INTERVIEW WITH NEWCOMER POP SINGER-SONGWRITER ISA BRUDER
I got to chat with up-and-coming Brazilian-American pop artist Isa Bruder, whose rich vocals, emotional storytelling, and layered harmonics are just in their infancy. I asked Isa about her songwriter, culture, and what’s to come this year in an interview, which you can read below.
THE RECLUSIVE BLOGGER: Thanks for answering a few questions for The Reclusive Blogger. How has your 2023
been?
ISA BRUDER: Happy 2024 to you and your readers! I am really grateful for 2023 -- I got to travel to new places, spend time with my family and friends, go to incredible concerts, and write lots of music. :)
THE RECLUSIVE BLOGGER: Can you talk a bit about your background and culture and how that encompasses your music?
ISA BRUDER: Sure! I grew up in São Paulo, Brazil. In addition to loving our Samba's swing and percussive musicality, Brazilian people have a reputation for being really fierce music fans -- and I definitely think that passion is embedded in me. The crowd's joy at a concert in Brazil is contagious. It can sometimes take years or even decades for a musical act to make its way to South America, so we're extra excited and grateful to finally witness that music in real life. The energy really is on another level #ComeToBrazil iykyk
THE RECLUSIVE BLOGGER: How did you normally approach writing and recording as a singer-songwriter?
ISA BRUDER: I am constantly writing feelings and concepts in my notes (notes app girlies rise), so in preparation for a session I usually pull a couple ideas from there that particularly resonate with me. Then I catch up with my cowriter(s), and we talk about our feelings / what kind of song we want to write! Sometimes a producer is included in these conversations / during the session if I have the luxury of being in a physical room with one -- most of my music I write through Zoom since most of my collaborators live in LA! I love writing music with people, as opposed to alone, because I find it takes me out of my own head and helps weed out the good ideas from the less interesting ones.
THE RECLUSIVE BLOGGER: What's the best piece of advice another musician ever gave you?
ISA BRUDER: Know who you are, because if you don't people will try to tell you. Believe in your vision!
THE RECLUSIVE BLOGGER: What's your process for dealing with performance anxiety?
ISA BRUDER: I actually find a couple of hours before my show more stressful than being on stage -- I wouldn't say I really get performance anxiety. During the hours before I'm stressing about logistics, if my band is gonna arrive on time, if my outfit is creasing on the subway, if people are actually gonna show up, if I'll remember all the lyrics... by the time I'm about to go onstage, I'm more so relieved that I don't have to think about all that anymore! Performing is my favorite part of being an artist, so I look forward to it and try to book as many shows as I can.
THE RECLUSIVE BLOGGER: Do you have a favorite lyric that you’ve written or that you wish you had written?
ISA BRUDER: I have "I wish I wrote that" moments all the time! Today, what comes to mind is What I Want by MUNA. "That's what I want, there's nothing wrong with what I want!" So simple yet so affirming, it's a perfect pop song in my opinion.
THE RECLUSIVE BLOGGER: Since we’re coming up to the end of the year for 2023 do you have a favorite album and/or song of the year?
ISA BRUDER: My favorite album of 2023 is without a doubt Raye's My 21st Century Blues! She moves across genres and themes so freely -- but still with such a clear vision and identity. I love the production on the record, I love her voice, and I love her honesty and vulnerability. She recently released a My 21st Century Symphony version of the album, which is recorded live from Royal Albert Hall with The Heritage Orchestra. It's so beautiful, you guys gotta check it out!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you Isa in 2024?
ISA BRUDER: Hmm... I'd love to play a show somewhere other than New York this year since I've only ever played with my band in the city. In a greater sense, my dream and hope for 2024 is that the music I release reaches people who resonate with and enjoy it :)
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 100-51
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
100. SPARKS
“The Girl Is Crying In Her Latte”
99. Joshua Radin
“Neverland”
98. Abraham Alexander
“Tears Run Dry”
97. Killers Of The Flower Moon By Robbie Robertson
“Osage Oil Boom”
96. Sharaya Summers
“Forever You & Me”
95. Maren Morris
“The Tree”
94. Megan Thee Stallion
“Cobra”
93. Charlotte Cardin
“Confetti”
92. Avalon Emerson
“Astrology Poisoning”
91. Bakar
“Alive!”
90. Halle
“Angel”
89. Faye Webster
“But Not Kiss”
88. Ryan Gosling
“I’m Just Ken”
87. Bleachers
“Modern Girl”
86. Poppy
“Hard”
85. Jeon Somi
“Fast Forward”
84. Bad Bunny
“Monaco”
83. Mothica (feat. Sophie Powers)
“Sirens”
82. Little Simz
“Gorilla”
81. Descartes a Kant
“After Destruction”
80. Marika Hackman
“No Caffeine”
79. Bishop Briggs
“Baggage”
78. olivia dean
“Carmen”
77. EVERYTHING, EVERYTHING
“Cold Reactor”
76. NMIXX
“Love Me Like This”
75. Spider-Man: Across the Spider-Verse (Original Score) by daniel pemberton
“Across the Spider-Verse (Intro)”
74. AMA LOU
“Silence”
73. Romy (feat. Fred Again)
“Strong”
72. DAUGHER
“Be On Your Way”. ”
71. Boygenius
“Not Strong Enough”
70. Coco Jones
“ICU”
69. The Beaches
“Blame Brett”
67. Lovejoy
“Normal People Things”
68. Dreamville + JID + Lute
“Ma Boy”
65. Doechii (FEAT. Kodak Black)
“What It Is (Block Boy) ”
66. Depeche Mode
“My Favourite Stranger”
64. Agust D
“Haegeum”
63. Foo Fighters
“Rescued”
62. Stephen Sanchez
“Be More”
60. CHVRCHES
“Over”
61. Troye Sivan
“Rush”
57. MUNA
“One That Got Away”
59. Griff
“Vertigo”
57. Billie Marten
“I Can’t Get My Head Around You”
56. Maya Hawke
“Coming Around Again”
55. TORI KELLY (Feat. Jon Bellion)
“Young Gun”
54. Grace Weber
“Intimate (A Colors Show Version”
53. Måneskin
“Honey (Are U Coming)”
52. Slowdive
“the slab”
51. Kelela
“Enough for Love”
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 50-1
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
50. Saint Harison (feat. Tiana Major9)
“Homies”
49. Chelsea Wolfe
“Tunnel Lights”
