INTERVIEW WITH ELECTRO-POP ARTIST + TV/FILM COMPOSER TYLER DURHAM OF LIMINA
THE RECLUSIVE BLOGGER: Hey, Tyler! How are you doing, how’s your year been so far?
LIMINA: Hi Brittney, my year is going well - my work is picking up quite a bit, and I have some exciting projects coming down the pipeline
THE RECLUSIVE BLOGGER: How did you get your start composing for films? What was it in particular that drew you in?
LIMINA: I grew up in a musical family so I have always loved listening to and playing music.
However, my film-scoring passion developed in high school. My brother introduced me to the Eminence Symphony Orchestra which almost exclusively plays video game and film soundtracks, and I immediately became hooked. The layers of emotive expression, the powerful waves of sound, and the storytelling capabilities of orchestral writing inspired me to explore every bit of that language. I started pulling clips from films on YouTube to score and reaching out to anyone and everyone who had a project so I could learn how to tell stories through music. The challenge of finding the right musical language for a scene or a film has continued my passion into today.
THE RECLUSIVE BLOGGER: Do you have a favorite film composer or a composer in general?
LIMINA: The answer is, “It depends.” =)
I love many composers for different reasons as they have their own unique writing styles. However, the composers I find myself studying or listening to the most are Camille Saint-Saen, Stravinsky, and Arvo Part. Regarding film composers, Johann Johansson and James Newton Howard are right at the top. I do spend a lot of time listening to music outside of the classical and film worlds as well. Sigur Ros and Son Lux are two of my favorite bands.
THE RECLUSIVE BLOGGER: Can we talk about the current single “Sanctum” from your upcoming album, “Coming Home”. Now that it’s out how has the reaction been? How does this song fit into the album's sound and themes overall?
LIMINA: I’ve been so grateful for the initial response to “Sanctum.” I’ve received many sincere messages from people expressing that the track has elicited some peace in their day. It’s the best compliment I could receive because that’s what the track is all about.
"Sanctum" is a piece about self-reflection and unearthing a place in ourselves where doubt, love, joy, and anger are all welcome. A place where we can be consoled, seen, and restored.The layered voices and rolling piano in the opening act as a call into ourselves. Once we step through the door into our own "sanctum" an essence of spirituality emerges through the pump organ and pitch-shifted, deep bell accents. Just as we allow all of our emotions to pass through us, the musical phrasing has a conscious ebb and flow with strings that are both fragile and emotive. It’s the 9th track on the album so it comes towards the end of the story when the protagonist is beginning to derive her self-worth internally, not externally.
THE RECLUSIVE BLOGGER: Since you started this album creation cycle back in 2020 during the pandemic. Where was your headspace going into this? And how do you think that time influenced the project, if at all?
LIMINA: My first E.P. Hidden Spaces was written at the height of the pandemic and in a time where it was difficult to find work, Hidden Spaces was a way to stay connected with my art and passion for creating. I started working on and off on Coming Home in 2022. As a film composer, my music is often commenting and supporting someone else’s story and while I absolutely love to collaborate in that way, “Coming Home” became a chance to create and explore a story of my own. The inspiration for the album emerged from spending time on the London Tube. You see so many people and only get the faintest glimpse of their experience through a laugh, a clenched fist, or just silent contemplation. All of this is accompanied by a loud, yet soothing hum and pulse from the train. I wondered about different experiences people might be silently confronting. I imagined a story of someone estranged from their family but wanting to make amends and what that emotional journey would look like. That simple idea became the bedrock of the album and allowed me to explore and create a journey through anxiety, doubt, anger, hope, acceptance, and love. “Coming Home” is ultimately a story about redemption and rediscovering oneself. Outside of the underlying narrative, I’ve always been drawn to neoclassical elements, electronics, unique and layered musical textures, and playing with form. “Coming Home” was created, in some way, to rediscover my own musical voice and challenge my creativity.
THE RECLUSIVE BLOGGER: What has been the most unlikely influence on you for your LIMINA project and its forthcoming album, Coming Home?
LIMINA: I love exploring sound design so much of my influence comes from various sounds in the world or new synthesizers. For Coming Home, it was the London Tube system. I loved exploring different ways I could incorporate the setting of the story into the music itself. In “Let it Take You,” I built most of the percussion bed from the sounds of the Tube’s wheels rolling on the tracks.
