INTERVIEW WITH… GERMAN-BASED SINGER-SONGWRITER M.BYRD TALKS DEBUT ALBUM + MORE
INTERVIEW WITH… GERMAN SINGER + MULTI-INSTRUMENTALIST M. BYRD
Photo credit: Miriam Marlene
M. Byrd is a German-based singer, multi-instrumentalist, and songwriter whose stark, inspired, and confessional pop-inspired folk-rock music. The artist is turning heads and opening ears with his intense and contemplative sound, which marks his debut album, The Seed. A body of work that is out now and happens to be a deeply personal collection of songs for him, as it was also a healing process for him. For the listener, M. Byrd hopes the aptly named record plants a seed and encourages the listeners’ evolution or growth in some way, as it did for him. I got to interview M. Byrd about his debut record and much more. You can read his answers below.
THE RECLUSIVE BLOGGER: Let's start with learning a bit about your background. Did music always have a role in your life? Did you always know you wanted to pursue this path professionally?
M. BYRD: My grandfather collected jazz records, so I early on became interested in swing music by e.g. Duke Ellington. Music had always played a huge role when I grew up in a small town - it presented me with a new language that would always be a companion.
I never made a conscious choice to pursue music professionally, it was more of an accident that we made some songs that people responded to. I think, even if I changed career paths you’d still find me in the studio experimenting - it’s just such a big part of my life
THE RECLUSIVE BLOGGER: How has your year been so far both professionally and personally?
M. BYRD: It’s been a wild ride so far - I didn’t get to spend a lot of time at one spot and have been traveling back and forth in Europe playing shows or recording. This makes it possible for me to visit a lot of friends that I otherwise wouldn’t see too often and I am very grateful to combine these things!
THE RECLUSIVE BLOGGER: You just released your debut album, The Seed. What’s a typical creative and writing process like for you? And was it any different to record this record?
M. BYRD: I like to start with a very rough voice memo. My voice memos really are like little, grainy, old photographs that I take during my travels. When I start working on one of these days’ ideas, I like to have people in the room, that see the same potential in these little ideas as I do - everything from there is an open field of experimentation, and whatever instruments work best at that moment.
THE RECLUSIVE BLOGGER: Was there a track on The Seed that you found particularly challenging to craft? One that came together quite easily?
M. BYRD: Pyrrhula was quite challenging because it’s played completely live and not on a grid or anything that could lead my timing. I recorded a loooot of versions of this until I stuck with one of the initial takes.
Flood came together quite easily - I remember the process as a fun day of playing with sounds and structure.
THE RECLUSIVE BLOGGER: I did some digging and discovered that you played bass in a band called, Ilgen-Nur. Was there anything from that time playing and touring that you brought with you into this current solo project?
M. BYRD: Well, Ilgen is a super talented writer - she has a calm but very sharp sense of observation, which really inspires me. Also, the end everybody really encouraged me to release my own songs!
THE RECLUSIVE BLOGGER: The visuals to your songs really emphasize the emotion felt in your music. Is that something you were keen to get across?
M. BYRD: Absolutely! Glad you recognized.
THE RECLUSIVE BLOGGER: Who are some of your biggest artistic influences?
M. BYRD: That changes a lot. I’ve lately been digging Daniel Norgren’s music, in case you haven’t heard it. It’s all recorded to tape and sounds super analogue. On the other hand, I am also digging into Cocteau Twins’ discography a lot. Oh, and there’s a lot of Japanese ambient music out there (e.g. Haruomi Hosono) that I’ve been listening to.
THE RECLUSIVE BLOGGER: Lastly, what is next up on the horizon for M. Byrd?
M. BYRD: EU Tour in September and October! Come to the shows and say hi if you read this interview :-)!
M. Byrd’s “The Seed” is out so stream now
INTERVIEW WITH… LAS VEGAS PUNK ROCKERS MERCY MUSIC
INTERVIEW WITH… LAS VEGAS PUNK ROCKERS MERCY MUSIC
Photo credit: Corlene Machine
‘What What You Stand To Lose’ is the fourth album from the Las Vegas trio Mercy Music. The album sonically might sound like a fun Pop driven Punk record, with some of the band’s cleanest production. Lyrically, it’s a heavy record. The band, and in particular, lead vocalist/guitarist Brendan Scholz was going through a challenging time in life. So, this new album, ‘What You Stand To Lose’, captured the turmoil with clarity, rawness, and precision. It’s an album that neatly fits amongst the resurgence of Pop-Punk as much as it does Punk itself. Yet, it also seems tailor-made for Gen Z’s astute self-awareness and, yes, their love of angst. I ask a few questions of Brendan about his new album. You can read his responses in my interview with him below. Also, don’t forget to check out the new Mercy Music record, which is out now.
You can check out my interview with Brendan of Mercy Music below…
THE RECLUSIVE BLOGGER: How did the band form? Was music something that always played a role in everyone's life?
BRENDAN SCHOLZ OF MERCY MUSIC: Mercy Music formed as a solo project as my previous band had fallen apart. After a few years of touring solo, I began to build a band around it. Speaking for everyone, I’d have to say music has always played a huge role in their life.
THE RECLUSIVE BLOGGER: Can you talk about the newly released album, What You Stand To Lose? What was this recording and writing process like? Did it differ from your previous releases?
BRENDAN SCHOLZ OF MERCY MUSIC: I’d say the main difference in the process this time around was that we had the ability to really demo the material as our bass player, Jarred Cooper, had built a home studio during the pandemic.
THE RECLUSIVE BLOGGER: I want to touch upon one of the singles that were sent to me, which is "Found Out That I'm Useless". Where did the inspiration for the song and video come from? The track is quite unrelenting, especially in comparison to its music video.