48. Leslie Odom Jr.
“Holding on to Us”
47. v
“Love Me Again”
46. Kenya Grace
“Strangers”
45. TINASHE
“Talk To Me Nice”
44.
The National (feat. Taylor Swift)
“The Alcott”
43. Beharie
“We Never Knew”
42. Laufey
“From The Start”
41. FLO (feat. Missy Elliott)
“Fly Girl”
40. CHRIS sTAPLETON
“White Horse”
39. Renee Rapp (feat. Coco Jones)
“Tummy Hurts ” - Remix
38. JUNGLE (FEAT. BAS)
“Pretty Little Thing”
37. Bruno Major
“The Show Must Go On”
36. flowerovlove
“Coffee Shop”
35. Aespa
“Drama”
34. Rosalia
“LLYLM”
33. NOTHING BUT THEIVES
“Overcome”
32. Doja Cat
“Paint The Town Red”
31. Sabrina Carpenter
“Feather”
30. Dean Lewis
“How Do I Say Goodbye”
29. Jisoo
“Flower”
28. SPIRITBOX
“Jaded”
27. XG
“LEFT RIGHT”
26. SZA (feat. Doja Cat)
“Kill Bill (Remix)”
25. Zach Bryan (feat. Kacey Musgraves)
“I Remember Everything”
24. Lana Del Rey
“A&W”
23. Kylie Minogue
“Padam Padam”
22. YARD ACT
“Dream Job”
21. NewJeans
“Super Shy”
20. Mitski
“My Love Mine All Mine”
19. Tate McRae
“Greedy”
18. JungKook (FEAT. LATTO)
“Seven”
17. Niall Horan
“Heaven”
16. LE SSERAFIM [FEAT. NILE RODGERS]
“Unforgiven”
15. Caroline Polachek
“Dang”
14. Allie X
“Black Eye”
13. Taylor Swift (Feat. Ice Spice)
“Karma”
12. Paramore
“Big Man Little Dignity”
11. The Hives
“Bogus Operandi”
10. The Kills
“New York”
Why it’s #10: “New York” features some of the duo’s grittiest and sludgiest sounds from one of their most cohesive records yet. Just when you think this can’t get grungier. They dig their heels in and find depths of emotion to create some of the most incredible music, including this song.
9. Bastille (feat. Hans Zimmer)
“Pompeii MMXXIII”
Why it’s #9: For this visionary rework of Bastille’s mega-hit Pompeii. The band teams up with legendary film composer Hans Zimmer. The rework lays bare the inner workings of a truly brilliant and now timeless song and gives breadth to the often-overlooked songwriting talent of Frontman Dan Smith. Zimmer and crew aren’t just showing it in a new light. They craft a version of Pompeii for a new era. It’s lush, sweeping, and gorgeous.
8. Victoria Monet
“On My Mama”
Why it’s #8: A song that perfectly imbues the essence and vibes of 80s Dance, Funk, and R&B/Soul without sounding trite or pandering. Monet has captured the best pop/dance song and video this year. ‘On My Mama’, is note for note, a stylish and nuanced celebration of Blackness and the culture we bring to the table. If the driving bass line doesn’t get you, the insanely slick production, with some blaring horns for good measure, or the classical catchy hook. Then you might need your ears checked.
7. Chappell Roan
“Red Wine Supernova”
Why it’s #7: While it seemed like there weren’t a lot of artists this year making fun club pop hits (especially ones geared towards the LGBTQ+ community). Chappell Roan said let me try and more than try, she did. She succeeded. The song is lifted from her stellar debut album, The Rise and Fall of a Midwest Princess, and is an absolutely saucy and cheeky number. One that is sure to fill dance floors with its 80s spunky synths and funky bass lines.
6. Miley Cyrus
“Flowers”
Why it’s #6: It’s the (affirmational) bop of the year of the Spring, Summer, Fall, and Winter. This was the song that Miley needed and deserved. That’s all.
5. The Last Dinner Party
“Nothing Matters”
Why it’s #5: Another band coming out of nowhere like a bat out of hell. Artfully blending Pop, Art-Rock, Indie, and an amalgamation of many other genres, the band has carved out a unique space and sound design. ‘Nothing Matters’ is a song that has become a beloved fave of mine this year with its honest lyricism and gothic charm. Since the band has only been together since 2021, they already have a pretty well-defined sound and stage presence that is so refreshing. I cannot wait to see what 2024 has in store for them.
