A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
Em Beihold // Courtesy of Republic Records/Moon Projects
Em Beihold is currently opening up for Lewis CapALdi and RECENTLY HOPPED ON a collaboration with Lauren Spencer Smith and GAYLE.
Em Beihold is not a fan of rollercoasters because they make her sad. I think… Well, it's a statement she makes loud and clear in the song Rollercoasters Make Me Sad. The track is effusive with punchy melodies and dulcet harmonies, while Em's lyrics often capture dissonant emotions through snappy metaphors. Here Beihold has carved out a niche with songs like the previously mentioned track, Rollercoasters Make Me Sad, Groundhog Day, 12345, and the massive hit Numb Little Bug. Rollercoasters Make Me Sad adds another ace to Beihold's songwriting book with how she succinctly captures feelings and a moment in time. It also should be on your Spotify or Apple Music rotation and playlists if it's not. It was back in March when I got to chat with Em during a presser, learning a little more about her as an artist and songwriter, how her songwriting process works, and even a bit about the inspiration behind her songs, which most of her songs touch on modern-day anxieties, relationships, and mental health/illness. She was also excited to be touring with Lewis Capaldi, a tour she is currently on. I asked her about working with Stephen Sanchez and how turning Until I Found Her into a duet came about. The song has her singing from the girl's perspective. One of the biggest collabs all started from Em liking his reels and her manager noticing, thinking they should do a song together. So, to my fellow creatives, this is a gentle reminder. You never know what might happen and who might see it. Keep creating, and do not be afraid to shoot your shot. I also asked about her future collaborations. Em said her dream collab is with Regina Spektor, an artist she says has been at the fiber of her work and artistry since day one. While Em may not be too fond of rollercoasters, she is currently on the wildest one of her life, and it's only getting started.
Stream “Eggs In The Backseat” out now on all DSPs
INTRODUCING: THE BOMBASTIC ALTERNATIVE POP QUINTET THE SCARLET OPERA
INTRODUCING: THE SCARLET OPERA, THE BOMBASTIC ALTERNATIVE POP QUINTET
If you have not heard of The Scarlet Opera, the exciting quintet fusing Pop, Rock, and, yes, even Opera. Lyricist and frontman Luka Bazulka (whose natural grandeur is ever present and charming), with Colin Kenrick on Keys, Daniel Zuker on Bass, Justin Siegal on Drums, & Chance Taylor on Guitars. The glue holding the band together is friendship and identity. Identity, friendships, relationships, sexuality, love, loss, band life, and the music industry are major themes often explored within their lyrics.
Last month I got a few minutes to speak with The Scarlet Opera during a presser. I asked what the go-to karaoke songs were for everyone, and a fun type of chaos ensued. It seemed like ‘Skyfall’ by Adele was the overall favorite. You could feel the excitement from the guys. They were on the cusp of dropping their now-released new EP “Comedy”, the high of their first late-night tv performance on James Corden, and touring. There was a joy and bombast felt through the screen during the presser. Well aware of comparisons to their predecessors, they were flattered by it all. In an industry where bands and artists can get jaded quickly, it was refreshing to see. Yet, I found it more exciting to see a band that has finally begun to put the puzzle pieces together with their sound finding a niche in the big wide world of Pop music.
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
Los Angeles transplant is on the rise since his brand of quirky, lo-fi, authentic, and emotionally brand of vibe heavy Indie Pop music has garnered him a viral hit with “Honeypie” and now a solid (and dare I say hardcore) fanbase. The artist suddenly found himself with newfound success after that viral TikTok signed to the major label Interscope in 2020, where he dropped his mixtape EP, For Abby. It was a mixtape that was wholly created and conceived in lowdown, with many of those curiosities and insecurities felt on it. Jawnys' sound began to develop with more tools, people, and more at his disposal. It was something that would push you as an artist or drive you crazy with anxiety, but Jawny seemingly just dug into the tide of Gen Z new age sensibilities for his latest projects. The new songs, fall in love, true, plus last year's wide-eyed all capture a breezy California energy with slicker production and insanely catchy hooks. In speaking with Jawny during a presser recently. I asked him what if he got the chance to write a song based on his favorite piece of pop culture, What would he pick? So, ever the Gen Z and pop culture nerd, he chose quite an etched-in-our-skull moment from pop music history. When Britney Spears and Justin Timberlake donned matching denim-on-denim ensembles at the 2001 VMAs. Although, I am unsure if Jawny will ever get a chance to put pen to paper on this subject. I certainly don't doubt that the vibey sound he has been crafting wouldn't do it justice...
