PHOTO GALLERY: OSHEAGA MUSIC FESTIVAL IN MONTREAL
Osheaga Festival kicked off its three-day jaunt to the delight of fans on August 4th, last Friday. The festival was held at Parc-Jean-Drapeau in Montreal and featured incredible performances from a wide range of different genres and artists like Rina Sawayana, Gabriels, Soccer Mommy, Cults, Carly Rae Jepsen, Baby Keem, Kendrick Lamar, Tom Odell, Rema, Bille Eilish, Fletcher, Sofi Tukker, Lil Yachty, and many many more.
You can view a photo gallery of some selects from the festival below from photographer Sophie Bouquillon.
All photos by photographer Sophie Bouquillon
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
| MEET SMILEZ |
SMILEZ is a rising Los Angeles rapper, musician, and producer who just dropped his debut album ‘Ur in My World’. His sound is a genre-blending mix of rock-edged hip-hop beats that he self-produces, incorporating samples. Now that he is quickly carving out a fanbase with tracks like ‘Someday’. Which samples a part of the early Aughts band The Strokes song of the same name. Then ‘Coffee Queen’, a gen z take on finding your one and only. The artist known for his vibrant sunny yellow-hued persona (all puns intended), as much as his deadpan rap delivery, answered some questions for The Reclusive Blogger, which you can read below. SMILEZ talks about his influences, debut record, and how SMILEZ acquired his name.
THE RECLUSIVE BLOGGER: Thanks for taking some time out for a few questions. So, how has your 2023 been both professionally and personally, if you mind me asking?
SMILEZ: It’s been amazing, I’ve been really locked in on my craft this year. If I’m not in the studio I’m making music videos all the time. Right now I’m in Tokyo, so I’m on a high so I can’t complain about this year at all.
THE RECLUSIVE BLOGGER: Let's talk about how you got into the music scene, where the music persona SMILEZ came from, and how it all fits into where you are today?
SMILEZ: I’ve been making music for years since I was a little kid really. I’ve always loved punk rock and hip-hop. When I started going by SMILEZ it was just this lighthearted like fuck it why not go by some ridiculous name Its memorable which is what I liked. The name just fits the color aesthetic which Is kind of a color theme to my music videos etc. Yellow and bright colors musically I’m always on those 2 lines of punk rock and hip hop.
THE RECLUSIVE BLOGGER: What was the recording and writing process like for the album ‘Ur in My World’? Was it any different that any of your past experiences creating music?
SMILEZ: It was mainly different because I was making it with the whole project in mind. Most of my older music was just kind of random songs I had made. I made this whole album at home. Recording vocals and guitars myself and producing the whole thing. I love working with people but I wanted this to be very personal so I just was like fuck it ill do it myself. I wanted it to be a transparent look at my life.
THE RECLUSIVE BLOGGER: One of my favorite tracks off the record and the catchiest as well is “Someday”. I loved how you incorporated The Strokes sample. Can you talk more about how that came together? Is the blending of rock and hip-hop something that you did for this album or is that just innate in your music?
SMILEZ: Both, it kind of happens naturally but I love that idea of mixing rock and hip-hop in a new cool way. Blending both elements of the production and songwriting. The idea of what would the strokes or Nirvana sound like if they started today always interests me.
THE RECLUSIVE BLOGGER: What was it like opening up for such hip-hop and rap names like Wiz Khalifa and the passed-on JuiceWRLD?
SMILEZ: They were both insane experiences. I love performing so its just a pure rush for me. To be around Iconic artists like that was just inspiring.
THE RECLUSIVE BLOGGER: What was the last album you played that had no skips?
SMILEZ: Lil Uzi Vert Pink Tape would be the closest thing to no skips but I probably would skip the track with Travis Scott.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the SMILEZ sound and aesthetic?
SMILEZ: Pikachu, for the color theme, and Batman because that’s who I aspire to be
THE RECLUSIVE BLOGGER: Who are three artists from any type of artistic world, it doesn't have to be music, that influence you the most as a creative?
SMILEZ: Since we just mentioned Batman, Christopher Nolan as a director is inspiring for sure.