4. Slow Pulp
“Slugs”
Why it’s #4: Another surprise artist for me this year, but the heavy guitars feel sludgy and distorted as they harken back to the early 90s Brit-Pop and Shoegaze. The song “Slugs’ is the magic combo lead vocalist Emily Massey's soft love-lorn vocals sync well against the band’s angsty soundscape.
3. Sampha
“Spirit 2.0”
Why it’s #3: You know the quote, “The music is not in the notes but in the silence between them”. Spirit 2.0 is a perfect example of that. What seems sparse in production and sound allows the beauty of this gorgeous track to shine through. It’s not like anything we’ve heard from Sampha before and definitely not like anything out now. That’s what makes it so brilliant.
2. RAYE
“Oscar Winning Tears.” (Live at the Royal Albert Hall)
Why it’s #2: First off, her voice, already stunning, just soars on this gorgeous live take at her special Royal Albert Hall concert. Raye hits every note on this song with so much depth and soul. Yet, Raye saves the best for the last ending on a spectacular vocal run that is the cherry on top.
1. Olivia Rodrigo
“get him back!”
Why it’s #1: For one, it’s the song that has been sounded off in my head since the first listen. The punchy lyrics are filled with grit and a punky effervescence that captures youth and heartbreak at its core, even if that means some revenge.
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
PHOTO GALLERY: OSHEAGA MUSIC FESTIVAL IN MONTREAL
Osheaga Festival kicked off its three-day jaunt to the delight of fans on August 4th, last Friday. The festival was held at Parc-Jean-Drapeau in Montreal and featured incredible performances from a wide range of different genres and artists like Rina Sawayana, Gabriels, Soccer Mommy, Cults, Carly Rae Jepsen, Baby Keem, Kendrick Lamar, Tom Odell, Rema, Bille Eilish, Fletcher, Sofi Tukker, Lil Yachty, and many many more.
You can view a photo gallery of some selects from the festival below from photographer Sophie Bouquillon.
All photos by photographer Sophie Bouquillon
R&B ICON MYA CELEBRATES 25 YEARS OF HER SELF-TITLED DEBUT ALBUM
I had the pleasure of participating in a press conference with R&B icon Mya a few weeks ago. We got to ask her some questions and hear her spill the tea on what it has been like being in the industry for so long and thriving in it. The artist has been on a press tour to mark the 25th anniversary of her debut self-titled album. The album featured tracks like, ‘Movin On’, and ‘It’s All About Me’ where she worked with 90s R&B stalwarts like Sisqo (of Dru Hill fame) and Hip-Hop legend herself, Missy Elliot.
I asked Mya, what is one of your favorite memories from your debut album-making/recording process. Although, she said that she had many memories that stood out. She said the train rides alone to the studio where she recorded her record came to mind. During those train rides, she would occupy time by writing, excited that she no longer had to use a karaoke machine to try to capture all of the melodies, sounds, and lyrics she had come up with. Now she had access and a team behind her with Interscope. It was so interesting to hear her answer for many reasons, but mainly for perspective. People often forget how young she was during her debut (she was 16 going on 17).
Ultimately getting to hear her speaking on not only the accomplishments she’s had along the way and talk about how her best is yet to come with so much more to give was empowering. We are in an industry that often defines women by their youth and sexuality, and when I mean young, I mean under 25. At 43, Mya is now fully independent and releasing music through her record label. To relieve some of those nostalgic and moody late 90s R&Bs vibes, you can stream Mya’s 25th-anniversary edition of her debut with a deluxe edition which is out now on all DSPs.
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
Em Beihold // Courtesy of Republic Records/Moon Projects
Em Beihold is currently opening up for Lewis CapALdi and RECENTLY HOPPED ON a collaboration with Lauren Spencer Smith and GAYLE.
Em Beihold is not a fan of rollercoasters because they make her sad. I think… Well, it's a statement she makes loud and clear in the song Rollercoasters Make Me Sad. The track is effusive with punchy melodies and dulcet harmonies, while Em's lyrics often capture dissonant emotions through snappy metaphors. Here Beihold has carved out a niche with songs like the previously mentioned track, Rollercoasters Make Me Sad, Groundhog Day, 12345, and the massive hit Numb Little Bug. Rollercoasters Make Me Sad adds another ace to Beihold's songwriting book with how she succinctly captures feelings and a moment in time. It also should be on your Spotify or Apple Music rotation and playlists if it's not. It was back in March when I got to chat with Em during a presser, learning a little more about her as an artist and songwriter, how her songwriting process works, and even a bit about the inspiration behind her songs, which most of her songs touch on modern-day anxieties, relationships, and mental health/illness. She was also excited to be touring with Lewis Capaldi, a tour she is currently on. I asked her about working with Stephen Sanchez and how turning Until I Found Her into a duet came about. The song has her singing from the girl's perspective. One of the biggest collabs all started from Em liking his reels and her manager noticing, thinking they should do a song together. So, to my fellow creatives, this is a gentle reminder. You never know what might happen and who might see it. Keep creating, and do not be afraid to shoot your shot. I also asked about her future collaborations. Em said her dream collab is with Regina Spektor, an artist she says has been at the fiber of her work and artistry since day one. While Em may not be too fond of rollercoasters, she is currently on the wildest one of her life, and it's only getting started.
Stream “Eggs In The Backseat” out now on all DSPs
KIM PETRAS + NICKI MINAJ TEAM UP ON HOT NEW POP SINGLE “ALONE”
KIM PETRAS + NICKI MINAJ TEAM UP ON HOT NEW POP SINGLE “ALONE”
Credit: Alex “Grizz” LoucasThe Grammy winner’s new track samples “BETTER OFF ALONE”, a classic euro dance track by alice deejay!
