Pop scene under various monikers and projects. His latest as Andrew McMahon In The Wilderness is possibly his most well-known. Quite honestly the perfect creative alias for McMahon for what he has been through to come out the other side (or out of the wilderness, see what I did there?) happy, healthy, and with a family of his own, now looking back on it all with this new album, “Tilt at the Wind No More” out now on Nettwerk. The album is brimming with nostalgia, particularly Y2K nostalgia. A period of time that the album cover hints at. A pair of hands, of what I would assume is the hands of lovers, that can barely hold on amid vivid bright chaos. The cover is the perfect way to let the listener know what type of musical journey you will be taking, the kind of bold strokes of musical color that Andrew will choose to paint with.
“Tilt at the Wind No More” is the fourth album for Andrew under his Wilderness moniker and features production from Tommy English. "Lying On The Hood Of Your Car" opens up the record and is a song that quickly grabs your ear. It also has an underlying vibe of melancholy and nostalgia that sets the listener up for the rest of the album. We segue into two previously released singles, "Skywriting" & "Stars”. There are some exuberant synths and what sounds like some acoustic guitars set off in the back of the mix for good measure. These songs borrow from McMahon's earlier sounds, such as folk indie and country pop, with jangly guitars and a driving beat and bassline. "Submarine" leads us into more subdued territory as one of the few ballads on this release. "Built to Last" is the one that hones in the emotion, all without that feeling mawkish feeling like "Submarine". The use of a vocoder only adds to the hazy lo-fi fever dream. The other highlights of “Tilt at the Wind No More” include the bouncy pop confection "New Friends". We get an unapologetically fun, retro synth-wave drenched tune on "VHS". "Little Disaster" finds Andrew taking us down memory lane, grateful yet introspective. While the album for nonfans might feel a bit disjointed at times or too reminiscent of the mid-aughts radio-friendly indie pop, it is still a solid release. For fans of Andrew McMahon, they will no doubt be more pleased with this album and delighted with how many beautiful high notes this has.
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
Los Angeles transplant is on the rise since his brand of quirky, lo-fi, authentic, and emotionally brand of vibe heavy Indie Pop music has garnered him a viral hit with “Honeypie” and now a solid (and dare I say hardcore) fanbase. The artist suddenly found himself with newfound success after that viral TikTok signed to the major label Interscope in 2020, where he dropped his mixtape EP, For Abby. It was a mixtape that was wholly created and conceived in lowdown, with many of those curiosities and insecurities felt on it. Jawnys' sound began to develop with more tools, people, and more at his disposal. It was something that would push you as an artist or drive you crazy with anxiety, but Jawny seemingly just dug into the tide of Gen Z new age sensibilities for his latest projects. The new songs, fall in love, true, plus last year's wide-eyed all capture a breezy California energy with slicker production and insanely catchy hooks. In speaking with Jawny during a presser recently. I asked him what if he got the chance to write a song based on his favorite piece of pop culture, What would he pick? So, ever the Gen Z and pop culture nerd, he chose quite an etched-in-our-skull moment from pop music history. When Britney Spears and Justin Timberlake donned matching denim-on-denim ensembles at the 2001 VMAs. Although, I am unsure if Jawny will ever get a chance to put pen to paper on this subject. I certainly don't doubt that the vibey sound he has been crafting wouldn't do it justice...
GUEST BLOG: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
THE RECLUSIVE BLOGGER’S GUEST BLOGGER: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
Good Bison is an Indie Rock band comprised lead by Pablo Alvarez, Abe Mendez, Agustin Mas (lead guitar), Sebastian Delgado on drums/backing vocals, and George Spits on additional production, mixing, and mastering. The first single, “Can’t Waste This High” from the newly released EP “Ghost on Mulholland”, dropped last winter and is a synth-pop-led number. The complete EP has the band diving headfirst into spooky, almost haunting territory. They find themself taking inspiration from a variety of things, namely nostalgia, ghosts, Los Angeles, R.L. Stine, and of course, his famous Goosebumps book series.
Lorde // Solar Power - “It took me much longer to get into “Solar Power” than it did Lorde’s first two albums, but once I got into it, I was in deep. I love how this song puts her toxic relationship with California, and LA in particular, at the forefront.“
Sabastian Yatra // Dos Oruguitas - “As a Colombian, I cannot tell you how much “Encanto” meant to me. It was a beautiful representation of my culture, and I couldn’t stop listening to this song for months after watching it.”
