THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 100-51
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
100. SPARKS
“The Girl Is Crying In Her Latte”
99. Joshua Radin
“Neverland”
98. Abraham Alexander
“Tears Run Dry”
97. Killers Of The Flower Moon By Robbie Robertson
“Osage Oil Boom”
96. Sharaya Summers
“Forever You & Me”
95. Maren Morris
“The Tree”
94. Megan Thee Stallion
“Cobra”
93. Charlotte Cardin
“Confetti”
92. Avalon Emerson
“Astrology Poisoning”
91. Bakar
“Alive!”
90. Halle
“Angel”
89. Faye Webster
“But Not Kiss”
88. Ryan Gosling
“I’m Just Ken”
87. Bleachers
“Modern Girl”
86. Poppy
“Hard”
85. Jeon Somi
“Fast Forward”
84. Bad Bunny
“Monaco”
83. Mothica (feat. Sophie Powers)
“Sirens”
82. Little Simz
“Gorilla”
81. Descartes a Kant
“After Destruction”
80. Marika Hackman
“No Caffeine”
79. Bishop Briggs
“Baggage”
78. olivia dean
“Carmen”
77. EVERYTHING, EVERYTHING
“Cold Reactor”
76. NMIXX
“Love Me Like This”
75. Spider-Man: Across the Spider-Verse (Original Score) by daniel pemberton
“Across the Spider-Verse (Intro)”
74. AMA LOU
“Silence”
73. Romy (feat. Fred Again)
“Strong”
72. DAUGHER
“Be On Your Way”. ”
71. Boygenius
“Not Strong Enough”
70. Coco Jones
“ICU”
69. The Beaches
“Blame Brett”
67. Lovejoy
“Normal People Things”
68. Dreamville + JID + Lute
“Ma Boy”
65. Doechii (FEAT. Kodak Black)
“What It Is (Block Boy) ”
66. Depeche Mode
“My Favourite Stranger”
64. Agust D
“Haegeum”
63. Foo Fighters
“Rescued”
62. Stephen Sanchez
“Be More”
60. CHVRCHES
“Over”
61. Troye Sivan
“Rush”
57. MUNA
“One That Got Away”
59. Griff
“Vertigo”
57. Billie Marten
“I Can’t Get My Head Around You”
56. Maya Hawke
“Coming Around Again”
55. TORI KELLY (Feat. Jon Bellion)
“Young Gun”
54. Grace Weber
“Intimate (A Colors Show Version”
53. Måneskin
“Honey (Are U Coming)”
52. Slowdive
“the slab”
51. Kelela
“Enough for Love”
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 50-1
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
50. Saint Harison (feat. Tiana Major9)
“Homies”
49. Chelsea Wolfe
“Tunnel Lights”
48. Leslie Odom Jr.
“Holding on to Us”
47. v
“Love Me Again”
46. Kenya Grace
“Strangers”
45. TINASHE
“Talk To Me Nice”
44.
The National (feat. Taylor Swift)
“The Alcott”
43. Beharie
“We Never Knew”
42. Laufey
“From The Start”
41. FLO (feat. Missy Elliott)
“Fly Girl”
40. CHRIS sTAPLETON
“White Horse”
39. Renee Rapp (feat. Coco Jones)
“Tummy Hurts ” - Remix
38. JUNGLE (FEAT. BAS)
“Pretty Little Thing”
37. Bruno Major
“The Show Must Go On”
36. flowerovlove
“Coffee Shop”
35. Aespa
“Drama”
34. Rosalia
“LLYLM”
33. NOTHING BUT THEIVES
“Overcome”
32. Doja Cat
“Paint The Town Red”
31. Sabrina Carpenter
“Feather”
30. Dean Lewis
“How Do I Say Goodbye”
29. Jisoo
“Flower”
28. SPIRITBOX
“Jaded”
27. XG
“LEFT RIGHT”
26. SZA (feat. Doja Cat)
“Kill Bill (Remix)”
25. Zach Bryan (feat. Kacey Musgraves)
“I Remember Everything”
24. Lana Del Rey
“A&W”
23. Kylie Minogue
“Padam Padam”
22. YARD ACT
“Dream Job”
21. NewJeans
“Super Shy”
20. Mitski
“My Love Mine All Mine”
19. Tate McRae
“Greedy”
18. JungKook (FEAT. LATTO)
“Seven”
17. Niall Horan
“Heaven”
16. LE SSERAFIM [FEAT. NILE RODGERS]
“Unforgiven”
15. Caroline Polachek
“Dang”
14. Allie X
“Black Eye”
13. Taylor Swift (Feat. Ice Spice)
“Karma”
12. Paramore
“Big Man Little Dignity”
11. The Hives
“Bogus Operandi”
10. The Kills
“New York”
Why it’s #10: “New York” features some of the duo’s grittiest and sludgiest sounds from one of their most cohesive records yet. Just when you think this can’t get grungier. They dig their heels in and find depths of emotion to create some of the most incredible music, including this song.
9. Bastille (feat. Hans Zimmer)
“Pompeii MMXXIII”
Why it’s #9: For this visionary rework of Bastille’s mega-hit Pompeii. The band teams up with legendary film composer Hans Zimmer. The rework lays bare the inner workings of a truly brilliant and now timeless song and gives breadth to the often-overlooked songwriting talent of Frontman Dan Smith. Zimmer and crew aren’t just showing it in a new light. They craft a version of Pompeii for a new era. It’s lush, sweeping, and gorgeous.
8. Victoria Monet
“On My Mama”
Why it’s #8: A song that perfectly imbues the essence and vibes of 80s Dance, Funk, and R&B/Soul without sounding trite or pandering. Monet has captured the best pop/dance song and video this year. ‘On My Mama’, is note for note, a stylish and nuanced celebration of Blackness and the culture we bring to the table. If the driving bass line doesn’t get you, the insanely slick production, with some blaring horns for good measure, or the classical catchy hook. Then you might need your ears checked.
7. Chappell Roan
“Red Wine Supernova”
Why it’s #7: While it seemed like there weren’t a lot of artists this year making fun club pop hits (especially ones geared towards the LGBTQ+ community). Chappell Roan said let me try and more than try, she did. She succeeded. The song is lifted from her stellar debut album, The Rise and Fall of a Midwest Princess, and is an absolutely saucy and cheeky number. One that is sure to fill dance floors with its 80s spunky synths and funky bass lines.