Fresh off her Grammy win for “Unholy” with Sam Smith, pop artist Kim Petras drops “Alone”, another dance-pop banger just in time for Summer and those party playlists! This time Petras teams up with fellow Republic Records artist Nicki Minaj on this song teeming heavy 90’s euro dance-pop influences with modern dance-pop. Nicki’s R&B-inflected rap is the cherry on top for this steamy club banger about giving in to your impulses.
“Alone” follows a string of major releases for Kim in the last few years, including the Grammy-winning “Unholy”, “Coconuts”, and “Future Starts Now”.
Since her Republic Records signing, she has already garnered award wins, a Met Gala appearance, and her first late-night appearance and interview. You catch Kim Petras this on many festivals coming up ahead, including, Governor’s Ball and Life Is Beautiful. Kim Petras is a star on the rise.
Stream Kim Petras feat. Nicki Minaj out now
INTERVIEW WITH LONDON’S MODERN DARK POP chanteuse LUX LYALL
INTERVIEW WITH LONDON’S MODERN DARK POP CHANTEUSE LUX LYALL
London-Based Dark Pop Artist LUX LYALL bridges the gap between modern pop, early 90s grunge girls like PJ Harvey,and torch songs. All while incorporating her multicultural roots and life stories. “Draw Blood” is her latest release and the second single from her forthcoming release, “Runaway Bridge”. The track's orgin story tells the story of a abusive relationship with Lyall ultimately finding the song a difficult but cathartic experience. In an interview I did with Lux late last year, we talked about the single, Christmas Holidays, her favorite record of 2022, and more all of which you can read below. THE RECLUSIVE BLOGGER: Thanks for chatting with me at TRB, Lux. To start, How are you doing? How was 2022 for you both professionally and personally?
LUX LYALL: I'm doing good thanks! Personally, 2022 was the best year I’ve had since I was a small child probably. Professionally I’m trying to pull things up to speed. I’ve had a lot of changes post releasing my debut album VAMP in 2020. I'm taking on practically all aspects of my work myself now so I have more control over how things go and are released. It's hard but it's what I want.
THE RECLUSIVE BLOGGER: What did you get up to over the holiday season?
LUX LYALL: I was lucky enough to spend Christmas and New Year’s in Cyprus where I grew up with my sister and my fiancé. We hung out on her farm with her horses, dogs, and multiple cats. It was pretty perfect.
THE RECLUSIVE BLOGGER: Continuing on this theme, do you have a favorite Holiday themed song or movie that gives you immediate warmth and nostalgia?
LUX LYALL: River by Joni Mitchell is my favourite holiday song. It makes me cry but I love it. This year we watched Black Christmas, I think that’s now a tradition.
THE RECLUSIVE BLOGGER: Moving forward, Tell me about your background before you were an artist? How growing up in a multicultural family and being multi-racial yourself has possibly influenced your sound and music? Also, has music also played a role in your life?
LUX LYALL: Music has played a huge role in my life. It was the first thing I was really passionate about and obsessed with. It still is despite being kind of coloured by the more I learn about the industry-heh
Being from a multicultural multiracial family is a dominating part of who I am. It's influenced my work in many ways, mostly the consistent sense of displacement. I didn’t grow up with people who were like me, and my parents are first-generation immigrants to a more western world and culture, so we were very different and detached while I was growing up. We're extremely close now but I know me trying to figure myself out in situations where I didn’t know anyone like me gave them a lot of grief.
THE RECLUSIVE BLOGGER: I would like to talk about your new song, “Draw Blood”. Can you talk about the track’s origin story? And how the recording and writing process was like?
LUX LYALL: The origin story is difficult to talk about. I referred to it briefly not thinking that it would be the main takeaway from the song (which I guess in some way is something I need to address and unpack…)
I had a lot of bad relationships. Some of them were emotionally and mentally manipulative, in one instance I was physically hurt by a partner. Draw Blood
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the Lux Lyall sound and aesthetic?
LUX LYALL: It would be a girls’ gang composed of the following: Audrey Horne-Twin Peaks, Lux Lisbon-The Virgin Suicides, Alabama Beggs - Save me the Waltz, Lily Bart-The House of Mirth, Norma Desmond - Sunset Boulevard & Jennifer North - Valley of the Dolls.
THE RECLUSIVE BLOGGER: And my last two questions, what is your pick for the best album of 2022?
LUX LYALL: Preachers Daughter by Ethel Cain
THE RECLUSIVE BLOGGER: And... Is there anything else you would like to add? Thanks again, Lux!
LUX LYALL: Thank you for taking the time to talk to me. My second album will be out this year and I’m looking forward to playing more live shows again!
STREAM LUX LYALLS’ NEW SINGLE “DRAW BLOOD” OUT NOW
THE RECLUSIVE BLOGGER’S TEN BEST ALBUMS OF 2022
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. These are my picks for the 10 Best albums of 2022…
I hope you had time to read and ponder the first list. If not, you can catch up and read my picks for the 100 best songs of 2022 here and here. Below are my top ten picks for best albums of the year. In a year that was full of incredibly diverse soundscapes from a plethora of artists. From breakout artists tipping the needle to your establishment acts pushing their artistry. It was initially hard to narrow down to only ten albums from the entire year. That’s why I made an extended version that featured my top 15 albums in an Instagram reel video which you can view by clicking here. But first, let’s dive into that top ten.