THE RECLUSIVE BLOGGER: How do you go about challenging yourself as a creative overall to stay fresh and the best you can be?
LIMINA: I’ve found the best way to stay fresh and excited about creating is by listening to new music and experimenting with my own. If I hear an interesting progression, orchestration technique, or complex synth sound, I will figure out how it was made. It’s so important to be constantly adding new tools to my sonic toolkit and every time I discover something new, my creative juices immediately start flowing.
THE RECLUSIVE BLOGGER: What’s one thing that people are generally surprised to find out about you?
LIMINA: How much I talk to myself while I am writing. =)
THE RECLUSIVE BLOGGER: Lastly, What’s up next for you?
LIMINA: Unfortunately, I can’t say too much, but I’m working on a great Netflix docuseries as well as a drama series. I'll be sharing all the details as soon as I can!
Pre-Order LIMINA’s forthcoming record by clicking on the photo below!
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OFFICIAL WEBSITE / INSTAGRAM / FACEBOOK / BANDCAMP
INTERVIEW WITH NEWCOMER POP SINGER-SONGWRITER ISA BRUDER
I got to chat with up-and-coming Brazilian-American pop artist Isa Bruder, whose rich vocals, emotional storytelling, and layered harmonics are just in their infancy. I asked Isa about her songwriter, culture, and what’s to come this year in an interview, which you can read below.
THE RECLUSIVE BLOGGER: Thanks for answering a few questions for The Reclusive Blogger. How has your 2023
been?
ISA BRUDER: Happy 2024 to you and your readers! I am really grateful for 2023 -- I got to travel to new places, spend time with my family and friends, go to incredible concerts, and write lots of music. :)
THE RECLUSIVE BLOGGER: Can you talk a bit about your background and culture and how that encompasses your music?
ISA BRUDER: Sure! I grew up in São Paulo, Brazil. In addition to loving our Samba's swing and percussive musicality, Brazilian people have a reputation for being really fierce music fans -- and I definitely think that passion is embedded in me. The crowd's joy at a concert in Brazil is contagious. It can sometimes take years or even decades for a musical act to make its way to South America, so we're extra excited and grateful to finally witness that music in real life. The energy really is on another level #ComeToBrazil iykyk
THE RECLUSIVE BLOGGER: How did you normally approach writing and recording as a singer-songwriter?
ISA BRUDER: I am constantly writing feelings and concepts in my notes (notes app girlies rise), so in preparation for a session I usually pull a couple ideas from there that particularly resonate with me. Then I catch up with my cowriter(s), and we talk about our feelings / what kind of song we want to write! Sometimes a producer is included in these conversations / during the session if I have the luxury of being in a physical room with one -- most of my music I write through Zoom since most of my collaborators live in LA! I love writing music with people, as opposed to alone, because I find it takes me out of my own head and helps weed out the good ideas from the less interesting ones.
THE RECLUSIVE BLOGGER: What's the best piece of advice another musician ever gave you?
ISA BRUDER: Know who you are, because if you don't people will try to tell you. Believe in your vision!
THE RECLUSIVE BLOGGER: What's your process for dealing with performance anxiety?
ISA BRUDER: I actually find a couple of hours before my show more stressful than being on stage -- I wouldn't say I really get performance anxiety. During the hours before I'm stressing about logistics, if my band is gonna arrive on time, if my outfit is creasing on the subway, if people are actually gonna show up, if I'll remember all the lyrics... by the time I'm about to go onstage, I'm more so relieved that I don't have to think about all that anymore! Performing is my favorite part of being an artist, so I look forward to it and try to book as many shows as I can.
THE RECLUSIVE BLOGGER: Do you have a favorite lyric that you’ve written or that you wish you had written?
ISA BRUDER: I have "I wish I wrote that" moments all the time! Today, what comes to mind is What I Want by MUNA. "That's what I want, there's nothing wrong with what I want!" So simple yet so affirming, it's a perfect pop song in my opinion.
THE RECLUSIVE BLOGGER: Since we’re coming up to the end of the year for 2023 do you have a favorite album and/or song of the year?