6. Miley Cyrus
“Flowers”
Why it’s #6: It’s the (affirmational) bop of the year of the Spring, Summer, Fall, and Winter. This was the song that Miley needed and deserved. That’s all.
5. The Last Dinner Party
“Nothing Matters”
Why it’s #5: Another band coming out of nowhere like a bat out of hell. Artfully blending Pop, Art-Rock, Indie, and an amalgamation of many other genres, the band has carved out a unique space and sound design. ‘Nothing Matters’ is a song that has become a beloved fave of mine this year with its honest lyricism and gothic charm. Since the band has only been together since 2021, they already have a pretty well-defined sound and stage presence that is so refreshing. I cannot wait to see what 2024 has in store for them.
4. Slow Pulp
“Slugs”
Why it’s #4: Another surprise artist for me this year, but the heavy guitars feel sludgy and distorted as they harken back to the early 90s Brit-Pop and Shoegaze. The song “Slugs’ is the magic combo lead vocalist Emily Massey's soft love-lorn vocals sync well against the band’s angsty soundscape.
3. Sampha
“Spirit 2.0”
Why it’s #3: You know the quote, “The music is not in the notes but in the silence between them”. Spirit 2.0 is a perfect example of that. What seems sparse in production and sound allows the beauty of this gorgeous track to shine through. It’s not like anything we’ve heard from Sampha before and definitely not like anything out now. That’s what makes it so brilliant.
2. RAYE
“Oscar Winning Tears.” (Live at the Royal Albert Hall)
Why it’s #2: First off, her voice, already stunning, just soars on this gorgeous live take at her special Royal Albert Hall concert. Raye hits every note on this song with so much depth and soul. Yet, Raye saves the best for the last ending on a spectacular vocal run that is the cherry on top.
1. Olivia Rodrigo
“get him back!”
Why it’s #1: For one, it’s the song that has been sounded off in my head since the first listen. The punchy lyrics are filled with grit and a punky effervescence that captures youth and heartbreak at its core, even if that means some revenge.
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
BASTILLE ELECTRIFIES L.A.’S ART DECO WILTERN THEATRE WITH THRILLING POP NOSTALGIA
The London pop-rockers brought their only date of the Bad Blood X tour in America to Los Angeles to celebrate the tenth anniversary of their debut album Bad Blood.
You know a show is one for the record books when you hear attendees speaking about it as soon as it is over, not in sadness so much but in the mix of utter joy (no, pardoning the pun here), and we cannot wait to do this again. It was that good. The chatter from the only Bad Blood X American tour date held in the very apropos art deco downtown L.A. Wiltern theater brought the masses and wrapped around the corner. After all, we were celebrating something big. It had been ten years since. This band, our band, had released the album Bad Blood, which changed their lives and, for many of us, our lives too. So, picking Los Angeles to celebrate this occasion was perfect. They got their record deal here, their first hit, Pompeii, had its music video filmed here, and of course, Dan mentioned later on at the gig he met his art hero, David Lynch. So many pivotal things happened here, and now a return that included a sold-out gig.
While rumors of a surprise opening act flickered about, ultimately, it was only rumored. The Los Angeles date of Bad Blood X belonged to Bastille, who took to the Wiltern stage (to a boisterous crowd, I might add) at an early 8:30 p.m. start time for a twenty-one song set, which saw the band play the entirety of their debut album Bad Blood.
The venue was buzzing with energy as we all waited, with bated breath, for the band to appear. It seemed like the last Los Angeles show was forever ago (not last year) as Bastille kicked the night off to a host of spirited screams and applause, launching into the song that changed it all for Pompeii. It is also worth noting that they usually close out with this one. Next, the band launched into the first songs of the record, which included the single Things We Lost In The Fire, a song noted for its haunting melodies and somber-sounding heavy Tom drums, the sinister-sounding synth-driven Bad Blood, and rarely heard gems like Weight of Living PT. 1. Then tracks like Daniel In The Den, and Get Home added a softness to the setlist and an angelic quality as both songs reverberated in the room. On cue, as the opening notes of Oblivion began, so did the lights from everyone's phones, illuminating the darkened Art Deco theatre. It was a special moment, but honestly, the entire night was a special moment as there was such a feeling of togetherness, joy, laughter, celebrating music, and the good that music can bring. You see, the thing about Bastille shows is that it's a place where you can be yourself and feel comfort in that. That's because it all starts with the band and seeing how much they have grown and evolved in the ten years since releasing Bad Blood and become better artists themselves, Including seeing just how comfortable and how fun Dan now has performed onstage.
After the band performed the first part of the show, they returned to the stage for the encore. They played a round of songs from albums released after their debut. Bastille finally played No Angels. A track from one of their OPH mixtapes, (with Bim singing Ella Eyres spot and killing it), The Draw, club bangers Million Pieces, and WHAT YOU GONNA DO? were also performed. The latter two tracks had the crowd head banging and going insanely. Shut Off The Lights was the perfect end to a beautiful night. The Wiltern felt alive and electric with excitement and happiness. You could hear people chatting about this gig on their way out leaving. All the attendees that night fully realized that this was one not to miss, and they did not. Knowing how much Bastille and their team put into these shows, giving their all, for us means a lot and probably more than they will ever know. From the concert interludes (which featured music video snippets and BTS footage) to the performances, the stage setup, and small onstage details (we see you wolf hoodie and street lamps). Bastille with the Bad Blood X tour leaned into the nostalgia fittingly.
You can check out my photo gallery from the gig below!
PHOTO GALLERY: OSHEAGA MUSIC FESTIVAL IN MONTREAL
Osheaga Festival kicked off its three-day jaunt to the delight of fans on August 4th, last Friday. The festival was held at Parc-Jean-Drapeau in Montreal and featured incredible performances from a wide range of different genres and artists like Rina Sawayana, Gabriels, Soccer Mommy, Cults, Carly Rae Jepsen, Baby Keem, Kendrick Lamar, Tom Odell, Rema, Bille Eilish, Fletcher, Sofi Tukker, Lil Yachty, and many many more.
You can view a photo gallery of some selects from the festival below from photographer Sophie Bouquillon.
All photos by photographer Sophie Bouquillon
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
Em Beihold // Courtesy of Republic Records/Moon Projects
Em Beihold is currently opening up for Lewis CapALdi and RECENTLY HOPPED ON a collaboration with Lauren Spencer Smith and GAYLE.