Paul Simon // 50 Ways To Leave Your Lover - “Paul Simon is a master genre-bender. It’s incredible how many sonic landscapes he explored in his music.”
Gorillaz // On Melancholy Hill - “One of my favorite songs of all time. Just because we’re sad, it doesn’t mean we can’t dance.”
Billie Eilish // Getting Older -“There were a bunch of songs I loved on Billie Eilish’s latest record, but this is one I keep coming back to again and again. My favorite version is a live performance that’s just her and Finneas on the piano.”
Taylor Swift // this is me trying -“AT LEAST I’M TRYING. I feel you, Taylor. Me too.”
Tame Impala // Feels Like We Only Go Backwards -“I love how the bass line compliments the lyrics and the melody in the hood. It really makes you feel like you’re going backward. There’s also an Arctic Monkeys cover of it that I couldn’t stop listening to for a while.”
Bon Iver // For Emma -“I’ve been inspired by so many Bon Iver songs over the past few years, but the horns in this one speak to me in a way I can’t begin to explain.”
Mac Miller // Good News -“The vulnerability of Mac Miller’s songwriting here is incredibly moving. I was a fan of his since the first day I heard “Kool-Aid and Frozen Pizza.” It’s amazing how I can fully relate to both his upbeat music and his more introspective stuff.”
The Beatles // Golden Slumbers -“Abe was the one who really put me on to this song. I had never truly appreciated it until I heard him playing it on the piano. For a good while I was also obsessed with the transition into “Carry That Weight."
The Cure // A Letter To Elise -“This song says so much before the vocals ever come in. It’s amazing how much that guitar is able to communicate in the intro.”
Phil Collins // Can’t Stop Lovin’ You -“Phil Collins is an absolute master. Undeniably. I was annoyingly belting this chorus around the house for way too long. There’s also a really nice Taylor Swift cover of this song.”
Joy Division // Atmosphere -“I’m fascinated with the way Joy Division is able to create such a specific ambiance with their music. I feel transported as soon as this song comes on.”
Arctic Monkeys // Riot Van -“Have you been drinking, son? You don’t look old enough to me.” I’m sorry, officer, is there a certain age you’re supposed to be ‘cause nobody told me? One of my favorite lyrics ever.”
Phoebe Bridgers // I Know The End -“Been listening to Phoebe Bridgers non-stop for the past year. This song in particular has been my biggest obsession lately. I love the way it builds.”
Good Bison Socials:
Instagram: https://www.instagram.com/goodbison
Facebook: https://www.facebook.com/goodbisonmusic/
Twitter: https://twitter.com/goodbisonmusic
INTERVIEW WITH… CONNECTICUT INDIE EMO ROCK BAND THE INSIDE OUT
INTERVIEW WITH… INDIE EMO ROCK BAND THE INSIDE OUT
THE INSIDE OUT
Connecticut Emo rockers The Inside Out are thrilling audiences and collecting new fans with their satisfying mix of Indie Pop and Emo Rock. Their debut album "No Brains, No Blood" was released late last year, and the band which is comprised of James Howard, Zach Stout, John Landino, and Andi Wright, recently played a show at NYC's famed The Bowery on February 11th. I talked with the group about their album release show, any musical influences, the debut album, and much more which you can read below.
THE RECLUSIVE BLOGGER: Hi, guys let’s just dive in. Talk about your upbringing? How pivotal was music to each of you then? Were there any artists or bands that shaped those early years?
JAMES OF THE INSIDE OUT: I personally didn’t even think of music at all until I was about 9 when my parents bought me a Tama drum set. My dad set it up in our backyard shed at the time with some lights and when I could, I would go and practice. I was in band and drumline up until my freshman year of high school. However, I started playing football and didn’t pay much mind to music for a year or so after that.
(cont.) My younger brother Nick was taking guitar lessons and I would always hear him playing and shredding away in his room. To be honest, I loved hearing how his lessons would go, and it inspired me to mess around on the guitar with him and later take up the bass. I loved the idea of being self-taught and bought an acoustic guitar off a friend for $20. I started teaching myself and got a little Peavey amp for Christmas. I rarely left my bedroom practicing that next summer, unless I was walking around the neighborhood and hanging with my friends.