ISA BRUDER: My favorite album of 2023 is without a doubt Raye's My 21st Century Blues! She moves across genres and themes so freely -- but still with such a clear vision and identity. I love the production on the record, I love her voice, and I love her honesty and vulnerability. She recently released a My 21st Century Symphony version of the album, which is recorded live from Royal Albert Hall with The Heritage Orchestra. It's so beautiful, you guys gotta check it out!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you Isa in 2024?
ISA BRUDER: Hmm... I'd love to play a show somewhere other than New York this year since I've only ever played with my band in the city. In a greater sense, my dream and hope for 2024 is that the music I release reaches people who resonate with and enjoy it :)
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 100-51
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2023 - SONGS 50-1
It's that time again for my picks of the best songs of this year. As usual, I’ve put all my picks on one playlist for easy listening. I hope everyone reading enjoys the music I highlighted in this year-end roundup post. My next post featuring my top album picks is coming up next week. So, without further ado, these are The Reclusive Blogger’s picks for the 100 Best Songs of 2023…
That’s it that’s my list for my 2023! Stay tuned for my top albums from this year! Also, sound off in the comments below on your favorite songs from the year?
BASTILLE ELECTRIFIES L.A.’S ART DECO WILTERN THEATRE WITH THRILLING POP NOSTALGIA
The London pop-rockers brought their only date of the Bad Blood X tour in America to Los Angeles to celebrate the tenth anniversary of their debut album Bad Blood.
You know a show is one for the record books when you hear attendees speaking about it as soon as it is over, not in sadness so much but in the mix of utter joy (no, pardoning the pun here), and we cannot wait to do this again. It was that good. The chatter from the only Bad Blood X American tour date held in the very apropos art deco downtown L.A. Wiltern theater brought the masses and wrapped around the corner. After all, we were celebrating something big. It had been ten years since. This band, our band, had released the album Bad Blood, which changed their lives and, for many of us, our lives too. So, picking Los Angeles to celebrate this occasion was perfect. They got their record deal here, their first hit, Pompeii, had its music video filmed here, and of course, Dan mentioned later on at the gig he met his art hero, David Lynch. So many pivotal things happened here, and now a return that included a sold-out gig.
While rumors of a surprise opening act flickered about, ultimately, it was only rumored. The Los Angeles date of Bad Blood X belonged to Bastille, who took to the Wiltern stage (to a boisterous crowd, I might add) at an early 8:30 p.m. start time for a twenty-one song set, which saw the band play the entirety of their debut album Bad Blood.
The venue was buzzing with energy as we all waited, with bated breath, for the band to appear. It seemed like the last Los Angeles show was forever ago (not last year) as Bastille kicked the night off to a host of spirited screams and applause, launching into the song that changed it all for Pompeii. It is also worth noting that they usually close out with this one. Next, the band launched into the first songs of the record, which included the single Things We Lost In The Fire, a song noted for its haunting melodies and somber-sounding heavy Tom drums, the sinister-sounding synth-driven Bad Blood, and rarely heard gems like Weight of Living PT. 1. Then tracks like Daniel In The Den, and Get Home added a softness to the setlist and an angelic quality as both songs reverberated in the room. On cue, as the opening notes of Oblivion began, so did the lights from everyone's phones, illuminating the darkened Art Deco theatre. It was a special moment, but honestly, the entire night was a special moment as there was such a feeling of togetherness, joy, laughter, celebrating music, and the good that music can bring. You see, the thing about Bastille shows is that it's a place where you can be yourself and feel comfort in that. That's because it all starts with the band and seeing how much they have grown and evolved in the ten years since releasing Bad Blood and become better artists themselves, Including seeing just how comfortable and how fun Dan now has performed onstage.
After the band performed the first part of the show, they returned to the stage for the encore. They played a round of songs from albums released after their debut. Bastille finally played No Angels. A track from one of their OPH mixtapes, (with Bim singing Ella Eyres spot and killing it), The Draw, club bangers Million Pieces, and WHAT YOU GONNA DO? were also performed. The latter two tracks had the crowd head banging and going insanely. Shut Off The Lights was the perfect end to a beautiful night. The Wiltern felt alive and electric with excitement and happiness. You could hear people chatting about this gig on their way out leaving. All the attendees that night fully realized that this was one not to miss, and they did not. Knowing how much Bastille and their team put into these shows, giving their all, for us means a lot and probably more than they will ever know. From the concert interludes (which featured music video snippets and BTS footage) to the performances, the stage setup, and small onstage details (we see you wolf hoodie and street lamps). Bastille with the Bad Blood X tour leaned into the nostalgia fittingly.