Em Beihold is not a fan of rollercoasters because they make her sad. I think… Well, it's a statement she makes loud and clear in the song Rollercoasters Make Me Sad. The track is effusive with punchy melodies and dulcet harmonies, while Em's lyrics often capture dissonant emotions through snappy metaphors. Here Beihold has carved out a niche with songs like the previously mentioned track, Rollercoasters Make Me Sad, Groundhog Day, 12345, and the massive hit Numb Little Bug. Rollercoasters Make Me Sad adds another ace to Beihold's songwriting book with how she succinctly captures feelings and a moment in time. It also should be on your Spotify or Apple Music rotation and playlists if it's not. It was back in March when I got to chat with Em during a presser, learning a little more about her as an artist and songwriter, how her songwriting process works, and even a bit about the inspiration behind her songs, which most of her songs touch on modern-day anxieties, relationships, and mental health/illness. She was also excited to be touring with Lewis Capaldi, a tour she is currently on. I asked her about working with Stephen Sanchez and how turning Until I Found Her into a duet came about. The song has her singing from the girl's perspective. One of the biggest collabs all started from Em liking his reels and her manager noticing, thinking they should do a song together. So, to my fellow creatives, this is a gentle reminder. You never know what might happen and who might see it. Keep creating, and do not be afraid to shoot your shot. I also asked about her future collaborations. Em said her dream collab is with Regina Spektor, an artist she says has been at the fiber of her work and artistry since day one. While Em may not be too fond of rollercoasters, she is currently on the wildest one of her life, and it's only getting started.
Stream “Eggs In The Backseat” out now on all DSPs
INTRODUCING: THE BOMBASTIC ALTERNATIVE POP QUINTET THE SCARLET OPERA
INTRODUCING: THE SCARLET OPERA, THE BOMBASTIC ALTERNATIVE POP QUINTET
If you have not heard of The Scarlet Opera, the exciting quintet fusing Pop, Rock, and, yes, even Opera. Lyricist and frontman Luka Bazulka (whose natural grandeur is ever present and charming), with Colin Kenrick on Keys, Daniel Zuker on Bass, Justin Siegal on Drums, & Chance Taylor on Guitars. The glue holding the band together is friendship and identity. Identity, friendships, relationships, sexuality, love, loss, band life, and the music industry are major themes often explored within their lyrics.
Last month I got a few minutes to speak with The Scarlet Opera during a presser. I asked what the go-to karaoke songs were for everyone, and a fun type of chaos ensued. It seemed like ‘Skyfall’ by Adele was the overall favorite. You could feel the excitement from the guys. They were on the cusp of dropping their now-released new EP “Comedy”, the high of their first late-night tv performance on James Corden, and touring. There was a joy and bombast felt through the screen during the presser. Well aware of comparisons to their predecessors, they were flattered by it all. In an industry where bands and artists can get jaded quickly, it was refreshing to see. Yet, I found it more exciting to see a band that has finally begun to put the puzzle pieces together with their sound finding a niche in the big wide world of Pop music.
ALBUM REVIEW: Andrew McMahon in The Wilderness - “TILT AT THE WIND NO MORE”
ALBUM REVIEW: ANDREW MCMAHON IN THE WILDERNESS - “TILT AT THE WIND NO MORE”
When Andrew McMahon first set out on a new journey within his musical career as a solo artist he had to overcome one of his biggest challenges ever… tackling Cancer. Now twenty years later when so many artists seemingly disappear, even without all the hardships, McMahon continues to rise and make some noise in the Alt Rock and Indie Pop scene under various monikers and projects. His latest as Andrew McMahon In The Wilderness is possibly his most well-known. Quite honestly the perfect creative alias for McMahon for what he has been through to come out the other side (or out of the wilderness, see what I did there?) happy, healthy, and with a family of his own, now looking back on it all with this new album, “Tilt at the Wind No More” out now on Nettwerk. The album is brimming with nostalgia, particularly Y2K nostalgia. A period of time that the album cover hints at. A pair of hands, of what I would assume is the hands of lovers, that can barely hold on amid vivid bright chaos. The cover is the perfect way to let the listener know what type of musical journey you will be taking, the kind of bold strokes of musical color that Andrew will choose to paint with.
“Tilt at the Wind No More” is the fourth album for Andrew under his Wilderness moniker and features production from Tommy English. "Lying On The Hood Of Your Car" opens up the record and is a song that quickly grabs your ear. It also has an underlying vibe of melancholy and nostalgia that sets the listener up for the rest of the album. We segue into two previously released singles, "Skywriting" & "Stars”. There are some exuberant synths and what sounds like some acoustic guitars set off in the back of the mix for good measure. These songs borrow from McMahon's earlier sounds, such as folk indie and country pop, with jangly guitars and a driving beat and bassline. "Submarine" leads us into more subdued territory as one of the few ballads on this release. "Built to Last" is the one that hones in the emotion, all without that feeling mawkish feeling like "Submarine". The use of a vocoder only adds to the hazy lo-fi fever dream. The other highlights of “Tilt at the Wind No More” include the bouncy pop confection "New Friends". We get an unapologetically fun, retro synth-wave drenched tune on "VHS". "Little Disaster" finds Andrew taking us down memory lane, grateful yet introspective. While the album for nonfans might feel a bit disjointed at times or too reminiscent of the mid-aughts radio-friendly indie pop, it is still a solid release. For fans of Andrew McMahon, they will no doubt be more pleased with this album and delighted with how many beautiful high notes this has.
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
Los Angeles transplant is on the rise since his brand of quirky, lo-fi, authentic, and emotionally brand of vibe heavy Indie Pop music has garnered him a viral hit with “Honeypie” and now a solid (and dare I say hardcore) fanbase. The artist suddenly found himself with newfound success after that viral TikTok signed to the major label Interscope in 2020, where he dropped his mixtape EP, For Abby. It was a mixtape that was wholly created and conceived in lowdown, with many of those curiosities and insecurities felt on it. Jawnys' sound began to develop with more tools, people, and more at his disposal. It was something that would push you as an artist or drive you crazy with anxiety, but Jawny seemingly just dug into the tide of Gen Z new age sensibilities for his latest projects. The new songs, fall in love, true, plus last year's wide-eyed all capture a breezy California energy with slicker production and insanely catchy hooks. In speaking with Jawny during a presser recently. I asked him what if he got the chance to write a song based on his favorite piece of pop culture, What would he pick? So, ever the Gen Z and pop culture nerd, he chose quite an etched-in-our-skull moment from pop music history. When Britney Spears and Justin Timberlake donned matching denim-on-denim ensembles at the 2001 VMAs. Although, I am unsure if Jawny will ever get a chance to put pen to paper on this subject. I certainly don't doubt that the vibey sound he has been crafting wouldn't do it justice...