BRENDAN SCHOLZ OF MERCY MUSIC: The inspiration for "Found Out I am Useless" came from the dissolution of a major relationship in my life. The video was initially supposed to be animated, but due to time restraints, we opted to use tour footage. We think it came out quite well.
THE RECLUSIVE BLOGGER: What lyric from What You Stand To Lose would you say is stuck in your head?
BRENDAN SCHOLZ OF MERCY MUSIC: Probably the chorus of “waiting to begin” : “ Bleed me out and draw me in, I’m waiting to begin”.
THE RECLUSIVE BLOGGER: Name three words that define or describe the soundscape of Mercy Music?
BRENDAN SCHOLZ OF MERCY MUSIC: Poppy. Real. Hopeful.
THE RECLUSIVE BLOGGER: What is up next on the horizon for the band?
BRENDAN SCHOLZ OF MERCY MUSIC: Right now it’s staying as busy as possible supporting the record. Thank you for taking the time to speak with us!
Mercy Music's “What You Stand To Lose ” is out so stream now
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
INTERVIEW WITH… LOS ANGELES RAP ROCKER SMILEZ
| MEET SMILEZ |
SMILEZ is a rising Los Angeles rapper, musician, and producer who just dropped his debut album ‘Ur in My World’. His sound is a genre-blending mix of rock-edged hip-hop beats that he self-produces, incorporating samples. Now that he is quickly carving out a fanbase with tracks like ‘Someday’. Which samples a part of the early Aughts band The Strokes song of the same name. Then ‘Coffee Queen’, a gen z take on finding your one and only. The artist known for his vibrant sunny yellow-hued persona (all puns intended), as much as his deadpan rap delivery, answered some questions for The Reclusive Blogger, which you can read below. SMILEZ talks about his influences, debut record, and how SMILEZ acquired his name.
THE RECLUSIVE BLOGGER: Thanks for taking some time out for a few questions. So, how has your 2023 been both professionally and personally, if you mind me asking?
SMILEZ: It’s been amazing, I’ve been really locked in on my craft this year. If I’m not in the studio I’m making music videos all the time. Right now I’m in Tokyo, so I’m on a high so I can’t complain about this year at all.
THE RECLUSIVE BLOGGER: Let's talk about how you got into the music scene, where the music persona SMILEZ came from, and how it all fits into where you are today?
SMILEZ: I’ve been making music for years since I was a little kid really. I’ve always loved punk rock and hip-hop. When I started going by SMILEZ it was just this lighthearted like fuck it why not go by some ridiculous name Its memorable which is what I liked. The name just fits the color aesthetic which Is kind of a color theme to my music videos etc. Yellow and bright colors musically I’m always on those 2 lines of punk rock and hip hop.
THE RECLUSIVE BLOGGER: What was the recording and writing process like for the album ‘Ur in My World’? Was it any different that any of your past experiences creating music?
SMILEZ: It was mainly different because I was making it with the whole project in mind. Most of my older music was just kind of random songs I had made. I made this whole album at home. Recording vocals and guitars myself and producing the whole thing. I love working with people but I wanted this to be very personal so I just was like fuck it ill do it myself. I wanted it to be a transparent look at my life.
THE RECLUSIVE BLOGGER: One of my favorite tracks off the record and the catchiest as well is “Someday”. I loved how you incorporated The Strokes sample. Can you talk more about how that came together? Is the blending of rock and hip-hop something that you did for this album or is that just innate in your music?
SMILEZ: Both, it kind of happens naturally but I love that idea of mixing rock and hip-hop in a new cool way. Blending both elements of the production and songwriting. The idea of what would the strokes or Nirvana sound like if they started today always interests me.
THE RECLUSIVE BLOGGER: What was it like opening up for such hip-hop and rap names like Wiz Khalifa and the passed-on JuiceWRLD?
SMILEZ: They were both insane experiences. I love performing so its just a pure rush for me. To be around Iconic artists like that was just inspiring.
THE RECLUSIVE BLOGGER: What was the last album you played that had no skips?
SMILEZ: Lil Uzi Vert Pink Tape would be the closest thing to no skips but I probably would skip the track with Travis Scott.
THE RECLUSIVE BLOGGER: What fictional character do you think would most identify with the SMILEZ sound and aesthetic?
SMILEZ: Pikachu, for the color theme, and Batman because that’s who I aspire to be
THE RECLUSIVE BLOGGER: Who are three artists from any type of artistic world, it doesn't have to be music, that influence you the most as a creative?
SMILEZ: Since we just mentioned Batman, Christopher Nolan as a director is inspiring for sure.
-I’m in Tokyo right now I’m definitely very inspired by the art and culture here.
-Anything that is cool and interesting to me
NOTHING BUT THIEVES RETURN WITH NEW ALBUM ‘DEAD CLUB CITY’
ALBUM REVIEW: NOTHING BUT THIEVES RETURN WITH NEW ALBUM “DEAD CLUB CITY”
“Dirty English sky is washing me away.”
“Tomorrow Is Closed” | Dead Club City
From the moment you hear the first few notes play from Dead Club City, the new album from English Rockers Nothing But Thieves. You know two things, this is not your standard Nothing But Thieves musical fare, and the band has boldly dipped their toes into the world of concept albums. So this is going to be a wild ride, and it is. If you haven't heard of Nothing But Thieves, they are a quintet hailing from Southend, U.K. comprising Conor Mason (vocals, guitar), Joe Langridge-Brown (guitars), Dominic Craik (guitars, keyboard), Philip Blake (bass), and James Price (drums). In their ten years, they have amassed quite the fanbase and following, including a #1 alternative radio single here in America with Trip Switch. Now the band is on the fourth studio album Dead Club City a blistering venture into an unknown world filled with narratives, characters, and concepts all inspired by the band's struggles with the pandemic, the lockdown, and life in this new world we live in. NBT has always had a natural knack for raw honesty and extrospection (and introspection in some cases) in their lyrics. So, an album like Dead City Club truly allows them to explore and hone in on those skills.