You can check out my photo gallery from the gig below!
PHOTO GALLERY: OSHEAGA MUSIC FESTIVAL IN MONTREAL
Osheaga Festival kicked off its three-day jaunt to the delight of fans on August 4th, last Friday. The festival was held at Parc-Jean-Drapeau in Montreal and featured incredible performances from a wide range of different genres and artists like Rina Sawayana, Gabriels, Soccer Mommy, Cults, Carly Rae Jepsen, Baby Keem, Kendrick Lamar, Tom Odell, Rema, Bille Eilish, Fletcher, Sofi Tukker, Lil Yachty, and many many more.
You can view a photo gallery of some selects from the festival below from photographer Sophie Bouquillon.
All photos by photographer Sophie Bouquillon
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS #TheReclusiveBlogger #Interviews
Oregon-based Singer-Songwriter Sharaya Summer's reflective, heartfelt, and honest Indie Folk and Americana melodies are garnering her acclaim and fans alike. In her latest single, ‘Forever You and Me’, she explores the fragility of relationships while examining her own, reminding everyone of loved ones and the memories you share close. The idea of the song emerged after a particularly challenging time full of changes for her. Summers had just had a daughter, was recording a new record, and lost her Grandmother. Now Summers is determined to look forward and find the light amongst the shadows, a theme she explores in her forthcoming release.
You can check out my interview with Indie Folk and Americana artist Sharaya Summers below!
THE RECLUSIVE BLOGGER: Can you talk about your latest single “Forever You and Me” and the inspiration behind it?
SHARAYA SUMMERS: I wrote this song after attending my grandmother's funeral last year. As the slideshow of her life played in a five-minute span, I observed my heartbroken grandfather on the pew watching. I wrote this thinking that I would play it at my husband's funeral far far in our future. But now as I am ready to release the song, we are actually separated and going through a pretty low point in our marriage. The song has taken on new meaning as I realize that no matter how, why, or when love ends there's nothing we can do to prepare for it. I suppose now it's a more positive spin on a break up considering that no matter what the future brings we will always have the wonderful memories and two beautiful children we share.
THE RECLUSIVE BLOGGER: Can you speak a bit about your musical background? Has music always played a role in your life?
SHARAYA SUMMERS: I was a 90's youth group kid growing up. I learned how to play guitar and play music in church. I went through somewhat of an existential crisis in my mid-twenties and bailed on church and moved to Nashville to be a songwriter. I don't have any negative feelings about the experience, it was just that as I grew up and saw more of the world, music and God became bigger than something I could keep in such a limited box. When I am practicing creation/creativity it's the closest I feel to the divine. So yes, I'd say it's been an integral part of my life.
THE RECLUSIVE BLOGGER: You have an LP tentatively due out later this year. How is the writing and recording process going so far?
SHARAYA SUMMERS: The album is complete! It's being mixed as we speak, soon to be mastered. I recorded with Raymond Richards in Portland, OR. When I started tracking I was nine months pregnant with my now one-year-old baby girl. It was quite a commitment to finish, as having a newborn is a challenge I can not even begin to describe. I am grateful to my mother who supported me with babysitting and Jacob, my husband, for helping to keep me motivated and contributing as band director.
THE RECLUSIVE BLOGGER: Do you have a bucket list of dream artists that you’d love to collab with? If so, who are they?
SHARAYA SUMMERS: Stevie Nicks, Jackson Browne, or Norah Jones
THE RECLUSIVE BLOGGER: What was the last thing you discovered about your artistic self?
SHARAYA SUMMERS: After becoming a mother I thought my artistic career would be over. While I may not be free to tour or play shows or hustle as much as I used to, I was happy to discover that I didn't stop writing, it's just a part of who I am and what I do, so that was cool to realize that being an artist has nothing to do with age or situation.
THE RECLUSIVE BLOGGER: Who are some of your biggest artistic influences or inspirations?