(cont.) I honestly haven’t stopped with music in general since. I got a lot of my early influences from bands such as Taking Back Sunday, Green Day, Modest Mouse, Brand New, and The Killers. There are so many more bands I used to listen to and love but those are really the ones that stuck with me.
ZACH OF THE INSIDE OUT: Starting with the Suzuki method for cello at age 3, my appreciation for classical music was spawned. A little later in my childhood, my dad was a major influence in getting me hip to classic rock; we’d jam out all the time in the car to Pink Floyd, Led Zeppelin, The Doors, and whatever else Sirius XM Classic Vinyl was playing. I decided to vastly expand my musical horizons again in the fourth grade when I picked up guitar and bassoon, before deciding to teach myself guitar after the fifth grade.
JOHN OF THE INSIDE OUT: Growing up I remember just being obsessed with my mom’s CD collection. She had a lot of RnB and movie soundtracks that exposed me to a lot of different stuff. Seal’s “Kiss From a Rose” comes to mind haha. I also remember jamming to Notorious BIG’s Life After Death album on the way to elementary school every day. That was lit.
(cont.) Coincidentally, I discovered Blink 182 around the same time I got a guitar in my hands for the first time, so naturally, I became obsessed with everything in their orbit and wanted to play it all. I feel extremely lucky to have been exposed to so much good music and to be alive at this point in time.
ANDI OF THE INSIDE OUT: I started listening to Aerosmith, Meat Loaf, and ‘90s boy bands when I was 5 years old, thanks to my trusty boom box that I still use to this day to play CDs and cassettes. I started learning piano around that time but ended up not sticking with it because my teacher scared my first-grade brain away with time signature fractions.
(cont.) The first time I really got into music that wasn’t what my parents put on in the car, it was the album The Young and the Hopeless by Good Charlotte when I was 9-10 years old. I started to gain more appreciation for music in middle school when Pop-Punk was at its prime with Green Day, Paramore, Blink-182, MCR, Fall Out Boy, Panic! At the Disco, and so many more. I dabbled with various instruments as a kid, but it wasn’t until 10th grade.
THE RECLUSIVE BLOGGER: How did The Inside Out form?
THE INSIDE OUT: We formed in early 2020 with Zach, Andi, and James, but we didn’t reach our final form until early 2021 when we snagged John off of a craigslist ad, haha. The band had a few different lineups from 2017-2019, varying from some of James’ high school and college friends, but nothing that really stuck. Honestly, he considers most of those times super fun and enlightening, which led this project to where it is now, but nothing has been official to him since the current lineup.
THE RECLUSIVE BLOGGER: Is there a set creative/recording process you have as a band? what was for this new release? How did you approach the creative and writing process this time on your latest release, "No Brains, No Blood”?
THE INSIDE OUT: Our creative process for songwriting usually stems from an idea James has dabbled with on his acoustic guitar and then presents to the full band. We’ll jam on it for hours if we like it enough. Each member will start dropping in their own flair and originality, and sooner than later we have a new song idea. Sometimes the best fuel for songwriting and creativity is taking a step away, walking around downtown, grabbing some drinks or food, and just talking about it.
THE RECLUSIVE BLOGGER: What are some goals you hope to accomplish as a band this year?
THE INSIDE OUT: We’re looking to continue to expand our horizons and play at new venues and cities as much as possible, and we’re hoping to make new friends and fans along the way! A major goal is to continue to introduce lovers of indie/alt-rock to our latest album No Brains, No Blood., and we’re looking to release some fresh tunes by the end of this year.
THE RECLUSIVE BLOGGER: I read that you’re playing at The Bowery in NYC coming up on February 11th. How are you prepping for that show and what are most excited for?
THE INSIDE OUT: We've been doing a lot of rehearsing and trying to refine the setlist. This is our first time playing the big stage at Bowery so we want that show to be the absolute best it can be. We’re also really excited to see all our NYC friends and family. It's gonna be an epic night for sure!
THE RECLUSIVE BLOGGER: If you were to create your dream festival to headline what other three artists past or present would you pick as your co-headliners and why?
THE INSIDE OUT: Ooh, it’s tough to narrow our answer down to just three. Inner Wave, The Audiots, and Tame Impala would be super fun to play on a bill with. We have so much respect for the artistry that led each respective band to where they all are now, and those vibey, dancy strains of indie-rock that they’re each known for would mesh nicely with our sound.