#10 Yard Act
“The Overload”
The Leeds-based act is one of three albums from my list that was on the shortlist for the Mercury Prize for this year. Their acerbic and in-your-face take on new Gen/Brexit era post-punk. Yard Act was a fresh sound and style full of depth, to say the least, with many of the tracks cultivating echoes of Talking Heads and even Joy Division.
Key Track: “Tall Poppies”
#9 Mitski
“Laurel Hell”
An unflinching synth-pop meets electro-rock record about bad relationships and the unsettling realities of the music industry she was honestly suffering in. Her sweet lilting vocals are a sharp contrast to the biting visceral lyrics. Mitski is an artist stepping into her own, and on Laurel Hell, she created a full-bodied piece of art that was quite hard to put down.
Key Track: “Love Me More”
#8 Everything,
Everything
“Raw Data Feel”
An album that is at once encapsulates the horrors, loneliness, uncertainty, and reliance we all have on social media and tech. It part-way features elements of A.I. through a bot named Kevin, whose a recurring character throughout the record and provides some lyrical content. Lead vocalist Jonathan Higgs finds his footing as a frontman as he deals with underlying trauma head-on. Ultimately the band creates some of their freshest work and spot-on production. Everything, Everything juxtaposes what should be at odds with each other putting the listener into a fun, hyperrealistic, and at times unsteady dance-pop world. One that adeptly mimics the current human existence of having to live a large majority of your life online.
Key Track: “Teletype”
#7 Lizzo
“Special”
The self-proclaimed 'America's Next Great Bop Star', herself, Lizzo, latest outing offers up her most emotionally connected work and one of the most feel-good releases of 2022. Lizzo dives into a well of deservedly pent-up feelings from an utterly life-changing few years. Her superb songwriting skills and knack for writing infectious pop hooks shine brightly throughout this record. That details stories of love, longing, heartbreak, loss, and regret, all through inescapable funk dance rhythms, silky pop-r&b melodies, and the disco-pop dance-floor readiness of lead single, About Damn Time.
Key Track: “To Be Loved”
#6 Wet Leg
“Wet Leg”
The Isle of Wight duo and their spunky and, at times, downright cocky debut were a fun and enlivened highlight of the year. A breath of fresh air to a genre and industry that can be stifling in many ways, it can be hard to keep up. Their witty comedic timing, the often on-point takedowns of nihilistic millennial/Gen Z behavior, and overall great musicality have proven this to be an instant hit and new gen classic.
Key Track: “Angelica”
#5 Placebo
“Never Let Me Go”
Brit Rock iconoclasts, Placebo made their 2022 return to music with the album Never Let Me Go. Not only a surprise but an absolute delight, particularly for the fans. Never Let Me Go, as an album, had Placebo in a robust form painting a layered sonic palette of dynamic synths, thrashing guitars, and driving bass lines. Molko's famous vocals are still there, along with his ever-present existential dread haunting every lyric. There are more hope-filled songs on the record such as the anthemic lead single, "Beautiful James". It is also worth noting that the pacing is perfect, with everything given room to flow.
Key Track: “Happy Birthday to the Sky”
#4 Beyoncé
“Renaissance”
Arguably the most well-rounded and sonically diverse record. It is one album on this list designed to be listened to from start to finish. The tracks seamlessly blend into each other. Beyonce has once more switched up her sound and taking a risk doing so. Structurally this is a Dance, Disco, and House album. Yet, interwoven throughout as well are the melodics and harmonics of pop and R&B music. Lyrically, the songs are fluid with black femininity and sexuality and the power of holding that space. It’s also worth noting how stunning her vocals are here.
Key Track: “Break My Soul”
#3 Bastille
“Give Me The Future”
What wound up being a record I could hardly turn off and put down for many reasons. One of the biggest reasons of note was how Bastille perfectly captures a sense of longing, nostalgia, loss, and those post-lockdown fears and paranoia many of us from the millennial and Generation Z set. That and our addiction and ambivalence to social media and tech are truly driven home lyrically in this infectious dance-pop meets electro-rock escapade. So, seeing as Bastille has always had a knack for synthesizing introspective and bleak lyrical themes in culture and then setting them to upbeat danceable music. The band’s journey to get to this point and this album where they honed in on those skills was oh-so-satisfying.
Key Track: “No Bad Days”
#2 Nova Twins
“Supernova”
This exceptional duo create a sound that is hard to pin down, yet you know you want more. The Nova Twins easily win as the artists that have excited me the most this year, bringing an all-encompassing force and freshness to Rock that I have not heard or seen in some time. Their ferocity, femininity, strength, talent, loudness, and sexuality are heard loud and unmistakable here as Black women on this powerful and raw record. Not only do Amy Love and Georgia South take musical cues from Alternative Rock, R&B, Rock, Metal, Pop, Hip-Hop, Rap, Punk, and pretty much everything. They infuse their style, unique way of playing (heavy usage of pedals, including pitch shift pedals), and an overall hip vibe to create something I haven’t heard before and don’t think sounds like anything else out now. I’m excited to see how they push forward from here.
Key Track: “K.M.B”
#1 Arctic Monkeys
‘“The Car”
I understand this band is not everyone's cup of tea, but what they do, they do brilliantly. Frontman Alex Turner's vocals have developed into a strong troubadour sound here. That set against the lushly layered soundscapes (I caught the addition of orchestral arrangements here, what?!!) from a band that is tighter than ever, and Matt Helders on the pocket succinct drumming. The Car is their most cohesive album to date. It's a melting pot of cinema scores, music from the 60s and 70s, those signature Arctic Monkeys inflections, and Beatlesesque harmonies. Arctic Monkeys as a band has never been known for subtlety in sound or proper pacing, but with The Car, they've achieved both. Ultimately, making it such a worthwhile listen.