SHARAYA SUMMERS: Right now as cheesy as it sounds my two kids are my inspiration. I love seeing the world in a totally new way through their eyes. My son is 3 and my daughter is 1. The joy and wonder is everything everyone says about becoming a parent. It's just so cool. So hard, but so fun too. They inspire me to slow down and really be present where I am at, to be more observant of the world around me, and more appreciative and grateful for the small things every day.
THE RECLUSIVE BLOGGER: What was the last album you played with no skips?
SHARAYA SUMMERS: Erykah Badu - Baduizm - last week while making dinner, sipping wine, and then doing the never-ending dishes.
THE RECLUSIVE BLOGGER: And lastly, what’s next on the horizon for you?
SHARAYA SUMMERS: I've always been someone with a 5-year plan. This year has shown me that I can not control anything but my view of the world, and my reactions to it. I feel like I've grown into a completely new person, someone who for this season has literally no plan other than to be mindful, to listen, and to choose to be grateful for every moment. I find that my creativity has never been so free-flowing as when I'm just here to take it all in and observe the pain along with the joy. I don't know what is next, but I do know that I am not finished.
Stream Sharaya’s new single “Forever You & Me” which is out now by clicking here
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
A LITTLE MORE ON… EM BEIHOLD, THE EARNEST POP SINGER-SONGWRITER BEHIND “NUMB LITTLE BUG”
Em Beihold is currently opening up for Lewis CapALdi and RECENTLY HOPPED ON a collaboration with Lauren Spencer Smith and GAYLE.
Em Beihold is not a fan of rollercoasters because they make her sad. I think… Well, it's a statement she makes loud and clear in the song Rollercoasters Make Me Sad. The track is effusive with punchy melodies and dulcet harmonies, while Em's lyrics often capture dissonant emotions through snappy metaphors. Here Beihold has carved out a niche with songs like the previously mentioned track, Rollercoasters Make Me Sad, Groundhog Day, 12345, and the massive hit Numb Little Bug. Rollercoasters Make Me Sad adds another ace to Beihold's songwriting book with how she succinctly captures feelings and a moment in time. It also should be on your Spotify or Apple Music rotation and playlists if it's not. It was back in March when I got to chat with Em during a presser, learning a little more about her as an artist and songwriter, how her songwriting process works, and even a bit about the inspiration behind her songs, which most of her songs touch on modern-day anxieties, relationships, and mental health/illness. She was also excited to be touring with Lewis Capaldi, a tour she is currently on. I asked her about working with Stephen Sanchez and how turning Until I Found Her into a duet came about. The song has her singing from the girl's perspective. One of the biggest collabs all started from Em liking his reels and her manager noticing, thinking they should do a song together. So, to my fellow creatives, this is a gentle reminder. You never know what might happen and who might see it. Keep creating, and do not be afraid to shoot your shot. I also asked about her future collaborations. Em said her dream collab is with Regina Spektor, an artist she says has been at the fiber of her work and artistry since day one. While Em may not be too fond of rollercoasters, she is currently on the wildest one of her life, and it's only getting started.
Stream “Eggs In The Backseat” out now on all DSPs
INTRODUCING: THE BOMBASTIC ALTERNATIVE POP QUINTET THE SCARLET OPERA
INTRODUCING: THE SCARLET OPERA, THE BOMBASTIC ALTERNATIVE POP QUINTET
If you have not heard of The Scarlet Opera, the exciting quintet fusing Pop, Rock, and, yes, even Opera. Lyricist and frontman Luka Bazulka (whose natural grandeur is ever present and charming), with Colin Kenrick on Keys, Daniel Zuker on Bass, Justin Siegal on Drums, & Chance Taylor on Guitars. The glue holding the band together is friendship and identity. Identity, friendships, relationships, sexuality, love, loss, band life, and the music industry are major themes often explored within their lyrics.
Last month I got a few minutes to speak with The Scarlet Opera during a presser. I asked what the go-to karaoke songs were for everyone, and a fun type of chaos ensued. It seemed like ‘Skyfall’ by Adele was the overall favorite. You could feel the excitement from the guys. They were on the cusp of dropping their now-released new EP “Comedy”, the high of their first late-night tv performance on James Corden, and touring. There was a joy and bombast felt through the screen during the presser. Well aware of comparisons to their predecessors, they were flattered by it all. In an industry where bands and artists can get jaded quickly, it was refreshing to see. Yet, I found it more exciting to see a band that has finally begun to put the puzzle pieces together with their sound finding a niche in the big wide world of Pop music.