THE RECLUSIVE BLOGGER: So, to close what's next on the horizon for The Inside Out?
THE INSIDE OUT: Good times are on the horizon! This year we’re looking to play a bunch of shows and go on tour in the fall. We’ve started writing our next album, which is more upbeat and dancy than our last, and we plan to release new music and a music video by the end of this year.
STREAM THE INSIDE OUT’S DEBUT ALBUM “NO BRAINS, NO BLOOD” OUT NOW
THE RECLUSIVE BLOGGER’S TEN BEST ALBUMS OF 2022
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. These are my picks for the 10 Best albums of 2022…
I hope you had time to read and ponder the first list. If not, you can catch up and read my picks for the 100 best songs of 2022 here and here. Below are my top ten picks for best albums of the year. In a year that was full of incredibly diverse soundscapes from a plethora of artists. From breakout artists tipping the needle to your establishment acts pushing their artistry. It was initially hard to narrow down to only ten albums from the entire year. That’s why I made an extended version that featured my top 15 albums in an Instagram reel video which you can view by clicking here. But first, let’s dive into that top ten.
#10 Yard Act
“The Overload”
The Leeds-based act is one of three albums from my list that was on the shortlist for the Mercury Prize for this year. Their acerbic and in-your-face take on new Gen/Brexit era post-punk. Yard Act was a fresh sound and style full of depth, to say the least, with many of the tracks cultivating echoes of Talking Heads and even Joy Division.
Key Track: “Tall Poppies”
#9 Mitski
“Laurel Hell”
An unflinching synth-pop meets electro-rock record about bad relationships and the unsettling realities of the music industry she was honestly suffering in. Her sweet lilting vocals are a sharp contrast to the biting visceral lyrics. Mitski is an artist stepping into her own, and on Laurel Hell, she created a full-bodied piece of art that was quite hard to put down.
Key Track: “Love Me More”
#8 Everything,
Everything
“Raw Data Feel”
An album that is at once encapsulates the horrors, loneliness, uncertainty, and reliance we all have on social media and tech. It part-way features elements of A.I. through a bot named Kevin, whose a recurring character throughout the record and provides some lyrical content. Lead vocalist Jonathan Higgs finds his footing as a frontman as he deals with underlying trauma head-on. Ultimately the band creates some of their freshest work and spot-on production. Everything, Everything juxtaposes what should be at odds with each other putting the listener into a fun, hyperrealistic, and at times unsteady dance-pop world. One that adeptly mimics the current human existence of having to live a large majority of your life online.
Key Track: “Teletype”
#7 Lizzo
“Special”
The self-proclaimed 'America's Next Great Bop Star', herself, Lizzo, latest outing offers up her most emotionally connected work and one of the most feel-good releases of 2022. Lizzo dives into a well of deservedly pent-up feelings from an utterly life-changing few years. Her superb songwriting skills and knack for writing infectious pop hooks shine brightly throughout this record. That details stories of love, longing, heartbreak, loss, and regret, all through inescapable funk dance rhythms, silky pop-r&b melodies, and the disco-pop dance-floor readiness of lead single, About Damn Time.
Key Track: “To Be Loved”
#6 Wet Leg
“Wet Leg”
The Isle of Wight duo and their spunky and, at times, downright cocky debut were a fun and enlivened highlight of the year. A breath of fresh air to a genre and industry that can be stifling in many ways, it can be hard to keep up. Their witty comedic timing, the often on-point takedowns of nihilistic millennial/Gen Z behavior, and overall great musicality have proven this to be an instant hit and new gen classic.
Key Track: “Angelica”
#5 Placebo
“Never Let Me Go”
Brit Rock iconoclasts, Placebo made their 2022 return to music with the album Never Let Me Go. Not only a surprise but an absolute delight, particularly for the fans. Never Let Me Go, as an album, had Placebo in a robust form painting a layered sonic palette of dynamic synths, thrashing guitars, and driving bass lines. Molko's famous vocals are still there, along with his ever-present existential dread haunting every lyric. There are more hope-filled songs on the record such as the anthemic lead single, "Beautiful James". It is also worth noting that the pacing is perfect, with everything given room to flow.