-I’m in Tokyo right now I’m definitely very inspired by the art and culture here.
-Anything that is cool and interesting to me
NOTHING BUT THIEVES RETURN WITH NEW ALBUM ‘DEAD CLUB CITY’
ALBUM REVIEW: NOTHING BUT THIEVES RETURN WITH NEW ALBUM “DEAD CLUB CITY”
“Dirty English sky is washing me away.”
“Tomorrow Is Closed” | Dead Club City
From the moment you hear the first few notes play from Dead Club City, the new album from English Rockers Nothing But Thieves. You know two things, this is not your standard Nothing But Thieves musical fare, and the band has boldly dipped their toes into the world of concept albums. So this is going to be a wild ride, and it is. If you haven't heard of Nothing But Thieves, they are a quintet hailing from Southend, U.K. comprising Conor Mason (vocals, guitar), Joe Langridge-Brown (guitars), Dominic Craik (guitars, keyboard), Philip Blake (bass), and James Price (drums). In their ten years, they have amassed quite the fanbase and following, including a #1 alternative radio single here in America with Trip Switch. Now the band is on the fourth studio album Dead Club City a blistering venture into an unknown world filled with narratives, characters, and concepts all inspired by the band's struggles with the pandemic, the lockdown, and life in this new world we live in. NBT has always had a natural knack for raw honesty and extrospection (and introspection in some cases) in their lyrics. So, an album like Dead City Club truly allows them to explore and hone in on those skills.
The album opener, Welcome To The DCC (aptly titled, I might add), quickly puts the listener within the world of the DCC. Frontman Conor Masons' honeyed falsetto greets you with the lyric Welcome To The DCC repeated. All set amongst an atmospheric soundscape of textured tones and synths. The crunchy layered guitars are all very 80s inspired and hard-hitting. The album segues into the second track, the anthemic single Overcome, a song filled with blissful synths, punchy basslines, and rockier guitars. Lyrically, it's one of few tracks that lean hopeful in tone and messaging. NBTs' grit is still very apparent throughout the record as well. It's not something they lost or even shied away from. It is all over tracks like Tomorrow Is Closed, City Haunts, and Members Only. The latter two have a sludgier stomp-rock vibe to them. There are a few restrained moments on the record, like the reflective love letter Green Eyes:: Siena and the slinky R&B-influenced confessional Talking To Myself. The band also leans fully into pop and electronic music on the dance-pop number Foreign Language. Dead Club City closes on a high note with the electric and hard-rock number Pop The Balloon. It is loud, brash, and so rock and roll. 
NOTHING BUT THIEVES - Dead Club City Album Cover
While Nothing But Thieves has been a band for ten years now. This fourth record clearly shows why they are one of the U.K.s most exciting Rock acts and live shows. Dead Club City demonstrates Nothing But Thieves' progression as a band and their skill in experimentation. It has not steered them wrong so far. While the concept album can quickly go bad, even comical for so many artists, for Nothing But Thieves, it didn't. It could be the overall evasiveness and abstract nature of what is the inner realm of the Dead Club City. Which comes across in a more choose-your-own-adventure manner, even more so with the attached visuals. Then there is the tight production from band member Dominic Craik and the on-point vocals from Conor Mason. Whatever it is that gelled together at the right time, Nothing But Thieves has easily put out one of my favorite albums of this year.
You can stream Nothing But Thieves' Dead Club City, which is out now on all DSPs, by clicking here.
Welcome to the DCC
Overcome
Tomorrow Is Closed
Keeping You Around
City Haunts
Do You Love Me Yet?
Members Only
Green Eyes :: Siena
Foreign Language
Talking To Myself
Pop The Balloon
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA
INTERVIEW WITH… NASHVILLE’S PSYCHEDELIC ALT-ROCK BAND BLUPHORIA —
BLUPHORIA | Photo by: Jena Yannone
Meet Nashville’s rising new Alt-Rock band Bluphoria, the blues rock meets psychedelic alternative rock is comprised of Frontman/Lead Guitarist Reign LaFreniere, Rhythm guitarist/ Backing Vocalist Dakota Landrum, Bassist/Backing Vocalist Rex Wolf, Drummer/Backing Vocalist Dani Janae. Lead vocalist, Reign took some time out of their busy schedule to speak with me just ahead of their debut album, which is out now. I spoke with frontman, Reign LaFreniere about the new self-titled debut, his artistic influences, being a Black man in Alternative music, the band’s origin, and much more.