The album opener, Welcome To The DCC (aptly titled, I might add), quickly puts the listener within the world of the DCC. Frontman Conor Masons' honeyed falsetto greets you with the lyric Welcome To The DCC repeated. All set amongst an atmospheric soundscape of textured tones and synths. The crunchy layered guitars are all very 80s inspired and hard-hitting. The album segues into the second track, the anthemic single Overcome, a song filled with blissful synths, punchy basslines, and rockier guitars. Lyrically, it's one of few tracks that lean hopeful in tone and messaging. NBTs' grit is still very apparent throughout the record as well. It's not something they lost or even shied away from. It is all over tracks like Tomorrow Is Closed, City Haunts, and Members Only. The latter two have a sludgier stomp-rock vibe to them. There are a few restrained moments on the record, like the reflective love letter Green Eyes:: Siena and the slinky R&B-influenced confessional Talking To Myself. The band also leans fully into pop and electronic music on the dance-pop number Foreign Language. Dead Club City closes on a high note with the electric and hard-rock number Pop The Balloon. It is loud, brash, and so rock and roll. 
NOTHING BUT THIEVES - Dead Club City Album Cover
While Nothing But Thieves has been a band for ten years now. This fourth record clearly shows why they are one of the U.K.s most exciting Rock acts and live shows. Dead Club City demonstrates Nothing But Thieves' progression as a band and their skill in experimentation. It has not steered them wrong so far. While the concept album can quickly go bad, even comical for so many artists, for Nothing But Thieves, it didn't. It could be the overall evasiveness and abstract nature of what is the inner realm of the Dead Club City. Which comes across in a more choose-your-own-adventure manner, even more so with the attached visuals. Then there is the tight production from band member Dominic Craik and the on-point vocals from Conor Mason. Whatever it is that gelled together at the right time, Nothing But Thieves has easily put out one of my favorite albums of this year.
You can stream Nothing But Thieves' Dead Club City, which is out now on all DSPs, by clicking here.
Welcome to the DCC
Overcome
Tomorrow Is Closed
Keeping You Around
City Haunts
Do You Love Me Yet?
Members Only
Green Eyes :: Siena
Foreign Language
Talking To Myself
Pop The Balloon
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS
INTERVIEW WITH… INDIE AMERICANA SINGER-SONGWRITER SHARAYA SUMMERS #TheReclusiveBlogger #Interviews
SHARAYA SUMMERS | Photo by: Kate Rentz
Oregon-based Singer-Songwriter Sharaya Summer's reflective, heartfelt, and honest Indie Folk and Americana melodies are garnering her acclaim and fans alike. In her latest single, ‘Forever You and Me’, she explores the fragility of relationships while examining her own, reminding everyone of loved ones and the memories you share close. The idea of the song emerged after a particularly challenging time full of changes for her. Summers had just had a daughter, was recording a new record, and lost her Grandmother. Now Summers is determined to look forward and find the light amongst the shadows, a theme she explores in her forthcoming release.
You can check out my interview with Indie Folk and Americana artist Sharaya Summers below!
THE RECLUSIVE BLOGGER: Can you talk about your latest single “Forever You and Me” and the inspiration behind it?
SHARAYA SUMMERS: I wrote this song after attending my grandmother's funeral last year. As the slideshow of her life played in a five-minute span, I observed my heartbroken grandfather on the pew watching. I wrote this thinking that I would play it at my husband's funeral far far in our future. But now as I am ready to release the song, we are actually separated and going through a pretty low point in our marriage. The song has taken on new meaning as I realize that no matter how, why, or when love ends there's nothing we can do to prepare for it. I suppose now it's a more positive spin on a break up considering that no matter what the future brings we will always have the wonderful memories and two beautiful children we share.
THE RECLUSIVE BLOGGER: Can you speak a bit about your musical background? Has music always played a role in your life?
SHARAYA SUMMERS: I was a 90's youth group kid growing up. I learned how to play guitar and play music in church. I went through somewhat of an existential crisis in my mid-twenties and bailed on church and moved to Nashville to be a songwriter. I don't have any negative feelings about the experience, it was just that as I grew up and saw more of the world, music and God became bigger than something I could keep in such a limited box. When I am practicing creation/creativity it's the closest I feel to the divine. So yes, I'd say it's been an integral part of my life.
THE RECLUSIVE BLOGGER: You have an LP tentatively due out later this year. How is the writing and recording process going so far?
SHARAYA SUMMERS: The album is complete! It's being mixed as we speak, soon to be mastered. I recorded with Raymond Richards in Portland, OR. When I started tracking I was nine months pregnant with my now one-year-old baby girl. It was quite a commitment to finish, as having a newborn is a challenge I can not even begin to describe. I am grateful to my mother who supported me with babysitting and Jacob, my husband, for helping to keep me motivated and contributing as band director.
THE RECLUSIVE BLOGGER: Do you have a bucket list of dream artists that you’d love to collab with? If so, who are they?
SHARAYA SUMMERS: Stevie Nicks, Jackson Browne, or Norah Jones
THE RECLUSIVE BLOGGER: What was the last thing you discovered about your artistic self?
SHARAYA SUMMERS: After becoming a mother I thought my artistic career would be over. While I may not be free to tour or play shows or hustle as much as I used to, I was happy to discover that I didn't stop writing, it's just a part of who I am and what I do, so that was cool to realize that being an artist has nothing to do with age or situation.
THE RECLUSIVE BLOGGER: Who are some of your biggest artistic influences or inspirations?
SHARAYA SUMMERS: Right now as cheesy as it sounds my two kids are my inspiration. I love seeing the world in a totally new way through their eyes. My son is 3 and my daughter is 1. The joy and wonder is everything everyone says about becoming a parent. It's just so cool. So hard, but so fun too. They inspire me to slow down and really be present where I am at, to be more observant of the world around me, and more appreciative and grateful for the small things every day.