INTERVIEW WITH… SOUTH AFRICAN POP NEWCOMER WILL LINLEY
INTERVIEW WITH… SOUTH AFRICAN POP NEWCOMER WILL LINLEY
Pop newcomer and Island Records artist Will Linley took some time out and spoke with The Reclusive Blogger about his new project and song “Last Call”, his influences, and artistical self, and growing up in Cape Town, South Africa, and the vibrant music scene there. You can read his interview below and check out his song and music video for “Last Call”.
THE RECLUSIVE BLOGGER: Hi, How are you doing, Will? Thanks for the interview time!
WILL LINLEY: Thank you so much for having me, I’m doing so so well!
THE RECLUSIVE BLOGGER: Can you talk about your origin story and how that relates to the artist you are today?
WILL LINLEY: I grew up in Cape Town, South Africa, and music has always been a part of my upbringing. From my earliest days as a kid, I remember putting on shows for my dad when he’d come home from work or singing in all the choirs I could possibly be a part of. Music defined my childhood and I think that’s a huge reason why I’m doing music today.
THE RECLUSIVE BLOGGER: What was the pivotal moment in music that rang the bell for you to choose this career?
WILL LINLEY: When I met the guys I make most of my music with, David Balshaw and Bubele Booi. We just connected from the first moment and they showed me how easy it was to create with a sense of freedom when you create music with your friends.
THE RECLUSIVE BLOGGER: Let's talk about the single "Last Call". What was the inspiration behind it? And how did the music video come together?
WILL LINLEY: I wanted to create a song that everyone could sing and dance to, in the rooms, kitchens, or at a party! When dreaming of the music video, I wanted to incorporate my fans as much as possible and so I reached out to them and got 50 fans to be in the video as extras. It was such a fun day and I’m so glad we were able to pull it off because they made the video so much more special.
THE RECLUSIVE BLOGGER: Can we talk about your typical creative process when writing? Did your normal writing/recording process change when making 'kill all my feelings', particularly since it was your major label debut?
WILL LINLEY: The process stayed more or less the same. The only thing that we had to work with was doing everything online over Zoom! That was the biggest challenge.
THE RECLUSIVE BLOGGER: How has hailing from such a culturally rich place like Cape Town, South Africa influenced your sound or aesthetic, if at all? And what is the music scene like there?
WILL LINLEY: The music scene is bumping here in South Africa! There’s such a rich and diverse space here that is truly so special. The pop scene is still growing, but it’ll come! We gonna make it happen.
THE RECLUSIVE BLOGGER: What three words would you use to define your artistic self?
WILL LINLEY: Energetic, fun, “happy-sad”
THE RECLUSIVE BLOGGER: Recommend a playlist or podcast that has been 'on repeat"?
WILL LINLEY: “On Being” by Krista Tippett
THE RECLUSIVE BLOGGER: And for my last question, what's up next for you in 2023?
WILL LINLEY: Lots more music and lots more shows!
Thanks for the interview time, Will! You can learn more about Will Linley below!
Stream “Last Call” on all DSP’s here
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
MEET JAWNY AND HIS BRAND OF VIBEY, ECCENTRIC INDIE POP
Los Angeles transplant is on the rise since his brand of quirky, lo-fi, authentic, and emotionally brand of vibe heavy Indie Pop music has garnered him a viral hit with “Honeypie” and now a solid (and dare I say hardcore) fanbase. The artist suddenly found himself with newfound success after that viral TikTok signed to the major label Interscope in 2020, where he dropped his mixtape EP, For Abby. It was a mixtape that was wholly created and conceived in lowdown, with many of those curiosities and insecurities felt on it. Jawnys' sound began to develop with more tools, people, and more at his disposal. It was something that would push you as an artist or drive you crazy with anxiety, but Jawny seemingly just dug into the tide of Gen Z new age sensibilities for his latest projects. The new songs, fall in love, true, plus last year's wide-eyed all capture a breezy California energy with slicker production and insanely catchy hooks. In speaking with Jawny during a presser recently. I asked him what if he got the chance to write a song based on his favorite piece of pop culture, What would he pick? So, ever the Gen Z and pop culture nerd, he chose quite an etched-in-our-skull moment from pop music history. When Britney Spears and Justin Timberlake donned matching denim-on-denim ensembles at the 2001 VMAs. Although, I am unsure if Jawny will ever get a chance to put pen to paper on this subject. I certainly don't doubt that the vibey sound he has been crafting wouldn't do it justice...