GUEST BLOG: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
THE RECLUSIVE BLOGGER’S GUEST BLOGGER: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
Good Bison is an Indie Rock band comprised lead by Pablo Alvarez, Abe Mendez, Agustin Mas (lead guitar), Sebastian Delgado on drums/backing vocals, and George Spits on additional production, mixing, and mastering. The first single, “Can’t Waste This High” from the newly released EP “Ghost on Mulholland”, dropped last winter and is a synth-pop-led number. The complete EP has the band diving headfirst into spooky, almost haunting territory. They find themself taking inspiration from a variety of things, namely nostalgia, ghosts, Los Angeles, R.L. Stine, and of course, his famous Goosebumps book series.
Lorde // Solar Power - “It took me much longer to get into “Solar Power” than it did Lorde’s first two albums, but once I got into it, I was in deep. I love how this song puts her toxic relationship with California, and LA in particular, at the forefront.“
Sabastian Yatra // Dos Oruguitas - “As a Colombian, I cannot tell you how much “Encanto” meant to me. It was a beautiful representation of my culture, and I couldn’t stop listening to this song for months after watching it.”
Paul Simon // 50 Ways To Leave Your Lover - “Paul Simon is a master genre-bender. It’s incredible how many sonic landscapes he explored in his music.”
Gorillaz // On Melancholy Hill - “One of my favorite songs of all time. Just because we’re sad, it doesn’t mean we can’t dance.”
Billie Eilish // Getting Older -“There were a bunch of songs I loved on Billie Eilish’s latest record, but this is one I keep coming back to again and again. My favorite version is a live performance that’s just her and Finneas on the piano.”
Taylor Swift // this is me trying -“AT LEAST I’M TRYING. I feel you, Taylor. Me too.”
Tame Impala // Feels Like We Only Go Backwards -“I love how the bass line compliments the lyrics and the melody in the hood. It really makes you feel like you’re going backward. There’s also an Arctic Monkeys cover of it that I couldn’t stop listening to for a while.”
Bon Iver // For Emma -“I’ve been inspired by so many Bon Iver songs over the past few years, but the horns in this one speak to me in a way I can’t begin to explain.”
Mac Miller // Good News -“The vulnerability of Mac Miller’s songwriting here is incredibly moving. I was a fan of his since the first day I heard “Kool-Aid and Frozen Pizza.” It’s amazing how I can fully relate to both his upbeat music and his more introspective stuff.”
The Beatles // Golden Slumbers -“Abe was the one who really put me on to this song. I had never truly appreciated it until I heard him playing it on the piano. For a good while I was also obsessed with the transition into “Carry That Weight."
The Cure // A Letter To Elise -“This song says so much before the vocals ever come in. It’s amazing how much that guitar is able to communicate in the intro.”
Phil Collins // Can’t Stop Lovin’ You -“Phil Collins is an absolute master. Undeniably. I was annoyingly belting this chorus around the house for way too long. There’s also a really nice Taylor Swift cover of this song.”
Joy Division // Atmosphere -“I’m fascinated with the way Joy Division is able to create such a specific ambiance with their music. I feel transported as soon as this song comes on.”
Arctic Monkeys // Riot Van -“Have you been drinking, son? You don’t look old enough to me.” I’m sorry, officer, is there a certain age you’re supposed to be ‘cause nobody told me? One of my favorite lyrics ever.”
Phoebe Bridgers // I Know The End -“Been listening to Phoebe Bridgers non-stop for the past year. This song in particular has been my biggest obsession lately. I love the way it builds.”
Good Bison Socials:
Instagram: https://www.instagram.com/goodbison
Facebook: https://www.facebook.com/goodbisonmusic/
Twitter: https://twitter.com/goodbisonmusic
THE RECLUSIVE BLOGGER’S TEN BEST ALBUMS OF 2022
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. These are my picks for the 10 Best albums of 2022…
I hope you had time to read and ponder the first list. If not, you can catch up and read my picks for the 100 best songs of 2022 here and here. Below are my top ten picks for best albums of the year. In a year that was full of incredibly diverse soundscapes from a plethora of artists. From breakout artists tipping the needle to your establishment acts pushing their artistry. It was initially hard to narrow down to only ten albums from the entire year. That’s why I made an extended version that featured my top 15 albums in an Instagram reel video which you can view by clicking here. But first, let’s dive into that top ten.
#10 Yard Act
“The Overload”
The Leeds-based act is one of three albums from my list that was on the shortlist for the Mercury Prize for this year. Their acerbic and in-your-face take on new Gen/Brexit era post-punk. Yard Act was a fresh sound and style full of depth, to say the least, with many of the tracks cultivating echoes of Talking Heads and even Joy Division.
Key Track: “Tall Poppies”
#9 Mitski
“Laurel Hell”
An unflinching synth-pop meets electro-rock record about bad relationships and the unsettling realities of the music industry she was honestly suffering in. Her sweet lilting vocals are a sharp contrast to the biting visceral lyrics. Mitski is an artist stepping into her own, and on Laurel Hell, she created a full-bodied piece of art that was quite hard to put down.
Key Track: “Love Me More”
#8 Everything,
Everything
“Raw Data Feel”
An album that is at once encapsulates the horrors, loneliness, uncertainty, and reliance we all have on social media and tech. It part-way features elements of A.I. through a bot named Kevin, whose a recurring character throughout the record and provides some lyrical content. Lead vocalist Jonathan Higgs finds his footing as a frontman as he deals with underlying trauma head-on. Ultimately the band creates some of their freshest work and spot-on production. Everything, Everything juxtaposes what should be at odds with each other putting the listener into a fun, hyperrealistic, and at times unsteady dance-pop world. One that adeptly mimics the current human existence of having to live a large majority of your life online.
Key Track: “Teletype”
#7 Lizzo
“Special”
The self-proclaimed 'America's Next Great Bop Star', herself, Lizzo, latest outing offers up her most emotionally connected work and one of the most feel-good releases of 2022. Lizzo dives into a well of deservedly pent-up feelings from an utterly life-changing few years. Her superb songwriting skills and knack for writing infectious pop hooks shine brightly throughout this record. That details stories of love, longing, heartbreak, loss, and regret, all through inescapable funk dance rhythms, silky pop-r&b melodies, and the disco-pop dance-floor readiness of lead single, About Damn Time.