GUEST BLOG: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
THE RECLUSIVE BLOGGER’S GUEST BLOGGER: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
Good Bison is an Indie Rock band comprised lead by Pablo Alvarez, Abe Mendez, Agustin Mas (lead guitar), Sebastian Delgado on drums/backing vocals, and George Spits on additional production, mixing, and mastering. The first single, “Can’t Waste This High” from the newly released EP “Ghost on Mulholland”, dropped last winter and is a synth-pop-led number. The complete EP has the band diving headfirst into spooky, almost haunting territory. They find themself taking inspiration from a variety of things, namely nostalgia, ghosts, Los Angeles, R.L. Stine, and of course, his famous Goosebumps book series.
Lorde // Solar Power - “It took me much longer to get into “Solar Power” than it did Lorde’s first two albums, but once I got into it, I was in deep. I love how this song puts her toxic relationship with California, and LA in particular, at the forefront.“
Sabastian Yatra // Dos Oruguitas - “As a Colombian, I cannot tell you how much “Encanto” meant to me. It was a beautiful representation of my culture, and I couldn’t stop listening to this song for months after watching it.”
Paul Simon // 50 Ways To Leave Your Lover - “Paul Simon is a master genre-bender. It’s incredible how many sonic landscapes he explored in his music.”
Gorillaz // On Melancholy Hill - “One of my favorite songs of all time. Just because we’re sad, it doesn’t mean we can’t dance.”
Billie Eilish // Getting Older -“There were a bunch of songs I loved on Billie Eilish’s latest record, but this is one I keep coming back to again and again. My favorite version is a live performance that’s just her and Finneas on the piano.”
Taylor Swift // this is me trying -“AT LEAST I’M TRYING. I feel you, Taylor. Me too.”
Tame Impala // Feels Like We Only Go Backwards -“I love how the bass line compliments the lyrics and the melody in the hood. It really makes you feel like you’re going backward. There’s also an Arctic Monkeys cover of it that I couldn’t stop listening to for a while.”
Bon Iver // For Emma -“I’ve been inspired by so many Bon Iver songs over the past few years, but the horns in this one speak to me in a way I can’t begin to explain.”
Mac Miller // Good News -“The vulnerability of Mac Miller’s songwriting here is incredibly moving. I was a fan of his since the first day I heard “Kool-Aid and Frozen Pizza.” It’s amazing how I can fully relate to both his upbeat music and his more introspective stuff.”
The Beatles // Golden Slumbers -“Abe was the one who really put me on to this song. I had never truly appreciated it until I heard him playing it on the piano. For a good while I was also obsessed with the transition into “Carry That Weight."
The Cure // A Letter To Elise -“This song says so much before the vocals ever come in. It’s amazing how much that guitar is able to communicate in the intro.”
Phil Collins // Can’t Stop Lovin’ You -“Phil Collins is an absolute master. Undeniably. I was annoyingly belting this chorus around the house for way too long. There’s also a really nice Taylor Swift cover of this song.”
Joy Division // Atmosphere -“I’m fascinated with the way Joy Division is able to create such a specific ambiance with their music. I feel transported as soon as this song comes on.”
Arctic Monkeys // Riot Van -“Have you been drinking, son? You don’t look old enough to me.” I’m sorry, officer, is there a certain age you’re supposed to be ‘cause nobody told me? One of my favorite lyrics ever.”
Phoebe Bridgers // I Know The End -“Been listening to Phoebe Bridgers non-stop for the past year. This song in particular has been my biggest obsession lately. I love the way it builds.”
Good Bison Socials:
Instagram: https://www.instagram.com/goodbison
Facebook: https://www.facebook.com/goodbisonmusic/
Twitter: https://twitter.com/goodbisonmusic
INTERVIEW WITH… TIKTOK BEDROOM POP ARTIST ADDISON GRACE
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more
Salt Lake City-based musician Addison Grace found not only a common community through music and their voice on TikTok. Grace impeccably crafts emotionally driven bedroom indie-pop songs that often explore the young queer experience, unrequited love, coming of age, and the uncertainties within it all. Addison’s latest EP, “Things That Are Bad For Me” is out now, along with the music video for “Pretty Girl”. You can read my interview with the artist below. In it, we chat about songwriting, finding inspiration, TikTok, touring, and much more.
THE RECLUSIVE BLOGGER: Hey, Addison! How are you doing, how’s your 2022 been so far?