THE RECLUSIVE BLOGGER: What was the last album you played with no skips?
SHARAYA SUMMERS: Erykah Badu - Baduizm - last week while making dinner, sipping wine, and then doing the never-ending dishes.
THE RECLUSIVE BLOGGER: And lastly, what’s next on the horizon for you?
SHARAYA SUMMERS: I've always been someone with a 5-year plan. This year has shown me that I can not control anything but my view of the world, and my reactions to it. I feel like I've grown into a completely new person, someone who for this season has literally no plan other than to be mindful, to listen, and to choose to be grateful for every moment. I find that my creativity has never been so free-flowing as when I'm just here to take it all in and observe the pain along with the joy. I don't know what is next, but I do know that I am not finished.
Stream Sharaya’s new single “Forever You & Me” which is out now by clicking here
KIM PETRAS + NICKI MINAJ TEAM UP ON HOT NEW POP SINGLE “ALONE”
KIM PETRAS + NICKI MINAJ TEAM UP ON HOT NEW POP SINGLE “ALONE”
Credit: Alex “Grizz” LoucasThe Grammy winner’s new track samples “BETTER OFF ALONE”, a classic euro dance track by alice deejay!
Fresh off her Grammy win for “Unholy” with Sam Smith, pop artist Kim Petras drops “Alone”, another dance-pop banger just in time for Summer and those party playlists! This time Petras teams up with fellow Republic Records artist Nicki Minaj on this song teeming heavy 90’s euro dance-pop influences with modern dance-pop. Nicki’s R&B-inflected rap is the cherry on top for this steamy club banger about giving in to your impulses.
“Alone” follows a string of major releases for Kim in the last few years, including the Grammy-winning “Unholy”, “Coconuts”, and “Future Starts Now”.
Since her Republic Records signing, she has already garnered award wins, a Met Gala appearance, and her first late-night appearance and interview. You catch Kim Petras this on many festivals coming up ahead, including, Governor’s Ball and Life Is Beautiful. Kim Petras is a star on the rise.
Stream Kim Petras feat. Nicki Minaj out now
ALBUM REVIEW: Andrew McMahon in The Wilderness - “TILT AT THE WIND NO MORE”
ALBUM REVIEW: ANDREW MCMAHON IN THE WILDERNESS - “TILT AT THE WIND NO MORE”
When Andrew McMahon first set out on a new journey within his musical career as a solo artist he had to overcome one of his biggest challenges ever… tackling Cancer. Now twenty years later when so many artists seemingly disappear, even without all the hardships, McMahon continues to rise and make some noise in the Alt Rock and Indie Pop scene under various monikers and projects. His latest as Andrew McMahon In The Wilderness is possibly his most well-known. Quite honestly the perfect creative alias for McMahon for what he has been through to come out the other side (or out of the wilderness, see what I did there?) happy, healthy, and with a family of his own, now looking back on it all with this new album, “Tilt at the Wind No More” out now on Nettwerk. The album is brimming with nostalgia, particularly Y2K nostalgia. A period of time that the album cover hints at. A pair of hands, of what I would assume is the hands of lovers, that can barely hold on amid vivid bright chaos. The cover is the perfect way to let the listener know what type of musical journey you will be taking, the kind of bold strokes of musical color that Andrew will choose to paint with.
“Tilt at the Wind No More” is the fourth album for Andrew under his Wilderness moniker and features production from Tommy English. "Lying On The Hood Of Your Car" opens up the record and is a song that quickly grabs your ear. It also has an underlying vibe of melancholy and nostalgia that sets the listener up for the rest of the album. We segue into two previously released singles, "Skywriting" & "Stars”. There are some exuberant synths and what sounds like some acoustic guitars set off in the back of the mix for good measure. These songs borrow from McMahon's earlier sounds, such as folk indie and country pop, with jangly guitars and a driving beat and bassline. "Submarine" leads us into more subdued territory as one of the few ballads on this release. "Built to Last" is the one that hones in the emotion, all without that feeling mawkish feeling like "Submarine". The use of a vocoder only adds to the hazy lo-fi fever dream. The other highlights of “Tilt at the Wind No More” include the bouncy pop confection "New Friends". We get an unapologetically fun, retro synth-wave drenched tune on "VHS". "Little Disaster" finds Andrew taking us down memory lane, grateful yet introspective. While the album for nonfans might feel a bit disjointed at times or too reminiscent of the mid-aughts radio-friendly indie pop, it is still a solid release. For fans of Andrew McMahon, they will no doubt be more pleased with this album and delighted with how many beautiful high notes this has.
HEAR THIS NOW: THE MUSIC SOUNDCHECK EDITION 12
THIS IS EDITION 12 OF THE 'HEAR THIS NOW' THE MUSIC SOUNDCHECK AT TRB
Paramore is back, Arctic Monkeys dropped another brilliant song from their forthcoming album, ‘The Car’, and Sam Smith and Kim Petras team up. All these tracks and more lead edition 12 of my ‘Hear This Now’ roundup where we’ve got a bit of everything for everyone. From lilting soft melodic indie-pop to 60s-inspired Alt-Pop, then bombastic hip-hop numbers, and "Unholy” mainstream pop collabs. This is The Music Soundcheck edition 12.
You can listen to all the music mentioned here and much more in this playlist here, The Reclusive Blogger's Mixtape Melodies..
Paramore - “This Is Why”
After a four year break since After Laughter and Hayley’s “Simmering” solo work (see what I did there). Paramore are back with a new insanely groovy new song and sound taking bits and pieces of influences from everywhere. 60s beat, 70 soul/funk, The Beatles, 90 Indie, and British naughties bands like Bloc Party. A band which Hayley has been quoted as saying was big influence for this new album and era.