Key Track: “To Be Loved”
#6 Wet Leg
“Wet Leg”
The Isle of Wight duo and their spunky and, at times, downright cocky debut were a fun and enlivened highlight of the year. A breath of fresh air to a genre and industry that can be stifling in many ways, it can be hard to keep up. Their witty comedic timing, the often on-point takedowns of nihilistic millennial/Gen Z behavior, and overall great musicality have proven this to be an instant hit and new gen classic.
Key Track: “Angelica”
#5 Placebo
“Never Let Me Go”
Brit Rock iconoclasts, Placebo made their 2022 return to music with the album Never Let Me Go. Not only a surprise but an absolute delight, particularly for the fans. Never Let Me Go, as an album, had Placebo in a robust form painting a layered sonic palette of dynamic synths, thrashing guitars, and driving bass lines. Molko's famous vocals are still there, along with his ever-present existential dread haunting every lyric. There are more hope-filled songs on the record such as the anthemic lead single, "Beautiful James". It is also worth noting that the pacing is perfect, with everything given room to flow.
Key Track: “Happy Birthday to the Sky”
#4 Beyoncé
“Renaissance”
Arguably the most well-rounded and sonically diverse record. It is one album on this list designed to be listened to from start to finish. The tracks seamlessly blend into each other. Beyonce has once more switched up her sound and taking a risk doing so. Structurally this is a Dance, Disco, and House album. Yet, interwoven throughout as well are the melodics and harmonics of pop and R&B music. Lyrically, the songs are fluid with black femininity and sexuality and the power of holding that space. It’s also worth noting how stunning her vocals are here.
Key Track: “Break My Soul”
#3 Bastille
“Give Me The Future”
What wound up being a record I could hardly turn off and put down for many reasons. One of the biggest reasons of note was how Bastille perfectly captures a sense of longing, nostalgia, loss, and those post-lockdown fears and paranoia many of us from the millennial and Generation Z set. That and our addiction and ambivalence to social media and tech are truly driven home lyrically in this infectious dance-pop meets electro-rock escapade. So, seeing as Bastille has always had a knack for synthesizing introspective and bleak lyrical themes in culture and then setting them to upbeat danceable music. The band’s journey to get to this point and this album where they honed in on those skills was oh-so-satisfying.
Key Track: “No Bad Days”
#2 Nova Twins
“Supernova”
This exceptional duo create a sound that is hard to pin down, yet you know you want more. The Nova Twins easily win as the artists that have excited me the most this year, bringing an all-encompassing force and freshness to Rock that I have not heard or seen in some time. Their ferocity, femininity, strength, talent, loudness, and sexuality are heard loud and unmistakable here as Black women on this powerful and raw record. Not only do Amy Love and Georgia South take musical cues from Alternative Rock, R&B, Rock, Metal, Pop, Hip-Hop, Rap, Punk, and pretty much everything. They infuse their style, unique way of playing (heavy usage of pedals, including pitch shift pedals), and an overall hip vibe to create something I haven’t heard before and don’t think sounds like anything else out now. I’m excited to see how they push forward from here.
Key Track: “K.M.B”
#1 Arctic Monkeys
‘“The Car”
I understand this band is not everyone's cup of tea, but what they do, they do brilliantly. Frontman Alex Turner's vocals have developed into a strong troubadour sound here. That set against the lushly layered soundscapes (I caught the addition of orchestral arrangements here, what?!!) from a band that is tighter than ever, and Matt Helders on the pocket succinct drumming. The Car is their most cohesive album to date. It's a melting pot of cinema scores, music from the 60s and 70s, those signature Arctic Monkeys inflections, and Beatlesesque harmonies. Arctic Monkeys as a band has never been known for subtlety in sound or proper pacing, but with The Car, they've achieved both. Ultimately, making it such a worthwhile listen.
Key Track: “Hello You”
This is the list of albums for my 2022! Also, what were your favorite albums this year? Let me know about by dropping a comment below or through a tweet!
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART TWO
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022… Part two
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on— and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
50. Bryce Vine - “Moonrock”
49. Noah Cyrus - “I Just Want A Lover”
48. Suelgi - “28 Reasons”
47. SOHN - “Segre”
46. Halsey - “So Good”
45. Dove Cameron - "Boyfriend"
44. Doechii - "Persuasive"
43. Denzel Curry (Feat. slowthai) - "Zatoichi"
42. Dry Cleaning - "Anna Calls From The Arctic"
41. Polyphia (Feat. Steve Vai) - “Ego Death”
40. The Weeknd - "Sacrifice"
39. Willow - “curious/furious”
38. Sabrina Carpenter - “Fast Times“
37. Empress Of - "Save Me"
36. Rina Swayawayna - "This Hell"
35. Aespa - "Illusion"
34. FKA Twigs (feat. The Weeknd) - "Tears In The Club"
33. Yeah Yeah Yeahs (Feat. Perfume Genius) - "Spitting Off The Edge of The World"
32. MUNA - "What I Want"
31. Conan Gray - "Disaster"
30. The 1975 - “All I Need To Hear”
29. Maggie Rogers - "That's Where I Am"
28. Bad Bunny - "Titi Me Pregunto"
27. IYLA - “FOH”
26. Ab-Soul - "Do Better"
25. Yard Act - "The Overload"
24. LE SSERAFIM - "ANTIFRAGILE"
23. Florence + The Machine - "King"
22. Bloc Party - "In Situ"
21. Mothica - “Sensitive”
20. Franz Ferdinand - “Curious”
19. Harry Styles - “As It Was”
18. Caroline Palochek - "Billions"
17. MICHELLE - "Pose"
16. Soccer Mommy - "Shotgun"
15. Kendrick Lamar - “N95”
14. Mitski - "Working For The Knife"
13. Lizzo - “About Damn Time”
12. Phoebe Bridgers - "Sidelines"
11. Everything, Everything - "Pizza Boy"
10. Placebo - “Beautiful James”
9. NewJeans - “Hype Boy”
8. Wet Leg - "Ur Mum"
7. Paramore - "This Is Why"
6. Bastille - “Hope For The Future”
5. Rosalia - “SOAKO”
4. Beyoncé -“Alien Superstar”
3. Arctic Monkeys - “Body Paint”
2. Nova Twins - "Cleopatra"
1. My Chemical Romance - "The Foundations Of Decay"
That’s it that’s my list for my 2022! Stay tuned for my top albums and music videos! Also, let me know what your favorite songs were this year? Is there anything on this list you disagree about? Let me know about by dropping a comment in the comments section or through emoji.