ADDISON GRACE: It’s been pretty busy! I released my first EP, ”Immaturing”, this year after touring with Cavetown and Tessa Violet. After that, I was traveling during the summer to write and record my second EP, ”Things That Are Bad for Me” that’s coming out November 11th. I also went on my first headline tour which was so exciting!
THE RECLUSIVE BLOGGER: Can you talk about your origin story a bit and how that relates to your career as a musician today?
ADDISON GRACE: I was raised by a single mom who would put me and my siblings in any and every sport and/or performing art. It was her way of keeping us busy and letting us find what interested us while she would be working. The only thing that ever stuck for me was singing. Growing up I joined nearly every school and church choir. When I was 13, my brother bought a ukulele while in France. I ended up “stealing” it from him because I had seen recent videos of YouTubers making their own songs on the ukulele. From then on I had started to do the same, making original music with the ukulele, and started my own little online pages too. I think because I had a mom that was so passionate about me finding what I loved is why I am and able to be a singer-songwriter today.
THE RECLUSIVE BLOGGER: Let’s talk about your new single ‘Pretty Girl’. What was the recording and writing process like? The inspiration for this new single?
ADDISON GRACE: “Pretty Girl” was written in Nashville with one of my favorite co-writers, Charli Adams, who’s also an incredible artist. I told her about my gender transition and how I had dated someone before as a girl. This person, in my mind, was my soulmate. I was frustrated because there was a chance for us to get back together but I had made the self discovery that I’m transgender and I knew they weren’t, and aren’t, attracted to boys. I also told her about how I hated still being loved “as a girl” and seen ”as a girl“ by a lot of people in society and on the internet. I knew I wanted the song to be called “Pretty Girl” but finding the artistic words for those specific feelings had been stumping me. Charli absolutely helped me pull them out and make it into the song it is today. Recording with Andy Seltzer was incredible as well. He absolutely got the sound/production perfect for what I wanted and needed in this song.
THE RECLUSIVE BLOGGER: Do you have a typical songwriting process or do you just go with the flow and create with inspiration hits?
ADDISON GRACE: Honestly, my songwriting always changes and I’ve never had a specific flow. Usually I just write when I’m feeling an intense emotion. If I end up getting inspiration when I’m somewhere that I can’t write, I just make a note of it for later. Songwriting is genuinely my diary.
THE RECLUSIVE BLOGGER: What lyric have you written that you feel best represents the world around us right now?
ADDISON GRACE: “Take it off, oxygen, cut your hair, grow it out again. The world will end a couple times.” I think it really represents the stress we all feel with everything going on but it also brings comfort with it. I really love the idea that we can be broken, beaten, and bruised but still find a way back up. Hope and determination are both very powerful.
THE RECLUSIVE BLOGGER: How do you feel TikTok will play a part in finding artists and new music in the coming years of the music industry?
ADDISON GRACE: I think we’re gonna get a wave of a lot of new indie artists and experimental ones too. I genuinely hope it leads to people being more creative since TikTok can be relatively easy to go “viral” on. I would hope it just allows for more unknown artists to get their stuff out there fast and also allow for a more diverse set of popular musicians.
THE RECLUSIVE BLOGGER: Who are some of your favorite new or underground music artists on TikTok?
ADDISON GRACE: I recently discovered @cowgirlb3b0p, also known as ash tuesday, who deserves way more recognition! Her voice, melodies, and songwriting are all incredible. Olive Klug, @oliveklug, is also amazing- I really adore their voice and all the little inflections they put on key lyrics/words. Kevin Atwater, @kevinatwatermusic, is another who’s been picking up speed recently who I just love so much.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
ADDISON GRACE: Passionate, peculiar, and self-recognizing.
THE RECLUSIVE BLOGGER: What has been the most rewarding thing about being a songwriter and having a platform?
ADDISON GRACE: Being able to give people the songs that I needed growing up or still need even now. I’m just so grateful I’ve gotten to a point where I can put words to such intimate, specific feelings. I’m glad others relate to it, it makes me feel less alone and also like my experiences weren’t truly isolating. I like to think that I’m who I needed as a kid and I’m glad I can be that person now for both adults and kids.
THE RECLUSIVE BLOGGER: Since Halloween is coming up, what do you have a favorite Halloween film or score?
ADDISON GRACE: I’ve always been a huge fan of Coraline for some reason! I was lucky that it never scared me as a kid, haha!
THE RECLUSIVE BLOGGER: And lastly, what is up next for you Addison Grace?