Key Track: “Happy Birthday to the Sky”
#4 Beyoncé
“Renaissance”
Arguably the most well-rounded and sonically diverse record. It is one album on this list designed to be listened to from start to finish. The tracks seamlessly blend into each other. Beyonce has once more switched up her sound and taking a risk doing so. Structurally this is a Dance, Disco, and House album. Yet, interwoven throughout as well are the melodics and harmonics of pop and R&B music. Lyrically, the songs are fluid with black femininity and sexuality and the power of holding that space. It’s also worth noting how stunning her vocals are here.
Key Track: “Break My Soul”
#3 Bastille
“Give Me The Future”
What wound up being a record I could hardly turn off and put down for many reasons. One of the biggest reasons of note was how Bastille perfectly captures a sense of longing, nostalgia, loss, and those post-lockdown fears and paranoia many of us from the millennial and Generation Z set. That and our addiction and ambivalence to social media and tech are truly driven home lyrically in this infectious dance-pop meets electro-rock escapade. So, seeing as Bastille has always had a knack for synthesizing introspective and bleak lyrical themes in culture and then setting them to upbeat danceable music. The band’s journey to get to this point and this album where they honed in on those skills was oh-so-satisfying.
Key Track: “No Bad Days”
#2 Nova Twins
“Supernova”
This exceptional duo create a sound that is hard to pin down, yet you know you want more. The Nova Twins easily win as the artists that have excited me the most this year, bringing an all-encompassing force and freshness to Rock that I have not heard or seen in some time. Their ferocity, femininity, strength, talent, loudness, and sexuality are heard loud and unmistakable here as Black women on this powerful and raw record. Not only do Amy Love and Georgia South take musical cues from Alternative Rock, R&B, Rock, Metal, Pop, Hip-Hop, Rap, Punk, and pretty much everything. They infuse their style, unique way of playing (heavy usage of pedals, including pitch shift pedals), and an overall hip vibe to create something I haven’t heard before and don’t think sounds like anything else out now. I’m excited to see how they push forward from here.
Key Track: “K.M.B”
#1 Arctic Monkeys
‘“The Car”
I understand this band is not everyone's cup of tea, but what they do, they do brilliantly. Frontman Alex Turner's vocals have developed into a strong troubadour sound here. That set against the lushly layered soundscapes (I caught the addition of orchestral arrangements here, what?!!) from a band that is tighter than ever, and Matt Helders on the pocket succinct drumming. The Car is their most cohesive album to date. It's a melting pot of cinema scores, music from the 60s and 70s, those signature Arctic Monkeys inflections, and Beatlesesque harmonies. Arctic Monkeys as a band has never been known for subtlety in sound or proper pacing, but with The Car, they've achieved both. Ultimately, making it such a worthwhile listen.
Key Track: “Hello You”
This is the list of albums for my 2022! Also, what were your favorite albums this year? Let me know about by dropping a comment below or through a tweet!
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART TWO
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022… Part two
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on— and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
50. Bryce Vine - “Moonrock”
49. Noah Cyrus - “I Just Want A Lover”
48. Suelgi - “28 Reasons”
47. SOHN - “Segre”
46. Halsey - “So Good”
45. Dove Cameron - "Boyfriend"
44. Doechii - "Persuasive"
43. Denzel Curry (Feat. slowthai) - "Zatoichi"
42. Dry Cleaning - "Anna Calls From The Arctic"
41. Polyphia (Feat. Steve Vai) - “Ego Death”
40. The Weeknd - "Sacrifice"
39. Willow - “curious/furious”
38. Sabrina Carpenter - “Fast Times“
37. Empress Of - "Save Me"
36. Rina Swayawayna - "This Hell"
35. Aespa - "Illusion"
34. FKA Twigs (feat. The Weeknd) - "Tears In The Club"
33. Yeah Yeah Yeahs (Feat. Perfume Genius) - "Spitting Off The Edge of The World"
32. MUNA - "What I Want"
31. Conan Gray - "Disaster"
30. The 1975 - “All I Need To Hear”
29. Maggie Rogers - "That's Where I Am"
28. Bad Bunny - "Titi Me Pregunto"
27. IYLA - “FOH”
26. Ab-Soul - "Do Better"
25. Yard Act - "The Overload"
24. LE SSERAFIM - "ANTIFRAGILE"
23. Florence + The Machine - "King"
22. Bloc Party - "In Situ"
21. Mothica - “Sensitive”
20. Franz Ferdinand - “Curious”
19. Harry Styles - “As It Was”
18. Caroline Palochek - "Billions"
17. MICHELLE - "Pose"
16. Soccer Mommy - "Shotgun"
15. Kendrick Lamar - “N95”
14. Mitski - "Working For The Knife"
13. Lizzo - “About Damn Time”
12. Phoebe Bridgers - "Sidelines"
11. Everything, Everything - "Pizza Boy"
10. Placebo - “Beautiful James”
9. NewJeans - “Hype Boy”
8. Wet Leg - "Ur Mum"
7. Paramore - "This Is Why"
6. Bastille - “Hope For The Future”
5. Rosalia - “SOAKO”
4. Beyoncé -“Alien Superstar”
3. Arctic Monkeys - “Body Paint”
2. Nova Twins - "Cleopatra"
1. My Chemical Romance - "The Foundations Of Decay"
That’s it that’s my list for my 2022! Stay tuned for my top albums and music videos! Also, let me know what your favorite songs were this year? Is there anything on this list you disagree about? Let me know about by dropping a comment in the comments section or through emoji.