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART ONE
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022…
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on—and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
100. LATTO - “It’s Givin’”
99. EDITORS - “Karma Climb”
98. Em Beihold - “Numb Little Bug”
97. Kae Temptest (Feat. Lianne La Havas) - "No Prizes"
96. Labrinth + Zendaya (Euphoria Season 2 Soundtrack) - “I’m Tired”
95. Ralph Pelleymounter - “Steady Love”
94. Kimbra - “replay!”
93. Carly Rae Jepsen - “Beach House”
92. Gayle - "abcdefu"
91. BIM - "O.T.R"
90. Tove Styrke - “Cool Me Down”
89. Tove Lo - “How Long” From (Euphoria Season 2 Soundtrack)
88. Jazmine Sullivan - “Roster”
87. Eddie Benjamin (Feat. Alessia Cara) - “Only You”
86. Hope Tala - “Stayed At The Party”
85. Charlie Puth - "Light Switch"
84. Ethel Cain - “A House In Nebraska”
83. Hermanos Gutierrez - “Thunderbird”
82. Pink Pantheress -"Picture In My Mind"
81. Arkells + Lights - "Human Being"
80. Meghan Thee Stallion - "Her"
79. Freddie Gibbs - “Dark Hearted”
78. Kings Elliott - “Butterfly Pen”
77. Stormzy - “This Is What I Mean”
76. Omar Apollo - “Evergreen”
75. Joesef - "Just Come Home With Me Tonight"
74. Joji - “Glimpse Of Us”
73. Sophie Ellis-Bextor + Wuh Oh - "Hypnotized"
72. Paige Bea - "4x4"
71. Stromae - “L’enfer”
70. Allison Ponthier - “Hollywood Forever Cemetery”
69. Jonah Yano - “leslianne”
68. Boys World - “So What”
67. Nina Nesbitt - “Pressure Makes Diamonds”
66. Maneskin - “The Loneliest”
65. Ed Sheeran (Feat. Lil’ Baby) - “2step”
64. Slipknot - “Yen”
63. Weyes Blood - “Grapevine”
62. Twice - “Talk That Talk”
61. ARO - "Against Mine"
60. Camila Cabello + WILLOW - “Psychofreak”
59. Giant Rooks - "Morning Blue"
58. Spiritbox - "Rotoscope"
57. Adele - "Oh My God"
56. J-Hope - "Arson"
55. Billie Eillish - "TV"
54. Dave - "Starlight"
53. (G)I-DLE - “My Bag”
52. Steve Lacy - "Bad Habit"
51. FLO - "Cardboard Box"
INTERVIEW WITH… TIKTOK BEDROOM POP ARTIST ADDISON GRACE
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more.
THE RECLUSIVE BLOGGER: Hey, Addison! How are you doing, how’s your 2022 been so far?
ADDISON GRACE: It’s been pretty busy! I released my first EP, ”Immaturing”, this year after touring with Cavetown and Tessa Violet. After that, I was traveling during the summer to write and record my second EP, ”Things That Are Bad for Me” that’s coming out November 11th. I also went on my first headline tour which was so exciting!
THE RECLUSIVE BLOGGER: Can you talk about your origin story a bit and how that relates to your career as a musician today?
ADDISON GRACE: I was raised by a single mom who would put me and my siblings in any and every sport and/or performing art. It was her way of keeping us busy and letting us find what interested us while she would be working. The only thing that ever stuck for me was singing. Growing up I joined nearly every school and church choir. When I was 13, my brother bought a ukulele while in France. I ended up “stealing” it from him because I had seen recent videos of YouTubers making their own songs on the ukulele. From then on I had started to do the same, making original music with the ukulele, and started my own little online pages too. I think because I had a mom that was so passionate about me finding what I loved is why I am and able to be a singer-songwriter today.
THE RECLUSIVE BLOGGER: Let’s talk about your new single ‘Pretty Girl’. What was the recording and writing process like? The inspiration for this new single?
ADDISON GRACE: “Pretty Girl” was written in Nashville with one of my favorite co-writers, Charli Adams, who’s also an incredible artist. I told her about my gender transition and how I had dated someone before as a girl. This person, in my mind, was my soulmate. I was frustrated because there was a chance for us to get back together but I had made the self discovery that I’m transgender and I knew they weren’t, and aren’t, attracted to boys. I also told her about how I hated still being loved “as a girl” and seen ”as a girl“ by a lot of people in society and on the internet. I knew I wanted the song to be called “Pretty Girl” but finding the artistic words for those specific feelings had been stumping me. Charli absolutely helped me pull them out and make it into the song it is today. Recording with Andy Seltzer was incredible as well. He absolutely got the sound/production perfect for what I wanted and needed in this song.
THE RECLUSIVE BLOGGER: Do you have a typical songwriting process or do you just go with the flow and create with inspiration hits?
ADDISON GRACE: Honestly, my songwriting always changes and I’ve never had a specific flow. Usually I just write when I’m feeling an intense emotion. If I end up getting inspiration when I’m somewhere that I can’t write, I just make a note of it for later. Songwriting is genuinely my diary.
THE RECLUSIVE BLOGGER: What lyric have you written that you feel best represents the world around us right now?
ADDISON GRACE: “Take it off, oxygen, cut your hair, grow it out again. The world will end a couple times.” I think it really represents the stress we all feel with everything going on but it also brings comfort with it. I really love the idea that we can be broken, beaten, and bruised but still find a way back up. Hope and determination are both very powerful.
THE RECLUSIVE BLOGGER: How do you feel TikTok will play a part in finding artists and new music in the coming years of the music industry?
ADDISON GRACE: I think we’re gonna get a wave of a lot of new indie artists and experimental ones too. I genuinely hope it leads to people being more creative since TikTok can be relatively easy to go “viral” on. I would hope it just allows for more unknown artists to get their stuff out there fast and also allow for a more diverse set of popular musicians.
THE RECLUSIVE BLOGGER: Who are some of your favorite new or underground music artists on TikTok?
ADDISON GRACE: I recently discovered @cowgirlb3b0p, also known as ash tuesday, who deserves way more recognition! Her voice, melodies, and songwriting are all incredible. Olive Klug, @oliveklug, is also amazing- I really adore their voice and all the little inflections they put on key lyrics/words. Kevin Atwater, @kevinatwatermusic, is another who’s been picking up speed recently who I just love so much.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
ADDISON GRACE: Passionate, peculiar, and self-recognizing.