ADDISON GRACE: I’m going on tour with Ricky Montgomery who’s a good friend of mine! I’m also releasing my second EP on November 11th called “Things That Are Bad for Me” (OUT NOW). Hopefully soon I’ll be making my first album or headlining again!
STREAM ADDISON GRACE’S NEW SOPHOMORE EP “THINGS THAT ARE BAD FOR ME” OUT NOW
INTERVIEW WITH... TOPS SINGER & INDIE DISCO-POP ARTIST MARCI
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
Marci by Christina Bryson
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
THE RECLUSIVE BLOGGER: Can you talk about your normal songwriting process? Then how your writing/creative process was for this new song “Terminal”?
MARCI: I always write on piano, and demo as I am going. Once I have a decent demo, I bring it to David and we figure out which parts can be worked on.
There are a handful of songs that we wrote together, where I would sit on the piano and David on the bass or guitar.
For Terminal it all started with a guitar riff that David had while we were getting ready for a party. I started singing over top of the riff and we came up with the chorus of the song. When we got into the studio, we worked out the rest of the song on piano and guitar together.
THE RECLUSIVE BLOGGER: How did the music video for “Terminal” come together? and what was that process like and filming?
MARCI: The music video was almost going to be just a visualizer! Until my friend (and director) Christina Bryson decided that we absolutely needed to do a video and i'm so glad we did! It was done in one day at Christina's house, very relaxed and easy, the group of us girls (Isabelle Fields- stylist, and Melissa Rogers - makeup) had a relaxed and fun time, my friend Jackson Macintosh who played the hunky guy came over, was very fun!
THE RECLUSIVE BLOGGER: What does music and the craft of songwriting mean to you?
MARCI: It can be anything you want, there are no rules - I love the freedom in that. I also love how good it makes me feel, and how it's a never ending learning/growing experience.
THE RECLUSIVE BLOGGER: What are you most looking forward to for your upcoming tour?
MARCI: I'm excited to sing in front of an audience, and find out what kind of performer I am. Playing with a band will feel so great, hearing the songs live will be a whole new feeling - since it was a studio record.
THE RECLUSIVE BLOGGER: If you were to describe your sound in three words what words would you pick?
MARCI: Peppy, smooth, sparkly
THE RECLUSIVE BLOGGER: What’s one album that you can listen to straight through?
MARCI: Marvin Gaye - Here, My Dear
THE RECLUSIVE BLOGGER: What’s your pick for song of the summer 2022?
MARCI: Sofie Royer’s Baker Miller Pink has been on repeat
THE RECLUSIVE BLOGGER: And... last question, Is there anything else you would like to add? What up’s next for you?
MARCI: I might be releasing a new song very soon…. hehehe.
Thank you for the interview! :)
Find + Follow Marci Online:
Stream THE self-titled DEBUT ALBUM FROM MARCI out now.
INTERVIEW WITH... Brit Alt-Pop Singer-Songwriter Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand in love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
Brit Alt-Pop Singer Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand with love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
THE RECLUSIVE BLOGGER: Hi, Liz! How has your year been so far? Thanks for taking the time to speak with me at TRB.
LIZ CASS: Thanks for having me :)
THE RECLUSIVE BLOGGER: How did you each get your start in the music industry? Was it something that you felt a calling to?
LIZ CASS: I started singing when I was really young as I was a choral scholar. But I really got into other genres of music as a teenager and had a real urge to move to the big city and try and make it as a singer. I didn’t really care about anything else and ended up ditching my A-levels and hot-footing it to London. I was introduced to some amazing people and started writing songs with Fraser T Smith and met one of the heads of Warner Music who came to see me sing at a big concert in Leicester Square. But ultimately I wasn’t really ready for it all and had no idea what kind of artist I was. So I guess I blew it back then!
THE RECLUSIVE BLOGGER: Going back to your childhood a bit, did you grow up in a musical family? Was there a band or artist that in particular felt like home for you?
LIZ CASS: My parents weren’t musicians but Dad had a great vinyl collection and got me really interested in all the great artists and bands from the 60s, 70s, and 80s. Artists like Kate Bush, Sade, and Fleetwood Mac definitely have an influence on me and my music. The 80s is my decade. I love great baselines and synths are my heaven.
THE RECLUSIVE BLOGGER: Moving ahead… Can we talk about what your typical creative and writing process is like and how has that evolved for you as you’ve developed as an artist?