Click the link to see ‘This Is Why’ we love Paramore and their groovy new tune!
Antonio Sanchez (feat. Trent Reznor + Atticus Ross ) -“I Think We’re Past That Now”
The newly released music video features otherworldly animation from the Mexican animation company Animatitlan. It’s the perfect accompaniment to what is such a hard hitting track and collaboration between the trio.
Stream Antonio’s epic collab with Trent & Atticus at the link
Freddie Gibbs -“Dark Hearted”
Another banger from Freddie Gibbs this time featuring beautifully laid out minimalist production from James Blake. It’s all set against a darkly surrealist animated music video.
Explore the offbeat surrealism of ‘Dark Hearted’ by pressing play on the link here
Paige Bea - "4x4"
This track from the London Songwriter and producer is the second offering from her upcoming EP, ‘Goodbye, Then!'. Paige takes us on a euphoric journey of a new relationship (and the obsession that can happen) via the haunting mix of avant-garde electronic pop.
To feel all the feels of a new love, stream 4x4 by listening here
Tommy Newport (Feat. Jazz Cartier) - “Jackpot"
Manchester’s Indie cool kid Tommy Newport teams up with Toronto rapper and Juno Award winner Jazz Cartier on “Jackport”. The duo create what is the ultimate vibe on this groovy, soulful yet gritty track.
To stream ‘Jackpot’ press play here
THE DRIVES - “Not That Bad”
This garage rock foursome weigh out the aftermath of relationship that never really got started with a punk realness flickering through their pop melodies.
To listen to “Not That Bad” go here
ARCTIC MONKEYS - “BODY PAINT”
The second offering from the bands’ forthcoming album “The Car”. The song oozes 60s influences like the use of orchestral elements and layered melodies and harmonies a la The Beatles. Those nods to past give the track a certain air of nostalgia all while firmly planted in the roots of todays Alternative Rock sound. Plus frontman Alex Turner vocals have never sounded this strong.
To see if there’s still a trace of “Body Paint” go here
JONAH YANO - "leslianne"
If there was ever a song that could be called short and sweet (it’s under 2 minutes). This is the perfect song. The track which is the second helping from Yano’s forthcoming sophomore album ‘Portrait of a Dog’ finds the artist gracefully musing over a girl finding her way home. Along the way Yano fuses his voice with his piano work and it’s exquisite.
Find your way home to “leslianne” here
Pre-order ‘Portrait of a Dog’ here
SAM SMITH + Kim PETRAS - “UNHOLY”
Pop balladeer Sam Smith does a complete 360 and changes up his sound in his new collab with eclectic pop singer Kim Petras. In the racy music video for the new track, appearances aren’t always as they seem and things quickly get… well “Unholy”.
Get “Unholy” with Sam and Kim here
THE BAD PLUS - “SELF-TITLED”
Then there’s the visionary Jazz group The Bad Plus. A group redefining the sonics of Jazz through their unique skill set and pedigrees. On the bands’ latest release and first as a quartet the redefine what Jazz can be through dynamic musical language, refreshing soundscapes, and ultimately the drive and passion to go beyond what Jazz is, but to what it can be.
Stream their self-titled album here
MEET ME @ THE ALTAR - “SAY IT (TO MY FACE)”
The WOC pop-punk trio returns with the first offering from the bands’ forthcoming debut album. A spunky diss track to all the haters from the group who has come to have a love/hate relationship with the internet these days. From the gang vocals in the chorus, fast riffs, loud guitars, hard hitting drums, and huge hooks. These girls are ready for the limelight and representation in pop-punk is sorely needed.
PRECIOUS PEPALA - “LOOKING FOR TROUBLE”
Rising English act Precious Pepala is already making waves with her impressive voice and storytelling. At only 17 her latest single “Looking For Trouble” tackles a tale as old as time, but with a refreshing honesty, Millennial/Gen Z relatability, and a soulful pop vocal delivery beyond her years. Precious is certainly one to watch.
Madison Cunningham - “Revealer”
Revealer is the new album by artist, singer, and songwriter Madison Cunningham. While her sound may feel familiar with its heavy notes of nostalgia plucked throughout. Her vocals, lyrical delivery and choice in words and wordplay is all fresh, she’s throws in her many influences from Jazz, Pop, and even Alternative Rock. Her Folk-Americana sound is uniquely her as she often touches upon the anxieties of her generation, the hopes, the fears, the highs and lows. Which is what I asked her about when I got the chance during a small presser last month. What has been the most rewarding experience for her so far? Despite Grammy noms, doing a NPR Tiny Desk Concert, and performing on late night shows. Cunningham said opening up for Harry Styles was it. She was in awe of how gracious his fans were even taking the time to learn her songs. Although, I have a feeling some were already fans.
To stream “Revealer” go here
Duncan Lawrence - “Electric Life”
While the “Arcade” singer new single subject matter is quite heavy. It’s song about loved ones who have passed on and the transformation of deep sorrow to hope about it. Duncan masks the sorrowful nature of the song in dynamic, warm, 70s inspired sonics. The artist creating what is ultimately a bombastic tune.
You watch the music video which he directed himself here.
Buzzy electro-pop band VALLEY have an infectious and optimistic pop anthem out titled “The Problem Song”. Non-binary Bedroom Pop artist Khai Dreams returns with a new track and animated music video for their vibe heavy track “Bugs”. Queer singer-songwriter Darren Hayes (who you might recognize from the 90s band Savage Garden) makes statement in the power of vulnerability laying reclamation to the word “Homosexual” by naming his new album that title. Vancouver artist EKKSTACY drops his new album “Misery”, an album that explores Alternative music and dark side of it and life. You can also watch the music video for his latest single “I’m So Happy” here. For fans of the pop vocal or the group Pentatonix you can check out Scott Hoying’s debut track “Mars” here.