THE RECLUSIVE BLOGGER: What has been the most rewarding thing about being a songwriter and having a platform?
ADDISON GRACE: Being able to give people the songs that I needed growing up or still need even now. I’m just so grateful I’ve gotten to a point where I can put words to such intimate, specific feelings. I’m glad others relate to it, it makes me feel less alone and also like my experiences weren’t truly isolating. I like to think that I’m who I needed as a kid and I’m glad I can be that person now for both adults and kids.
THE RECLUSIVE BLOGGER: Since Halloween is coming up, what do you have a favorite Halloween film or score?
ADDISON GRACE: I’ve always been a huge fan of Coraline for some reason! I was lucky that it never scared me as a kid, haha!
THE RECLUSIVE BLOGGER: And lastly, what is up next for you Addison Grace?
ADDISON GRACE: I’m going on tour with Ricky Montgomery who’s a good friend of mine! I’m also releasing my second EP on November 11th called “Things That Are Bad for Me” (OUT NOW). Hopefully soon I’ll be making my first album or headlining again!
STREAM ADDISON GRACE’S NEW SOPHOMORE EP “THINGS THAT ARE BAD FOR ME” OUT NOW
INTERVIEW WITH... WISTFUL POP SINGER-SONGWRITER KINGS ELLIOT
Kings Elliot is not your typical pop singer and songwriter, while many of today's pop artists turn to a bass-heavy, synth-based sound that is often reminiscent of the 80s and catered to dance floors & clubs. Elliot skirts all of this. On her new EP, Bored Of The Circus, the artist creates a palette of wistfully beautiful cinematic stories set against ethereal pop. Visit The Reclusive Blogger and click the link to read my interview with Kings Elliot
Kings Elliot is not your typical pop singer and songwriter, while many of today's pop artists turn to a bass-heavy, synth-based sound that is often reminiscent of the 80s and catered to dance floors & clubs. Elliot finds inspiration for her sound and lyrics from Disney (she divulges her favorite below), her small hometown in Switzerland, her struggles with mental health, and music from the 1940s & 1950s. On her new EP, ‘Bored Of The Circus’, the artist creates a palette of wistfully beautiful cinematic stories set against ethereal pop. You can read the interview I did with Elliot below. I asked about her childhood, music influences, songwriting process, and more.
THE RECLUSIVE BLOGGER: Hi, Kings Elliot! Thanks for taking time out with me and TRB for this interview. My first question is how has your 2022 been so far both creatively and personally?
KINGS ELLIOT: Of course!! Thank you for taking the time!
2022 has truly been my favourite year on this planet so far! I've had the privilege of going on my first ever tour, and that being a stadium tour with Imagine Dragons which was just absolutely mind-blowing. I've released my second EP 'Bored Of The Circus' which I'm so very proud of and I'm about to lock myself in the studio to write and produce new music which I could not be more excited about.
THE RECLUSIVE BLOGGER: Can you talk about how you got start in music? Was music and playing music something that was always present in your life? Particularly growing up?
KINGS ELLIOT: I've always sang and I always made up my own songs, ever since I was in pre-school. Now I know I was 'writing' and it just never left me. It's always been my greatest coping tool and it will never not be that for me.
THE RECLUSIVE BLOGGER: Growing up in a small Swiss town, How do you think growing up in a small town has shaped your artistry? If it has at all?
KINGS ELLIOT: Because I was kind of the only one in my immediate surrounding chasing this pretty unrealistic dream, I had to learn to prove myself and become very headstrong at a very young age. No one ever encouraged me or said it was a good idea. Many (including myself) doubted that I could make it my profession one day.
I think that made me more dedicated than maybe someone who slipped into it more easily. I finished my education in Switzerland, I worked and saved up money, relocated to a different country and I just kept pushing for it.
THE RECLUSIVE BLOGGER: I’d like to ask you about your latest EP, ‘Bored Of The Circus’ and the overall creative process for the EP? How has your creative process adapted or grown over the years?
KINGS ELLIOT: It's honestly always different. I find that question hard because it's kind of like an ever-flowing process. I write down lyrics and melodies randomly when I feel something. My main collaborator Conway (halfrhymes) and I are in constant contact and exchange thoughts and ideas all the time. When I get into the studio we can then hone in on it all and have fun creating the world around the words and melodies. It's always different and it's my favourite part.
THE RECLUSIVE BLOGGER: I love the haunting, melodious almost lilting quality your song “Butterfly Pen” has. Can you delve into the backstory of the track and talk a bit more the visuals as well?
KINGS ELLIOT: The lyrics in this song are my favourite lyrics of the whole EP. They describe the state of a world that has turned grey after the hurt I've experienced. In the background you sometimes hear a little birdy sing and thats kevin, a small baby bird I rescued and looked after for a week before handing him to wildlife rehabilitation. I love that he has a place in this song forever. The visuals to the song capture the sadness and helplessness one can feel while in a depressive episode where even leaving the bed is a very difficult thing to do.
THE RECLUSIVE BLOGGER: Where tackling themes of mental health and mental health in love and relationships in your storytelling something that you naturally gravitated towards? How do you make sure that you maintain a healthy balance between creative endeavors and self-care?
KINGS ELLIOT: It's what I've personally mostly struggled with for a lot of my life, so it was natural for me to process that trauma in the songs I write. Making these songs automatically improves my self-care but I'm definitely still working on a balanced and healthy self-preservation..
THE RECLUSIVE BLOGGER: I’ve read that you grew up watching Disney films and that they heavily influence your music. What are some of your favorites or biggest influences?
KINGS ELLIOT: 'Dumbo' is my favourite Disney movie. 'Baby mine' playing in the scene of dumbo's mum cradling dumbo through the metal bars has me in absolute pieces every time. The song is so gorgeous and so sad, and since it was made in the 40s it has that beautiful feel from that era which I love so much. I started listening to more songs from that era and realised quickly that the 40s and 50s are my favourite years of music and it's now where I draw most of my inspiration from
THE RECLUSIVE BLOGGER: What has it been like touring with such an established act like Imagine Dragons?
KINGS ELLIOT: It was absolutely mind-blowing. They are out of this world performers, the show is insane and to make it even better they are all so kind and welcoming. I had no idea I would be accepted with such open arms and honestly being given the opportunity to sing in stadium with one of the biggest bands in the world is an experience I will remember for the rest of my life and I don't expect it to be topped by anything else!
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the Kings Elliot soundscape and aesthetic?