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART ONE
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022…
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on—and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
100. LATTO - “It’s Givin’”
99. EDITORS - “Karma Climb”
98. Em Beihold - “Numb Little Bug”
97. Kae Temptest (Feat. Lianne La Havas) - "No Prizes"
96. Labrinth + Zendaya (Euphoria Season 2 Soundtrack) - “I’m Tired”
95. Ralph Pelleymounter - “Steady Love”
94. Kimbra - “replay!”
93. Carly Rae Jepsen - “Beach House”
92. Gayle - "abcdefu"
91. BIM - "O.T.R"
90. Tove Styrke - “Cool Me Down”
89. Tove Lo - “How Long” From (Euphoria Season 2 Soundtrack)
88. Jazmine Sullivan - “Roster”
87. Eddie Benjamin (Feat. Alessia Cara) - “Only You”
86. Hope Tala - “Stayed At The Party”
85. Charlie Puth - "Light Switch"
84. Ethel Cain - “A House In Nebraska”
83. Hermanos Gutierrez - “Thunderbird”
82. Pink Pantheress -"Picture In My Mind"
81. Arkells + Lights - "Human Being"
80. Meghan Thee Stallion - "Her"
79. Freddie Gibbs - “Dark Hearted”
78. Kings Elliott - “Butterfly Pen”
77. Stormzy - “This Is What I Mean”
76. Omar Apollo - “Evergreen”
75. Joesef - "Just Come Home With Me Tonight"
74. Joji - “Glimpse Of Us”
73. Sophie Ellis-Bextor + Wuh Oh - "Hypnotized"
72. Paige Bea - "4x4"
71. Stromae - “L’enfer”
70. Allison Ponthier - “Hollywood Forever Cemetery”
69. Jonah Yano - “leslianne”
68. Boys World - “So What”
67. Nina Nesbitt - “Pressure Makes Diamonds”
66. Maneskin - “The Loneliest”
65. Ed Sheeran (Feat. Lil’ Baby) - “2step”
64. Slipknot - “Yen”
63. Weyes Blood - “Grapevine”
62. Twice - “Talk That Talk”
61. ARO - "Against Mine"
60. Camila Cabello + WILLOW - “Psychofreak”
59. Giant Rooks - "Morning Blue"
58. Spiritbox - "Rotoscope"
57. Adele - "Oh My God"
56. J-Hope - "Arson"
55. Billie Eillish - "TV"
54. Dave - "Starlight"
53. (G)I-DLE - “My Bag”
52. Steve Lacy - "Bad Habit"
51. FLO - "Cardboard Box"
INTERVIEW WITH… TIKTOK BEDROOM POP ARTIST ADDISON GRACE
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more.
THE RECLUSIVE BLOGGER: Hey, Addison! How are you doing, how’s your 2022 been so far?
ADDISON GRACE: It’s been pretty busy! I released my first EP, ”Immaturing”, this year after touring with Cavetown and Tessa Violet. After that, I was traveling during the summer to write and record my second EP, ”Things That Are Bad for Me” that’s coming out November 11th. I also went on my first headline tour which was so exciting!
THE RECLUSIVE BLOGGER: Can you talk about your origin story a bit and how that relates to your career as a musician today?