Key Track: “Hello You”
This is the list of albums for my 2022! Also, what were your favorite albums this year? Let me know about by dropping a comment below or through a tweet!
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART TWO
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022… Part two
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. While 2022 personally has been up and down, ultimately leading to lots of growth. Like many, it has also been ripe with change and uncertainty for many reasons. I know the one thing many of us have come to rely on— and that's the comfort of music. The caliber of music, the creativity, and the sheer amount of music that came out this year— 2022 was calling for a supersized version. So, I hope you enjoy the first of a few year-end roundups coming in the next couple of weeks. These are my picks for the 100 Best Songs of 2022…
50. Bryce Vine - “Moonrock”
49. Noah Cyrus - “I Just Want A Lover”
48. Suelgi - “28 Reasons”
47. SOHN - “Segre”
46. Halsey - “So Good”
45. Dove Cameron - "Boyfriend"
44. Doechii - "Persuasive"
43. Denzel Curry (Feat. slowthai) - "Zatoichi"
42. Dry Cleaning - "Anna Calls From The Arctic"
41. Polyphia (Feat. Steve Vai) - “Ego Death”
40. The Weeknd - "Sacrifice"
39. Willow - “curious/furious”
38. Sabrina Carpenter - “Fast Times“
37. Empress Of - "Save Me"
36. Rina Swayawayna - "This Hell"
35. Aespa - "Illusion"
34. FKA Twigs (feat. The Weeknd) - "Tears In The Club"
33. Yeah Yeah Yeahs (Feat. Perfume Genius) - "Spitting Off The Edge of The World"
32. MUNA - "What I Want"
31. Conan Gray - "Disaster"
30. The 1975 - “All I Need To Hear”
29. Maggie Rogers - "That's Where I Am"
28. Bad Bunny - "Titi Me Pregunto"
27. IYLA - “FOH”
26. Ab-Soul - "Do Better"
25. Yard Act - "The Overload"
24. LE SSERAFIM - "ANTIFRAGILE"
23. Florence + The Machine - "King"
22. Bloc Party - "In Situ"
21. Mothica - “Sensitive”
20. Franz Ferdinand - “Curious”
19. Harry Styles - “As It Was”
18. Caroline Palochek - "Billions"
17. MICHELLE - "Pose"
16. Soccer Mommy - "Shotgun"
15. Kendrick Lamar - “N95”
14. Mitski - "Working For The Knife"
13. Lizzo - “About Damn Time”
12. Phoebe Bridgers - "Sidelines"
11. Everything, Everything - "Pizza Boy"
10. Placebo - “Beautiful James”
9. NewJeans - “Hype Boy”
8. Wet Leg - "Ur Mum"
7. Paramore - "This Is Why"
6. Bastille - “Hope For The Future”
5. Rosalia - “SOAKO”
4. Beyoncé -“Alien Superstar”
3. Arctic Monkeys - “Body Paint”
2. Nova Twins - "Cleopatra"
1. My Chemical Romance - "The Foundations Of Decay"
That’s it that’s my list for my 2022! Stay tuned for my top albums and music videos! Also, let me know what your favorite songs were this year? Is there anything on this list you disagree about? Let me know about by dropping a comment in the comments section or through emoji.
INTERVIEW WITH... WISTFUL POP SINGER-SONGWRITER KINGS ELLIOT
Kings Elliot is not your typical pop singer and songwriter, while many of today's pop artists turn to a bass-heavy, synth-based sound that is often reminiscent of the 80s and catered to dance floors & clubs. Elliot skirts all of this. On her new EP, Bored Of The Circus, the artist creates a palette of wistfully beautiful cinematic stories set against ethereal pop. Visit The Reclusive Blogger and click the link to read my interview with Kings Elliot
Kings Elliot is not your typical pop singer and songwriter, while many of today's pop artists turn to a bass-heavy, synth-based sound that is often reminiscent of the 80s and catered to dance floors & clubs. Elliot finds inspiration for her sound and lyrics from Disney (she divulges her favorite below), her small hometown in Switzerland, her struggles with mental health, and music from the 1940s & 1950s. On her new EP, ‘Bored Of The Circus’, the artist creates a palette of wistfully beautiful cinematic stories set against ethereal pop. You can read the interview I did with Elliot below. I asked about her childhood, music influences, songwriting process, and more.
THE RECLUSIVE BLOGGER: Hi, Kings Elliot! Thanks for taking time out with me and TRB for this interview. My first question is how has your 2022 been so far both creatively and personally?
KINGS ELLIOT: Of course!! Thank you for taking the time!
2022 has truly been my favourite year on this planet so far! I've had the privilege of going on my first ever tour, and that being a stadium tour with Imagine Dragons which was just absolutely mind-blowing. I've released my second EP 'Bored Of The Circus' which I'm so very proud of and I'm about to lock myself in the studio to write and produce new music which I could not be more excited about.
THE RECLUSIVE BLOGGER: Can you talk about how you got start in music? Was music and playing music something that was always present in your life? Particularly growing up?
KINGS ELLIOT: I've always sang and I always made up my own songs, ever since I was in pre-school. Now I know I was 'writing' and it just never left me. It's always been my greatest coping tool and it will never not be that for me.