Lastly, there’s new music out from pop artists like North London’s Natalie Shay, Salt Lake City’s Addison Grace, and Canada’s Rêve. The last three all have a penchant for great storytelling that under pin either catchy beats, great pop hooks or euphoric melodies.
INTERVIEW WITH... TOPS SINGER & INDIE DISCO-POP ARTIST MARCI
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
Marci by Christina Bryson
TOPS’ vocalist Marta Cikojevic recently unveiled her new project and debut album under the solo name Marci. The self-titled solo album is out now on Arbutus Records and was co-produced with TOPS bandmate David Carriere with hopes of crafting electric and fun dance hits, the ultimate disco-tinged bops. Marci checked in with TRB for a quick few questions about the new record and influences which you can read below!
THE RECLUSIVE BLOGGER: Can you talk about your normal songwriting process? Then how your writing/creative process was for this new song “Terminal”?
MARCI: I always write on piano, and demo as I am going. Once I have a decent demo, I bring it to David and we figure out which parts can be worked on.
There are a handful of songs that we wrote together, where I would sit on the piano and David on the bass or guitar.
For Terminal it all started with a guitar riff that David had while we were getting ready for a party. I started singing over top of the riff and we came up with the chorus of the song. When we got into the studio, we worked out the rest of the song on piano and guitar together.
THE RECLUSIVE BLOGGER: How did the music video for “Terminal” come together? and what was that process like and filming?
MARCI: The music video was almost going to be just a visualizer! Until my friend (and director) Christina Bryson decided that we absolutely needed to do a video and i'm so glad we did! It was done in one day at Christina's house, very relaxed and easy, the group of us girls (Isabelle Fields- stylist, and Melissa Rogers - makeup) had a relaxed and fun time, my friend Jackson Macintosh who played the hunky guy came over, was very fun!
THE RECLUSIVE BLOGGER: What does music and the craft of songwriting mean to you?
MARCI: It can be anything you want, there are no rules - I love the freedom in that. I also love how good it makes me feel, and how it's a never ending learning/growing experience.
THE RECLUSIVE BLOGGER: What are you most looking forward to for your upcoming tour?
MARCI: I'm excited to sing in front of an audience, and find out what kind of performer I am. Playing with a band will feel so great, hearing the songs live will be a whole new feeling - since it was a studio record.
THE RECLUSIVE BLOGGER: If you were to describe your sound in three words what words would you pick?
MARCI: Peppy, smooth, sparkly
THE RECLUSIVE BLOGGER: What’s one album that you can listen to straight through?
MARCI: Marvin Gaye - Here, My Dear
THE RECLUSIVE BLOGGER: What’s your pick for song of the summer 2022?
MARCI: Sofie Royer’s Baker Miller Pink has been on repeat
THE RECLUSIVE BLOGGER: And... last question, Is there anything else you would like to add? What up’s next for you?
MARCI: I might be releasing a new song very soon…. hehehe.
Thank you for the interview! :)
Find + Follow Marci Online:
Stream THE self-titled DEBUT ALBUM FROM MARCI out now.
INTERVIEW WITH... Brit Alt-Pop Singer-Songwriter Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand in love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
Brit Alt-Pop Singer Liz Cass
Brit Alt-Pop Singer-Songwriter Liz Cass' smoky haunted timbre and emotionally raw lyrics harken comparisons to Kate Bush and Lisa Stansfield here and there. Cass uses emotion to not only effectively elevate her eclectic electric pop sounds but to punctuate the story. It instantly grabs you. A key element in her sound that’s featured on her new song, 'Near Miss', a tale of trying to figure out where you stand with love and relationships. Since both are pop-centric storyteller tracks and are on her forthcoming debut album, The Words, out on October 21st. In a new interview with Liz for TRB. Liz spoke about her childhood, her new music, and much more.
THE RECLUSIVE BLOGGER: Hi, Liz! How has your year been so far? Thanks for taking the time to speak with me at TRB.
LIZ CASS: Thanks for having me :)
THE RECLUSIVE BLOGGER: How did you each get your start in the music industry? Was it something that you felt a calling to?
LIZ CASS: I started singing when I was really young as I was a choral scholar. But I really got into other genres of music as a teenager and had a real urge to move to the big city and try and make it as a singer. I didn’t really care about anything else and ended up ditching my A-levels and hot-footing it to London. I was introduced to some amazing people and started writing songs with Fraser T Smith and met one of the heads of Warner Music who came to see me sing at a big concert in Leicester Square. But ultimately I wasn’t really ready for it all and had no idea what kind of artist I was. So I guess I blew it back then!
THE RECLUSIVE BLOGGER: Going back to your childhood a bit, did you grow up in a musical family? Was there a band or artist that in particular felt like home for you?
LIZ CASS: My parents weren’t musicians but Dad had a great vinyl collection and got me really interested in all the great artists and bands from the 60s, 70s, and 80s. Artists like Kate Bush, Sade, and Fleetwood Mac definitely have an influence on me and my music. The 80s is my decade. I love great baselines and synths are my heaven.
THE RECLUSIVE BLOGGER: Moving ahead… Can we talk about what your typical creative and writing process is like and how has that evolved for you as you’ve developed as an artist?
LIZ CASS: I wrote this album with Ed Graves who has an amazing studio in Bath called Rainbow Wood. Before we started working together I still didn’t have much confidence as a songwriter as I’d taken a long time out of the industry and I was really just experimenting with him and had no expectations of where it was going. But we just clicked and the music flowed. Being in that beautiful studio, the outside world melted away and as he started playing chords on the synths or strumming on the guitar the melodies and lyrics just started flowing out of me so quickly and easily. We’re so in sync. By the time he’s got a structure together for the song, I generally have all the lyrics and melody ready and we lay it all down. I’ve never had such an easy writing process with anyone before.