LIZ CASS: I wrote this album with Ed Graves who has an amazing studio in Bath called Rainbow Wood. Before we started working together I still didn’t have much confidence as a songwriter as I’d taken a long time out of the industry and I was really just experimenting with him and had no expectations of where it was going. But we just clicked and the music flowed. Being in that beautiful studio, the outside world melted away and as he started playing chords on the synths or strumming on the guitar the melodies and lyrics just started flowing out of me so quickly and easily. We’re so in sync. By the time he’s got a structure together for the song, I generally have all the lyrics and melody ready and we lay it all down. I’ve never had such an easy writing process with anyone before.
I’ve really figured out who I am as an artist through 3 years of writing sessions with Ed. I have stories to tell and I know how I want to deliver them. Now when I go to the studio I have the confidence I never had when I was younger and I know how to translate my thoughts and ideas into songs that represent me and the kind of music I love. It’s been a long road to get here but now I feel happy to keep experimenting and evolving. Got there in the end!
THE RECLUSIVE BLOGGER: Let’s discuss your latest single “Near Miss”, how did that song come together? What’s the backstory on it and how was the creative process?
LIZ CASS: It was inspired by a romantic situation I was struggling with. Being caught up in that no man’s land where someone is hot and cold and not ready to commit, so you don’t know where you stand. I was feeling quite low and confused and writing is like therapy for me, so I headed down to Rainbow Wood. I think we wrote that in about 6 hours from start to finish! I was feeling quite punchy through my frustration and wanted killer beats and baseline to get it all off my chest. It was definitely the start of a new direction for my music after a lot of wallowing during Covid. I just want to make more upbeat fun pop music for a while now.
THE RECLUSIVE BLOGGER: If you were to describe your sound to someone who hasn’t heard it in only three words. What words would you choose?
LIZ CASS: Emotive synth pop!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you on the horizon, Liz?
LIZ CASS: My album is coming out on 21st October which is exciting. It’ll be strange to send it out into the world after three years of writing it but I’m so ready. I’ve got a live show in London on 10th September at Laylow and I’m planning more gigs this autumn around the album release. I have a covers EP ready to be mixed of some of my all time favourite songs which I hope to release early next year. And then I guess I need to crack on and finish the next album! Stay tuned :)
Stream Liz Cass's new single “Near Miss” which is out now.
CONCERT REVIEW + PHOTOS: GLASS ANIMALS AT HOLLYWOOD FOREVER
The new(ish) Indie Pop/Rock band are one the industry’s most exciting live music acts
Indie Rock quartet Glass Animals brought their groovy brand of heat to Hollywood Forever on Sunday with the ‘Dreamland’ tour. It’s a funky blend of nostalgic meets vaporwave that permeates the album but the shows as well. The tour featured the Electro Pop newcomer Binki as the opener. He played a short and engaging set closing out with “Heybb!”. A song you’ve most likely heard from its prominence of being in an Apple iPad commercial. While his energy was great, it was clear the crowd was there for Glass Animals (many didn’t arrive until they were on). The Indie Pop foursome comprised of childhood friends Joe Seaward, Ed Irwin-Singer and Drew Macfarlane is anchored by the feverishly bold lead singer, Dave Bayley. All walked out to a stunningly loud crowd full of cheers and energy that was ready to dance. Bayley who held a captive audience all night was also ready to party with us. He hovered somewhere between bewildered and emboldened, in awe of the crowd. Opening up the set with the futuristic lullaby “Dreamland”. Which segued into the tribal drum-heavy dance bop “Life Itself” & the island tinged “Tangerine” to kick off the party. Glass Animals tore through a 17 song setlist with such aplomb. Some of the major set highlights were the tour debut of “Poplar St.”. Where Dave Bayley forgot the lyrics (it had been a while) but powered through like a pro. “Space Ghost Coast to Coast”, which Dave remarked was a bit eerie playing in a cemetery. Their new track “I Don’t Wanna Talk (I Just Wanna Dance)” is truly the ultimate dance party. They closed out their fun albeit spooky two-day residency at Hollywood Forever with a two-song encore. Of which included the bands’ breakout hit “Heatwaves” and the glitch-inspired “Tokyo Drifting”. Overall, Glass Animals displayed exciting musicianship. Their knack for writing super catchy lyrics with dynamic pop hooks, all transferred brilliantly into a live setting. You can check out my photo gallery of the show below.
INTERVIEW WITH BROOKLYN INDIE ROCK DUO THE BERGAMOT
Riding the wave of newly garnered successes and fans from their latest projects, The Bergamot are happy just seeing where it takes them.