THE RECLUSIVE BLOGGER: Growing up in a small Swiss town, How do you think growing up in a small town has shaped your artistry? If it has at all?
KINGS ELLIOT: Because I was kind of the only one in my immediate surrounding chasing this pretty unrealistic dream, I had to learn to prove myself and become very headstrong at a very young age. No one ever encouraged me or said it was a good idea. Many (including myself) doubted that I could make it my profession one day.
I think that made me more dedicated than maybe someone who slipped into it more easily. I finished my education in Switzerland, I worked and saved up money, relocated to a different country and I just kept pushing for it.
THE RECLUSIVE BLOGGER: I’d like to ask you about your latest EP, ‘Bored Of The Circus’ and the overall creative process for the EP? How has your creative process adapted or grown over the years?
KINGS ELLIOT: It's honestly always different. I find that question hard because it's kind of like an ever-flowing process. I write down lyrics and melodies randomly when I feel something. My main collaborator Conway (halfrhymes) and I are in constant contact and exchange thoughts and ideas all the time. When I get into the studio we can then hone in on it all and have fun creating the world around the words and melodies. It's always different and it's my favourite part.
THE RECLUSIVE BLOGGER: I love the haunting, melodious almost lilting quality your song “Butterfly Pen” has. Can you delve into the backstory of the track and talk a bit more the visuals as well?
KINGS ELLIOT: The lyrics in this song are my favourite lyrics of the whole EP. They describe the state of a world that has turned grey after the hurt I've experienced. In the background you sometimes hear a little birdy sing and thats kevin, a small baby bird I rescued and looked after for a week before handing him to wildlife rehabilitation. I love that he has a place in this song forever. The visuals to the song capture the sadness and helplessness one can feel while in a depressive episode where even leaving the bed is a very difficult thing to do.
THE RECLUSIVE BLOGGER: Where tackling themes of mental health and mental health in love and relationships in your storytelling something that you naturally gravitated towards? How do you make sure that you maintain a healthy balance between creative endeavors and self-care?
KINGS ELLIOT: It's what I've personally mostly struggled with for a lot of my life, so it was natural for me to process that trauma in the songs I write. Making these songs automatically improves my self-care but I'm definitely still working on a balanced and healthy self-preservation..
THE RECLUSIVE BLOGGER: I’ve read that you grew up watching Disney films and that they heavily influence your music. What are some of your favorites or biggest influences?
KINGS ELLIOT: 'Dumbo' is my favourite Disney movie. 'Baby mine' playing in the scene of dumbo's mum cradling dumbo through the metal bars has me in absolute pieces every time. The song is so gorgeous and so sad, and since it was made in the 40s it has that beautiful feel from that era which I love so much. I started listening to more songs from that era and realised quickly that the 40s and 50s are my favourite years of music and it's now where I draw most of my inspiration from
THE RECLUSIVE BLOGGER: What has it been like touring with such an established act like Imagine Dragons?
KINGS ELLIOT: It was absolutely mind-blowing. They are out of this world performers, the show is insane and to make it even better they are all so kind and welcoming. I had no idea I would be accepted with such open arms and honestly being given the opportunity to sing in stadium with one of the biggest bands in the world is an experience I will remember for the rest of my life and I don't expect it to be topped by anything else!
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the Kings Elliot soundscape and aesthetic?
KINGS ELLIOT: Definitely Dumbo!! He is an outcast, he feels alienated from everyone else and the one person that loved him the most gets taken away from him. He needs some soothing songs and a world to escape to. Makes me cry thinking of it.
THE RECLUSIVE BLOGGER: If you were to put one of your lyrics onto a message in a bottle, what lyric would you choose and why?
KINGS ELLIOT: 'When I'm breaking apart I won't call it a weakness I'll stumble and fall I don't care if they see it.' - everyone who's struggling and feels ashamed of how their mind works needs to hear that.
THE RECLUSIVE BLOGGER: What’s one album you could listen to over and over and from start to finish?
KINGS ELLIOT: Banks - Goddess
THE RECLUSIVE BLOGGER: To end, What’s next on the horizon for you, Kings Elliot?
KINGS ELLIOT: More tours and more music! Once I'm back home from the European tour I am on right now I will lock myself in the studio and I can't wait for that!! I also have something really cool coming out in the next few weeks that I can't announce yet but it's a huge bucket list moment for me!!
Follow Kings Elliot:
Instagram | TikTok | Twitter | Facebook | YouTube | Spotify | Apple Music | Website
Stream Kings Elliot -“Bored Of The Circus”
MAGGIE LINDEMANN - “SABOTAGE” - SONG REVIEW
Maggie Lindemann is one of the fierce femmes from pop punk's newest evolution. Her latest is the introspective single Self Sabotage, a track steeping in angst and nostalgia. Lyrically, Lindemann goes through the inner workings of her mind and her bad habit of being her own worst enemy. The song is off her new album, SUCKERPUNCH. This album takes you on her emotional journey of healing from the toxicity of a bad relationship. I got to speak with her about this new project during a small presser. When I asked her what is one thing people are generally surprised to find out about you, Seeing how social media can be a veneer for many things, including people. Lindemann's response was quite like what many of us would say, that she is more than what she is perceived to be online. Sometimes all the versatility we have as humans get lost in the social media clutter. So for fans of Maggie's, her latest album, SUCKERPUNCH, is truly only the tip of the iceberg.