I’ve really figured out who I am as an artist through 3 years of writing sessions with Ed. I have stories to tell and I know how I want to deliver them. Now when I go to the studio I have the confidence I never had when I was younger and I know how to translate my thoughts and ideas into songs that represent me and the kind of music I love. It’s been a long road to get here but now I feel happy to keep experimenting and evolving. Got there in the end!
THE RECLUSIVE BLOGGER: Let’s discuss your latest single “Near Miss”, how did that song come together? What’s the backstory on it and how was the creative process?
LIZ CASS: It was inspired by a romantic situation I was struggling with. Being caught up in that no man’s land where someone is hot and cold and not ready to commit, so you don’t know where you stand. I was feeling quite low and confused and writing is like therapy for me, so I headed down to Rainbow Wood. I think we wrote that in about 6 hours from start to finish! I was feeling quite punchy through my frustration and wanted killer beats and baseline to get it all off my chest. It was definitely the start of a new direction for my music after a lot of wallowing during Covid. I just want to make more upbeat fun pop music for a while now.
THE RECLUSIVE BLOGGER: If you were to describe your sound to someone who hasn’t heard it in only three words. What words would you choose?
LIZ CASS: Emotive synth pop!
THE RECLUSIVE BLOGGER: Lastly, what is up next for you on the horizon, Liz?
LIZ CASS: My album is coming out on 21st October which is exciting. It’ll be strange to send it out into the world after three years of writing it but I’m so ready. I’ve got a live show in London on 10th September at Laylow and I’m planning more gigs this autumn around the album release. I have a covers EP ready to be mixed of some of my all time favourite songs which I hope to release early next year. And then I guess I need to crack on and finish the next album! Stay tuned :)
Stream Liz Cass's new single “Near Miss” which is out now.
PHOEBE BRIDGERS CAPTIVATES CLOSING OUT HER TWO NIGHT GREEK THEATER STINT ON A HIGH
Singer-songwriter Phoebe Bridgers, who sold out both nights at The Greek Theater, even brought along a few special guests. Which included her label signing, Charlie Hickey and guitarist Blake Mills among others.
Indie Folk phenom Phoebe Bridgers closed out the final night of her two sold-out headlining shows last Friday to much acclaim. Bridgers, riding high from Grammy nominations and critical acclaim from her second album “Punisher”. The singer-songwriter brought the “Reunion” tour to L.A. to the delight of fans. Playing through a well fleshed out set of Folk-Pop soundscapes in seventeen songs. She also had a surprise opener in store. None other than The 1975 frontman Matty Healy. He came out to do a intimate acoustic set in support of Phoebe. The best part was their duet. Their voices on that song blended quite exquisitely.
As much as the crowd and I were surprised to see Matty Healy as the opener that night. I might’ve been the only one caught off guard by Phoebe and her band walking out to “I Gotta Feeling” by the Black Eyed Peas. I later discovered she was referencing a memory from High School. When she made and gave a mixtape to a high school crush. Somehow this song choice just made sense, it was very “Phoebe”. They somehow easily segued into “Motion Sickness”. A track that lyrically is full of anger and sadness among so much else. “Motion Sickness” was also one of the few tracks she performed from her debut record “Stranger in the Alps”. Most of the setlist included songs from her Emo meets Folk-Pop second act, “Punisher”. Songs like the beautifully quirky “Moon Song” or the pensive “Garden Song” rang out like soft lullabies. While the menacing “Punisher” cut through the silence. Bridgers ended on with the amusing sarcasm of her Bo Burnham encore cover of “That Funny Feeling”. Simply letting the music speak for itself that night with exception of a few well placed quips throughout her set. Phoebe led her orchestral leaning band of skulls (still sporting those infamous glow in dark skull onesies I mentioned earlier) in quite the autumnal rallying cry in the canyons. A true storyteller at heart her songs are not party jams (no, “Kyoto” doesn’t count but it’s still a bop”). Yet, the crowd stayed on their feet the entire time enjoying the overall atmosphere. An audience that that was truly happy to sing along to Phoebe that night and to have the hometown bestie back. You can check out my full photo gallery from the show below. To stream “Punisher” go here.
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CONCERT REVIEW + PHOTOS: GLASS ANIMALS AT HOLLYWOOD FOREVER
The new(ish) Indie Pop/Rock band are one the industry’s most exciting live music acts
Indie Rock quartet Glass Animals brought their groovy brand of heat to Hollywood Forever on Sunday with the ‘Dreamland’ tour. It’s a funky blend of nostalgic meets vaporwave that permeates the album but the shows as well. The tour featured the Electro Pop newcomer Binki as the opener. He played a short and engaging set closing out with “Heybb!”. A song you’ve most likely heard from its prominence of being in an Apple iPad commercial. While his energy was great, it was clear the crowd was there for Glass Animals (many didn’t arrive until they were on). The Indie Pop foursome comprised of childhood friends Joe Seaward, Ed Irwin-Singer and Drew Macfarlane is anchored by the feverishly bold lead singer, Dave Bayley. All walked out to a stunningly loud crowd full of cheers and energy that was ready to dance. Bayley who held a captive audience all night was also ready to party with us. He hovered somewhere between bewildered and emboldened, in awe of the crowd. Opening up the set with the futuristic lullaby “Dreamland”. Which segued into the tribal drum-heavy dance bop “Life Itself” & the island tinged “Tangerine” to kick off the party. Glass Animals tore through a 17 song setlist with such aplomb. Some of the major set highlights were the tour debut of “Poplar St.”. Where Dave Bayley forgot the lyrics (it had been a while) but powered through like a pro. “Space Ghost Coast to Coast”, which Dave remarked was a bit eerie playing in a cemetery. Their new track “I Don’t Wanna Talk (I Just Wanna Dance)” is truly the ultimate dance party. They closed out their fun albeit spooky two-day residency at Hollywood Forever with a two-song encore. Of which included the bands’ breakout hit “Heatwaves” and the glitch-inspired “Tokyo Drifting”. Overall, Glass Animals displayed exciting musicianship. Their knack for writing super catchy lyrics with dynamic pop hooks, all transferred brilliantly into a live setting. You can check out my photo gallery of the show below.