You can check out my interview with Reign of Bluphoria below and stream the band’s self-titled debut here.
THE RECLUSIVE BLOGGER: Thanks for taking the time to speak with me at The Reclusive Blogger. How are you guys doing?
REIGN OF BLUPHORIA: Thanks for having us! We are doing great and are very stoked about the new album release.
THE RECLUSIVE BLOGGER: You guys formed in Eugene, Oregon, but now call Nashville home. Frontman Reign grew up in NorCal. How much would you say those distinct soundscapes from these notable music cities pop up within your sound?
REIGN OF BLUPHORIA: Growing up in the bay was very influential for me as an artist. The bay area has been the center of so many music scenes over the years and I feel like, because of that, I’ve internalized all of those influences within the sound we have now. Being in Nashville has also been super inspiring because all the musicians here are so helpful and collaborative and it seems as though the bare minimum is to be talented here but at the same time because of the culture here every musician is welcome.
THE RECLUSIVE BLOGGER: Even though we are progressing with bands/artists like yours, Meet Me At The Altar, Gary Clark Jr., and overseas with the Nova Twins. How do you feel this space can be more open to artists of color, particularly black artists, despite what we all know is the origin story of rock music?
REIGN OF BLUPHORIA: I think that by changing the narrative on what is expected of black art would do leaps and bounds. I remember writing music when I was younger and being intimidated by the fact that I didn’t have a lot of people to look up to that looked like me making my kind of music. You’d see Gary Clark Jr. and Leon Bridges and such but I think by just being present and promoting those artists will normalize it more and kids who are like me when I was younger will be more inspired to create and follow their passion.
THE RECLUSIVE BLOGGER: Can we talk about your forthcoming album? What was the creative and writing process for it like? Did you have a particular sound that you wanted going in? How did it differ from any of your past recording sessions?
REIGN OF BLUPHORIA: It’s kind of crazy to say but most of the songs we wrote in the last three years were written during the pandemic. A lot of the songs on this album kind of reflect that feeling as well. We wanted to make a project where the whole crux of it was to capture a peaceful melancholy. Most of our songs are upbeat and driven by major chords but at the same time the lyrics tell a sadder story which was very reflective of our experiences during covid trying to make the best out of a bad situation. This album is a much more mature version of our previous projects sonically and it really came to life because of the help we got from Mark Needham.
THE RECLUSIVE BLOGGER: The producer on your record Mark Needham has worked with many major acts like Imagine Dragons and The 1975. What was it like working with the Grammy-winning producer? How did he shape your sound?
REIGN OF BLUPHORIA: He was great! He brought a lot of experience to the studio which helped us and his patience was unmatched. We had gone into recording having never used a click track and bickering about what would make songs better and his mantra was always to try whatever ideas we had and see what the outcome was. It really allowed us to grow our songs and turn the project into what it is today.
THE RECLUSIVE BLOGGER: Were there any songs off the forthcoming full-length release that were more challenging to write? Which ones came together quickly?
REIGN OF BLUPHORIA: Most of them came to us quickly. I’m personally one of those writers who, if I have an idea, finish writing the song on the spot. We did bring "Set Me Up" to the studio completely unfinished and it was interesting working on it and seeing how it changed and filled out. That song was difficult because it started as an indie rock down-tempo ballad of sorts and we messed around with a lot of ideas to really make it angrier and sound how it is today.
THE RECLUSIVE BLOGGER: What would you say are Bluphoria's biggest inspirations or influences? These can be from an artistic, musical, and even personal standpoint.