KINGS ELLIOT: Definitely Dumbo!! He is an outcast, he feels alienated from everyone else and the one person that loved him the most gets taken away from him. He needs some soothing songs and a world to escape to. Makes me cry thinking of it.
THE RECLUSIVE BLOGGER: If you were to put one of your lyrics onto a message in a bottle, what lyric would you choose and why?
KINGS ELLIOT: 'When I'm breaking apart I won't call it a weakness I'll stumble and fall I don't care if they see it.' - everyone who's struggling and feels ashamed of how their mind works needs to hear that.
THE RECLUSIVE BLOGGER: What’s one album you could listen to over and over and from start to finish?
KINGS ELLIOT: Banks - Goddess
THE RECLUSIVE BLOGGER: To end, What’s next on the horizon for you, Kings Elliot?
KINGS ELLIOT: More tours and more music! Once I'm back home from the European tour I am on right now I will lock myself in the studio and I can't wait for that!! I also have something really cool coming out in the next few weeks that I can't announce yet but it's a huge bucket list moment for me!!
Follow Kings Elliot:
Instagram | TikTok | Twitter | Facebook | YouTube | Spotify | Apple Music | Website
Stream Kings Elliot -“Bored Of The Circus”
INTERVIEW WITH… NORTH LONDON INDIE POP SINGER NATALIE SHAY
INTERVIEW WITH NORTH LONDON INDIE-POP ARTIST NATALIE SHAY (@natalieshay) #TheReclusiveBlogger #MusicInterviews
North London Indie-Pop artist Natalie Shay and Brit school alum latest release is an titled “MILK”. It’s full of earnest and bright melodic pop numbers that explored different feelings and experiences that occurred during the lockdown. I chatted with Natalie about her new music, the ups and downs in her life in the past couple of years, her influences, and even Taylor Swift.
THE RECLUSIVE BLOGGER: Hi, Natalie, First off... How have you been? What has 2022 been like for you? Especially in comparison to last year?
NATALIE SHAY: Hey! thanks so much for having me, ive been well thanks for asking, 2022 has been a really great year for me and my music, a big step up from last year for sure! Aside from music it's been a rocky year, lots of ups and downs, but generally good :)
THE RECLUSIVE BLOGGER: Can speak a bit on your musical background? Has music always played role in your life?
NATALIE SHAY: Yes, music has always been a big part of my life, I began playing classical guitar aged 5, and I started training in musical theatre around the same time. However the whole 'singer/songwriter' dream did not arise until I was about 10 years old, when i first discovered Taylor Swift's fearless album, I thought it was incredible, and that inspired what I do now!
THE RECLUSIVE BLOGGER: Since your sound is a has a lot of 80s pop influences particular the new EP... What’s your go to 80s jam?
NATALIE SHAY: My fave 80s jam is ``Heaven is a Place on earth" or'' Boys of Summer''. I listen to both on repeat, always.
THE RECLUSIVE BLOGGER: When you’re in album making mode do you ever have visuals in mind as you write songs?
NATALIE SHAY: I don't often have the visuals until the song is written, when listening back to things and imagining where they could go, that's when the production style/visuals etc begin to form. When I'm writing, it's totally just about me getting my thoughts and emotions into a lyric.
THE RECLUSIVE BLOGGER: What's the music scene like in North London and how does it influence you artistically if at all?
NATALIE SHAY: I've been involved in the gernal London music scene for a long time, I began playing gigs and shows aged 13, and I've been doing things like this ever since. The London music scene is one of the greatest in the world I'm sure, it's such a mixed hub of cultures and different kinds of people and creatives. this has definitely influenced me, just the sheer amount of different collaborators and people ive met or performed wirth have inspired me so so much
THE RECLUSIVE BLOGGER: Your second EP "MILK" is out. Can you talk a little bit about how the recording and writing process was for it?
NATALIE SHAY: This ep was written and recorded with so many different people, pretty much every track has its own unique combination of collaborators and talent involved. and all of the people i worked with, were all over the country. We wrote practically every track in 2020, in and around the lockdowns. This ep really does represent a whole year of my life in every way.
THE RECLUSIVE BLOGGER: We’re any songs of the 'MILK' EP that we’re more challenging to write? Some that came together quickly?
NATALIE SHAY: The easiest one to write was 'new wave' . It's the feel good happy pop track on the ep, the lyrics are sweet, simple and to the point. harder ones to write were heaven and two sparks, 'two sparks' is such a personal song to me, the lyrics needed my full attention and time, and same for 'heaven', i had so much i wanted to say, just needed to figure out how to say it.
THE RECLUSIVE BLOGGER: What would you say that your latest release "MILK" biggest inspirations and influences are? Can you delve into that more?
NATALIE SHAY: lyrically, everything is autobiographical. Musically, a real mix, taylors 1989 is always my go to ref for sound and production, same with haim days are gone. Every track on the ep is about something I experienced, discovered or felt over a year of my life, all different topics too.
THE RECLUSIVE BLOGGER: How do you think studying at The Brit School has helped you in as you began to shape and mold your career?
NATALIE SHAY: without brit i probably wouldn't be doing what i do now, it gave me the tools and understanding to be able to take the dive into making music my full time career, i met lots of the people i still work with regularly now when i was there, it's also just generally very inspiring to be somewhere like that. and be surrounded with like minded driven people.
THE RECLUSIVE BLOGGER: Are there any current artists that have been “On Repeat” for you as a band lately? What music have you been playlisting?
NATALIE SHAY: Taylor swift all the time, all the way. my fave band is little comets, i also love some of my friends music, artists such as, kayla grace, lucy deakin and beth mccarthy
THE RECLUSIVE BLOGGER: What has been one of the most rewarding experiences for you this year?
NATALIE SHAY: The most rewarding thing this year was just the whole summer, some great festival experiences and opportunities, i enjoyed this summer very very much.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with your sound or aesthetic?
NATALIE SHAY: mitchie in camp rock
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
NATALIE SHAY: sophisticated honest pop
THE RECLUSIVE BLOGGER: What was it like stepping into the EDM world and working with those artists? You worked with Grum and Kryder right?
NATALIE SHAY: yes! doing the EDM stuff has been super fun, ive loved seeing the tracks go global, and also attending the shows, the fans know all the words, and i'm stood in the crowd with them, but they dont know its me or my vocal, very cool experiences.
THE RECLUSIVE BLOGGER: To close, What’s one thing that people are generally surprised to find out about you?
NATALIE SHAY: I think people are always surprised at the actual depth of my obsession with musicals. I'm a massive theatre kid, love it!