GUEST BLOG: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
THE RECLUSIVE BLOGGER’S GUEST BLOGGER: GOOD BISON’S PABLO ALVAREZ SHARES HIS FAVORITE AND MOST INSPIRATIONAL TUNES
Lorde // Solar Power - “It took me much longer to get into “Solar Power” than it did Lorde’s first two albums, but once I got into it, I was in deep. I love how this song puts her toxic relationship with California, and LA in particular, at the forefront.“
Sabastian Yatra // Dos Oruguitas - “As a Colombian, I cannot tell you how much “Encanto” meant to me. It was a beautiful representation of my culture, and I couldn’t stop listening to this song for months after watching it.”
Paul Simon // 50 Ways To Leave Your Lover - “Paul Simon is a master genre-bender. It’s incredible how many sonic landscapes he explored in his music.”
Gorillaz // On Melancholy Hill - “One of my favorite songs of all time. Just because we’re sad, it doesn’t mean we can’t dance.”
Billie Eilish // Getting Older -“There were a bunch of songs I loved on Billie Eilish’s latest record, but this is one I keep coming back to again and again. My favorite version is a live performance that’s just her and Finneas on the piano.”
Taylor Swift // this is me trying -“AT LEAST I’M TRYING. I feel you, Taylor. Me too.”
Tame Impala // Feels Like We Only Go Backwards -“I love how the bass line compliments the lyrics and the melody in the hood. It really makes you feel like you’re going backward. There’s also an Arctic Monkeys cover of it that I couldn’t stop listening to for a while.”
Bon Iver // For Emma -“I’ve been inspired by so many Bon Iver songs over the past few years, but the horns in this one speak to me in a way I can’t begin to explain.”
Mac Miller // Good News -“The vulnerability of Mac Miller’s songwriting here is incredibly moving. I was a fan of his since the first day I heard “Kool-Aid and Frozen Pizza.” It’s amazing how I can fully relate to both his upbeat music and his more introspective stuff.”
The Beatles // Golden Slumbers -“Abe was the one who really put me on to this song. I had never truly appreciated it until I heard him playing it on the piano. For a good while I was also obsessed with the transition into “Carry That Weight."
The Cure // A Letter To Elise -“This song says so much before the vocals ever come in. It’s amazing how much that guitar is able to communicate in the intro.”
Phil Collins // Can’t Stop Lovin’ You -“Phil Collins is an absolute master. Undeniably. I was annoyingly belting this chorus around the house for way too long. There’s also a really nice Taylor Swift cover of this song.”
Joy Division // Atmosphere -“I’m fascinated with the way Joy Division is able to create such a specific ambiance with their music. I feel transported as soon as this song comes on.”
Arctic Monkeys // Riot Van -“Have you been drinking, son? You don’t look old enough to me.” I’m sorry, officer, is there a certain age you’re supposed to be ‘cause nobody told me? One of my favorite lyrics ever.”
Phoebe Bridgers // I Know The End -“Been listening to Phoebe Bridgers non-stop for the past year. This song in particular has been my biggest obsession lately. I love the way it builds.”
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INTERVIEW WITH LONDON’S MODERN DARK POP chanteuse LUX LYALL
INTERVIEW WITH LONDON’S MODERN DARK POP CHANTEUSE LUX LYALL
London-Based Dark Pop Artist LUX LYALL bridges the gap between modern pop, early 90s grunge girls like PJ Harvey,and torch songs. All while incorporating her multicultural roots and life stories. “Draw Blood” is her latest release and the second single from her forthcoming release, “Runaway Bridge”. The track's orgin story tells the story of a abusive relationship with Lyall ultimately finding the song a difficult but cathartic experience. In an interview I did with Lux late last year, we talked about the single, Christmas Holidays, her favorite record of 2022, and more all of which you can read below.