STREAM MAGGIE LINDEMANN’S NEW ALBUM SUCKERPUNCH HERE
INTERVIEW WITH... TOPS SINGER & INDIE DISCO-POP ARTIST MARCI
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
Marci by Christina Bryson
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
THE RECLUSIVE BLOGGER: Can you talk about your normal songwriting process? Then how your writing/creative process was for this new song “Terminal”?
MARCI: I always write on piano, and demo as I am going. Once I have a decent demo, I bring it to David and we figure out which parts can be worked on.
There are a handful of songs that we wrote together, where I would sit on the piano and David on the bass or guitar.
For Terminal it all started with a guitar riff that David had while we were getting ready for a party. I started singing over top of the riff and we came up with the chorus of the song. When we got into the studio, we worked out the rest of the song on piano and guitar together.
THE RECLUSIVE BLOGGER: How did the music video for “Terminal” come together? and what was that process like and filming?
MARCI: The music video was almost going to be just a visualizer! Until my friend (and director) Christina Bryson decided that we absolutely needed to do a video and i'm so glad we did! It was done in one day at Christina's house, very relaxed and easy, the group of us girls (Isabelle Fields- stylist, and Melissa Rogers - makeup) had a relaxed and fun time, my friend Jackson Macintosh who played the hunky guy came over, was very fun!
THE RECLUSIVE BLOGGER: What does music and the craft of songwriting mean to you?
MARCI: It can be anything you want, there are no rules - I love the freedom in that. I also love how good it makes me feel, and how it's a never ending learning/growing experience.
THE RECLUSIVE BLOGGER: What are you most looking forward to for your upcoming tour?
MARCI: I'm excited to sing in front of an audience, and find out what kind of performer I am. Playing with a band will feel so great, hearing the songs live will be a whole new feeling - since it was a studio record.
THE RECLUSIVE BLOGGER: If you were to describe your sound in three words what words would you pick?
MARCI: Peppy, smooth, sparkly
THE RECLUSIVE BLOGGER: What’s one album that you can listen to straight through?
MARCI: Marvin Gaye - Here, My Dear
THE RECLUSIVE BLOGGER: What’s your pick for song of the summer 2022?
MARCI: Sofie Royer’s Baker Miller Pink has been on repeat
THE RECLUSIVE BLOGGER: And... last question, Is there anything else you would like to add? What up’s next for you?
MARCI: I might be releasing a new song very soon…. hehehe.
Thank you for the interview! :)
Find + Follow Marci Online:
Stream THE self-titled DEBUT ALBUM FROM MARCI out now.
CONCERT REVIEW + PHOTOS: GLASS ANIMALS AT HOLLYWOOD FOREVER
The new(ish) Indie Pop/Rock band are one the industry’s most exciting live music acts
Indie Rock quartet Glass Animals brought their groovy brand of heat to Hollywood Forever on Sunday with the ‘Dreamland’ tour. It’s a funky blend of nostalgic meets vaporwave that permeates the album but the shows as well. The tour featured the Electro Pop newcomer Binki as the opener. He played a short and engaging set closing out with “Heybb!”. A song you’ve most likely heard from its prominence of being in an Apple iPad commercial. While his energy was great, it was clear the crowd was there for Glass Animals (many didn’t arrive until they were on). The Indie Pop foursome comprised of childhood friends Joe Seaward, Ed Irwin-Singer and Drew Macfarlane is anchored by the feverishly bold lead singer, Dave Bayley. All walked out to a stunningly loud crowd full of cheers and energy that was ready to dance. Bayley who held a captive audience all night was also ready to party with us. He hovered somewhere between bewildered and emboldened, in awe of the crowd. Opening up the set with the futuristic lullaby “Dreamland”. Which segued into the tribal drum-heavy dance bop “Life Itself” & the island tinged “Tangerine” to kick off the party. Glass Animals tore through a 17 song setlist with such aplomb. Some of the major set highlights were the tour debut of “Poplar St.”. Where Dave Bayley forgot the lyrics (it had been a while) but powered through like a pro. “Space Ghost Coast to Coast”, which Dave remarked was a bit eerie playing in a cemetery. Their new track “I Don’t Wanna Talk (I Just Wanna Dance)” is truly the ultimate dance party. They closed out their fun albeit spooky two-day residency at Hollywood Forever with a two-song encore. Of which included the bands’ breakout hit “Heatwaves” and the glitch-inspired “Tokyo Drifting”. Overall, Glass Animals displayed exciting musicianship. Their knack for writing super catchy lyrics with dynamic pop hooks, all transferred brilliantly into a live setting. You can check out my photo gallery of the show below.
SAM SMITH SETS THIRD ALBUM ‘TO DIE FOR’
New Album 'To Die For' Due Out May 1st...
Singer Sam Smith has announced a third studio album titled ‘To Die For’. The upcoming album is available for pre-order here and is due out on May 1st via Capitol Records. Sam also dropped a new single from the upcoming record. It’s a confessional track of the same name which dropped this past Valentine's Day. This evocative piano-led track features a softer vocal take from Sam (and a bit of vocoder). We find Sam ruminating over a time of self-discovery and heartbreak for them. It’s a quietly stunning track that’s full of pain and emotion, something that their known for. The music video echoes that sentiment with some added Sam Smith quirkiness. ‘To Die For’ was written by Sam, their long time collaborator Jimmy Napes, and Stargate, in Los Angeles. You can view the music video for it below.
https://youtu.be/POIK1H3L86k
Stream ‘To Die For’ here