Riding the wave of newly garnered successes and fans from their latest projects, The Bergamot are happy just seeing where it takes them.
The Bergamot is the Brooklyn based Indie Rock duo and real life couple, Nathaniel Hoff and Jillian Speece. I chatted with The Bergamot, about their current single “Mayflies”, being a music artist in 2020, and what it’s like to be not only a creative duo but married as well.
THE RECLUSIVE BLOGGER: Are you guys more morning birds or night owls?
THE BERGAMOT: Nathaniel’s a morning bird and Jillian is a night owl. Opposites attract right?
THE RECLUSIVE BLOGGER: Can we talk some about your latest single “Ceasefire”. How did that track come together and what was the inspiration behind it?
THE BERGAMOT: How did that track come together and what was the inspiration behind it? It was a song that was written in a single session lasting less than 1 hour. It was a bit of an artistic release after working for over a month on “PDR”. Ceasefire began as a simple look at inner turmoil and what is called psychological warfare. We are all facing this daunting reality that social media and the internet has created - what initially was supposed to unite us and make us happy has actually made us more reclusive and depressed. In a way, turning on each other - but every battle must start within. That is where Ceasefire is focused.
THE RECLUSIVE BLOGGER: Is there a lyric that you’ve written that you feel most emotionally connected to in life at present moment?
THE BERGAMOT: It’s hard to carry a burden, if you don’t have any bones. We have this reality that we are facing, and it is the reality we get. So we have to make the most of it - even though it can tear us down.
THE RECLUSIVE BLOGGER: What song have you guys written do you feel is most timely?
THE BERGAMOT: I think “Mayflies” is a great song for the times. If you look throughout history, every generation has it struggles and challenges. But you have to rise up. This is the world we live in with rising ocean levels, climate change, and increased depression rates. “Mayflies” looks at an issue like climate change and tries to give light to a creature who is the most vulnerable amongst us. If you are a Mayfly and born on a rainy day, that is your 24 hour widow. You have to make the most of what you are given and turn away from the negativity.
THE RECLUSIVE BLOGGER: How do you think being a married couple as well as a musical duo influences your work? Does this bring about a different set of challenges or more positives to your artistry?
THE BERGAMOT: I think the world wants to see the “Lone Ranger” or the solo artist. However, we need to see the divine masculine and the divine feminine working together. That’s what makes our music reach a wider audience. Also, there are so many great duos that have led groups. Lennon and McCartney, Gilmour and Waters, and Nicks and Buckingham. Truth is that we admire many great duos.
THE RECLUSIVE BLOGGER: Do you feel that writing about important societal, political or environmental issues is something that is essential to being a musician today?
THE BERGAMOT: Absolutely. You can’t live under a rock anymore. People need to know where you stand and what is important to you. Now more than ever.
THE RECLUSIVE BLOGGER: How would you say your creative process has changed with each album?
THE BERGAMOT: Yes. Each album has its own process, we just follow it. This album took us to London to work with Matt Wiggins. That was a life changing experience. This album has also opened up so many doors for us. Our team is building - and we are getting to play our first stadium show opening for OneRepublic. So we just follow where each album takes us...
THE RECLUSIVE BLOGGER: If you could write a song about any fictional character who would it be and why?
THE BERGAMOT: Oliver Twist. I love Charles Dickens, his stories have made the long nights on the road a bit more tolerable.
THE RECLUSIVE BLOGGER: If you could collaborate with any artist past or present who would you collab with and why?
THE BERGAMOT: Ryan Tedder of OneRepublic. We have always looked up to the music of OneRepublic, aware yet meaningful.
THE RECLUSIVE BLOGGER: Are there any artists that have been “On Repeat” for you lately? What music have you been listening to?
THE BERGAMOT: I really like “Art School Girlfriend” and Tow’rs. Great tunes.
THE RECLUSIVE BLOGGER: And what's next for, The Bergamot?
THE BERGAMOT: Getting ready for our show with OneRepublic on April 25th at The University of Notre Dame. Then we hope to have our documentary about our 50 State Unity Journey in 2016 out this year as well. More tour dates and maybe a few new singles too... always working...
THE RECLUSIVE BLOGGER: Anything else you would like to add? Thanks for your time!
THE BERGAMOT: Thanks for your time! Hope to see you at a live show soon!!! Much love and all the best to you. Ever Upwards and Shine On, Nathaniel and Jillian.
Stream “Mayflies” here.
Follow The Bergamot on Instagram here.
Until then,
Brittney x