REIGN OF BLUPHORIA: Our band has such an eclectic music taste. I am very influenced by '60s soul, rock n roll, and funk. I grew up a big fan of Sam Cooke and Bob Marley then high school came around and I was a Hendrix and Beatles fan. Dakota is very influenced by psychedelic rock of the '60s and '70s like Pink Floyd and Velvet Underground which is an interesting match for the rest of the rhythm section who are big fans of punk and '90s grunge and most of the time name bands that I’ve never heard of! It does seem to work somehow and I like how all of our influences connect in our music.
THE RECLUSIVE BLOGGER: Name a fictional character you think would most identify with your soundscape or aesthetic.
REIGN OF BLUPHORIA: That’s a hard one. I have my favorites but I feel like we could have our music pop up in the Guardians of the Galaxy spaceship at some point! Especially if we were an '80s band!
THE RECLUSIVE BLOGGER: And my last question. What is up next for Bluphoria in 2023? Thanks again, guys! I wish you so much success going forward!
REIGN OF BLUPHORIA: We are just preparing for our album release on May 5th and the shows that follow! We hope to be going on tour this summer and get back to writing some more music! We appreciate you and thanks for having us on!
Thanks for the interview time, Reign! You can learn more about Bluphoria including info on their upcoming summer tour below. The band’s self-titled debut album is out on all DSP’s now!
Bluphoria, please visit http://www.bluphoriaband.com/
Watch “Ain’t Got Me” on YouTube here
PASADENA'S CRUEL WORLD FESTIVAL DELIGHTS WITH A HOST OF EIGHTIES GOTHIC NOSTALGIA
Not even the 95-degree heat could stop the beat or the fun at the first Cruel World Fest.
Last weekend kicked off the first Cruel World Festival held by Goldenvoice. A music powerhouse behind many of the biggest annual California festivals like Stagecoach and Coachella. Cruel World Fest had thousands partying into the night to eighties icons like Bauhaus, Morrissey (yes, that Morrissey), Devo, Missing Persons, Blondie, The Church, Berlin, The Psychedelic Furs, English Beat, and many more.
Held in Pasadena at the Brookside Park and Golf Course in Pasadena, so the heat was an issue, but otherwise, the two-day eighties goth oasis was an exhilarating blast from the past. It was also a day or two to be grateful, enjoying the sun, the music, any new friends made, and the vibes. After all, it has been a difficult and trying two and half years. Even though there were a few fest hiccups like Echo and the Bunnymen dropping out or your garden variety festival hiccups. It was sure to be an event for the ages and truly an event for Alternative and classic Alternative music lovers.
Living legends at the Cruel World Festival anchored by many next wave acts or niche artists of the time. Like The KVB, a husband and wife duo with a penchant for 90s melancholy via Shoegaze guitar rhythms, neon 80s synths, and dark melodies for ages. Despite the somewhat penchant for dark and brooding music, the duo was so lovely in my chat with them (that will be out soon). Solo artist TR/ST brought his vibe of sin-soaked angsty synth beats much to the surprise and delight of many. You also had your underground mainstays like Cold Cave and my faves Blaqk Audio, with each band garnering super loyal and supportive fanbases. They each brought a unique sense of new-age sleekness and style that the newer brand of goth-tinged synth-rock or pop showcase.
For me, and no doubt so many others, there was no question that Bauhaus stole the show. A magical feeling was prominent in the air as the moon was high. Bauhaus set the scene from the beginning with a fog machine to heavy strobe lights. The audience was feverish by the time Peter Murphy's booming baritone rang out. Singing through a catalog of Bauhaus classics like 'She's In Parties'and the obvious crowd fave, 'Bela Lugosi's Dead'. It was a night to remember one perfectly accented by the elusive (and perhaps reclusive?) Morrissey. His vocals are as dramatic as ever, from every ad-lib, yelp, and yodel.
The crowd clung to every word as many of them had grabbed barricade spots way early in the day, standing for hours. Other highlights were Berlin, lead vocalist Terri Nunn's crowd interaction was like no other, Automatic, The Church, Missing Persons, and Devo. While I missed the chance to photograph every band like I wanted to, the heat that day was more than I expected. You can check out my photo galleries from the festival below. I had a great time, as did many other fans of all ages. So, closing out, I'll see you at Cruel World 2023 and, yes, that means you too, Bunnymen.