THE RECLUSIVE BLOGGER: Thanks for chatting with me at TRB, Lux. To start, How are you doing? How was 2022 for you both professionally and personally?
LUX LYALL: I'm doing good thanks! Personally, 2022 was the best year I’ve had since I was a small child probably. Professionally I’m trying to pull things up to speed. I’ve had a lot of changes post releasing my debut album VAMP in 2020. I'm taking on practically all aspects of my work myself now so I have more control over how things go and are released. It's hard but it's what I want.
THE RECLUSIVE BLOGGER: What did you get up to over the holiday season?
LUX LYALL: I was lucky enough to spend Christmas and New Year’s in Cyprus where I grew up with my sister and my fiancé. We hung out on her farm with her horses, dogs, and multiple cats. It was pretty perfect.
THE RECLUSIVE BLOGGER: Continuing on this theme, do you have a favorite Holiday themed song or movie that gives you immediate warmth and nostalgia?
LUX LYALL: River by Joni Mitchell is my favourite holiday song. It makes me cry but I love it. This year we watched Black Christmas, I think that’s now a tradition.
THE RECLUSIVE BLOGGER: Moving forward, Tell me about your background before you were an artist? How growing up in a multicultural family and being multi-racial yourself has possibly influenced your sound and music? Also, has music also played a role in your life?
LUX LYALL: Music has played a huge role in my life. It was the first thing I was really passionate about and obsessed with. It still is despite being kind of coloured by the more I learn about the industry-heh
Being from a multicultural multiracial family is a dominating part of who I am. It's influenced my work in many ways, mostly the consistent sense of displacement. I didn’t grow up with people who were like me, and my parents are first-generation immigrants to a more western world and culture, so we were very different and detached while I was growing up. We're extremely close now but I know me trying to figure myself out in situations where I didn’t know anyone like me gave them a lot of grief.
THE RECLUSIVE BLOGGER: I would like to talk about your new song, “Draw Blood”. Can you talk about the track’s origin story? And how the recording and writing process was like?
LUX LYALL: The origin story is difficult to talk about. I referred to it briefly not thinking that it would be the main takeaway from the song (which I guess in some way is something I need to address and unpack…)
I had a lot of bad relationships. Some of them were emotionally and mentally manipulative, in one instance I was physically hurt by a partner. Draw Blood
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the Lux Lyall sound and aesthetic?
LUX LYALL: It would be a girls’ gang composed of the following: Audrey Horne-Twin Peaks, Lux Lisbon-The Virgin Suicides, Alabama Beggs - Save me the Waltz, Lily Bart-The House of Mirth, Norma Desmond - Sunset Boulevard & Jennifer North - Valley of the Dolls.
THE RECLUSIVE BLOGGER: And my last two questions, what is your pick for the best album of 2022?
LUX LYALL: Preachers Daughter by Ethel Cain
THE RECLUSIVE BLOGGER: And... Is there anything else you would like to add? Thanks again, Lux!
LUX LYALL: Thank you for taking the time to talk to me. My second album will be out this year and I’m looking forward to playing more live shows again!
STREAM LUX LYALLS’ NEW SINGLE “DRAW BLOOD” OUT NOW
THE RECLUSIVE BLOGGER’S TEN BEST ALBUMS OF 2022
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. These are my picks for the 10 Best albums of 2022…
I hope you had time to read and ponder the first list. If not, you can catch up and read my picks for the 100 best songs of 2022 here and here. Below are my top ten picks for best albums of the year. In a year that was full of incredibly diverse soundscapes from a plethora of artists. From breakout artists tipping the needle to your establishment acts pushing their artistry. It was initially hard to narrow down to only ten albums from the entire year. That’s why I made an extended version that featured my top 15 albums in an Instagram reel video which you can view by clicking here. But first, let’s dive into that top ten.
This is the list of albums for my 2022! Also, what were your favorite albums this year? Let me know about by dropping a comment below or through a tweet!
THE RECLUSIVE BLOGGER’S 100 BEST SONGS OF 2022 - PART TWO
Hey geeks and music freaks! It's time for year-end music roundups. The first one up is the best songs from the year. Me like so many, find comfort within music. So I hope you can find some new songs that aim to to that as well. These are my (aka TRB) picks for the 100 Best Songs of 2022… Part two