ADDISON GRACE: I was raised by a single mom who would put me and my siblings in any and every sport and/or performing art. It was her way of keeping us busy and letting us find what interested us while she would be working. The only thing that ever stuck for me was singing. Growing up I joined nearly every school and church choir. When I was 13, my brother bought a ukulele while in France. I ended up “stealing” it from him because I had seen recent videos of YouTubers making their own songs on the ukulele. From then on I had started to do the same, making original music with the ukulele, and started my own little online pages too. I think because I had a mom that was so passionate about me finding what I loved is why I am and able to be a singer-songwriter today.
THE RECLUSIVE BLOGGER: Let’s talk about your new single ‘Pretty Girl’. What was the recording and writing process like? The inspiration for this new single?
ADDISON GRACE: “Pretty Girl” was written in Nashville with one of my favorite co-writers, Charli Adams, who’s also an incredible artist. I told her about my gender transition and how I had dated someone before as a girl. This person, in my mind, was my soulmate. I was frustrated because there was a chance for us to get back together but I had made the self discovery that I’m transgender and I knew they weren’t, and aren’t, attracted to boys. I also told her about how I hated still being loved “as a girl” and seen ”as a girl“ by a lot of people in society and on the internet. I knew I wanted the song to be called “Pretty Girl” but finding the artistic words for those specific feelings had been stumping me. Charli absolutely helped me pull them out and make it into the song it is today. Recording with Andy Seltzer was incredible as well. He absolutely got the sound/production perfect for what I wanted and needed in this song.
THE RECLUSIVE BLOGGER: Do you have a typical songwriting process or do you just go with the flow and create with inspiration hits?
ADDISON GRACE: Honestly, my songwriting always changes and I’ve never had a specific flow. Usually I just write when I’m feeling an intense emotion. If I end up getting inspiration when I’m somewhere that I can’t write, I just make a note of it for later. Songwriting is genuinely my diary.
THE RECLUSIVE BLOGGER: What lyric have you written that you feel best represents the world around us right now?
ADDISON GRACE: “Take it off, oxygen, cut your hair, grow it out again. The world will end a couple times.” I think it really represents the stress we all feel with everything going on but it also brings comfort with it. I really love the idea that we can be broken, beaten, and bruised but still find a way back up. Hope and determination are both very powerful.
THE RECLUSIVE BLOGGER: How do you feel TikTok will play a part in finding artists and new music in the coming years of the music industry?
ADDISON GRACE: I think we’re gonna get a wave of a lot of new indie artists and experimental ones too. I genuinely hope it leads to people being more creative since TikTok can be relatively easy to go “viral” on. I would hope it just allows for more unknown artists to get their stuff out there fast and also allow for a more diverse set of popular musicians.
THE RECLUSIVE BLOGGER: Who are some of your favorite new or underground music artists on TikTok?
ADDISON GRACE: I recently discovered @cowgirlb3b0p, also known as ash tuesday, who deserves way more recognition! Her voice, melodies, and songwriting are all incredible. Olive Klug, @oliveklug, is also amazing- I really adore their voice and all the little inflections they put on key lyrics/words. Kevin Atwater, @kevinatwatermusic, is another who’s been picking up speed recently who I just love so much.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
ADDISON GRACE: Passionate, peculiar, and self-recognizing.
THE RECLUSIVE BLOGGER: What has been the most rewarding thing about being a songwriter and having a platform?
ADDISON GRACE: Being able to give people the songs that I needed growing up or still need even now. I’m just so grateful I’ve gotten to a point where I can put words to such intimate, specific feelings. I’m glad others relate to it, it makes me feel less alone and also like my experiences weren’t truly isolating. I like to think that I’m who I needed as a kid and I’m glad I can be that person now for both adults and kids.
THE RECLUSIVE BLOGGER: Since Halloween is coming up, what do you have a favorite Halloween film or score?
ADDISON GRACE: I’ve always been a huge fan of Coraline for some reason! I was lucky that it never scared me as a kid, haha!
THE RECLUSIVE BLOGGER: And lastly, what is up next for you Addison Grace?
ADDISON GRACE: I’m going on tour with Ricky Montgomery who’s a good friend of mine! I’m also releasing my second EP on November 11th called “Things That Are Bad for Me” (OUT NOW). Hopefully soon I’ll be making my first album or headlining again!