SAM SMITH SETS THIRD ALBUM ‘TO DIE FOR’
New Album 'To Die For' Due Out May 1st...
Singer Sam Smith has announced a third studio album titled ‘To Die For’. The upcoming album is available for pre-order here and is due out on May 1st via Capitol Records. Sam also dropped a new single from the upcoming record. It’s a confessional track of the same name which dropped this past Valentine's Day. This evocative piano-led track features a softer vocal take from Sam (and a bit of vocoder). We find Sam ruminating over a time of self-discovery and heartbreak for them. It’s a quietly stunning track that’s full of pain and emotion, something that their known for. The music video echoes that sentiment with some added Sam Smith quirkiness. ‘To Die For’ was written by Sam, their long time collaborator Jimmy Napes, and Stargate, in Los Angeles. You can view the music video for it below.
https://youtu.be/POIK1H3L86k
Stream ‘To Die For’ here
INTERVIEW WITH BROOKLYN INDIE ROCK DUO THE BERGAMOT
Riding the wave of newly garnered successes and fans from their latest projects, The Bergamot are happy just seeing where it takes them.
Riding the wave of newly garnered successes and fans from their latest projects, The Bergamot are happy just seeing where it takes them.
The Bergamot is the Brooklyn based Indie Rock duo and real life couple, Nathaniel Hoff and Jillian Speece. I chatted with The Bergamot, about their current single “Mayflies”, being a music artist in 2020, and what it’s like to be not only a creative duo but married as well.
THE RECLUSIVE BLOGGER: Are you guys more morning birds or night owls?
THE BERGAMOT: Nathaniel’s a morning bird and Jillian is a night owl. Opposites attract right?
THE RECLUSIVE BLOGGER: Can we talk some about your latest single “Ceasefire”. How did that track come together and what was the inspiration behind it?
THE BERGAMOT: How did that track come together and what was the inspiration behind it? It was a song that was written in a single session lasting less than 1 hour. It was a bit of an artistic release after working for over a month on “PDR”. Ceasefire began as a simple look at inner turmoil and what is called psychological warfare. We are all facing this daunting reality that social media and the internet has created - what initially was supposed to unite us and make us happy has actually made us more reclusive and depressed. In a way, turning on each other - but every battle must start within. That is where Ceasefire is focused.
THE RECLUSIVE BLOGGER: Is there a lyric that you’ve written that you feel most emotionally connected to in life at present moment?
THE BERGAMOT: It’s hard to carry a burden, if you don’t have any bones. We have this reality that we are facing, and it is the reality we get. So we have to make the most of it - even though it can tear us down.
THE RECLUSIVE BLOGGER: What song have you guys written do you feel is most timely?
THE BERGAMOT: I think “Mayflies” is a great song for the times. If you look throughout history, every generation has it struggles and challenges. But you have to rise up. This is the world we live in with rising ocean levels, climate change, and increased depression rates. “Mayflies” looks at an issue like climate change and tries to give light to a creature who is the most vulnerable amongst us. If you are a Mayfly and born on a rainy day, that is your 24 hour widow. You have to make the most of what you are given and turn away from the negativity.
THE RECLUSIVE BLOGGER: How do you think being a married couple as well as a musical duo influences your work? Does this bring about a different set of challenges or more positives to your artistry?
THE BERGAMOT: I think the world wants to see the “Lone Ranger” or the solo artist. However, we need to see the divine masculine and the divine feminine working together. That’s what makes our music reach a wider audience. Also, there are so many great duos that have led groups. Lennon and McCartney, Gilmour and Waters, and Nicks and Buckingham. Truth is that we admire many great duos.
THE RECLUSIVE BLOGGER: Do you feel that writing about important societal, political or environmental issues is something that is essential to being a musician today?
THE BERGAMOT: Absolutely. You can’t live under a rock anymore. People need to know where you stand and what is important to you. Now more than ever.
THE RECLUSIVE BLOGGER: How would you say your creative process has changed with each album?
THE BERGAMOT: Yes. Each album has its own process, we just follow it. This album took us to London to work with Matt Wiggins. That was a life changing experience. This album has also opened up so many doors for us. Our team is building - and we are getting to play our first stadium show opening for OneRepublic. So we just follow where each album takes us...
THE RECLUSIVE BLOGGER: If you could write a song about any fictional character who would it be and why?
THE BERGAMOT: Oliver Twist. I love Charles Dickens, his stories have made the long nights on the road a bit more tolerable.
THE RECLUSIVE BLOGGER: If you could collaborate with any artist past or present who would you collab with and why?
THE BERGAMOT: Ryan Tedder of OneRepublic. We have always looked up to the music of OneRepublic, aware yet meaningful.
THE RECLUSIVE BLOGGER: Are there any artists that have been “On Repeat” for you lately? What music have you been listening to?
THE BERGAMOT: I really like “Art School Girlfriend” and Tow’rs. Great tunes.
THE RECLUSIVE BLOGGER: And what's next for, The Bergamot?
THE BERGAMOT: Getting ready for our show with OneRepublic on April 25th at The University of Notre Dame. Then we hope to have our documentary about our 50 State Unity Journey in 2016 out this year as well. More tour dates and maybe a few new singles too... always working...
THE RECLUSIVE BLOGGER: Anything else you would like to add? Thanks for your time!
THE BERGAMOT: Thanks for your time! Hope to see you at a live show soon!!! Much love and all the best to you. Ever Upwards and Shine On, Nathaniel and Jillian.
Stream “Mayflies” here.
Follow The Bergamot on Instagram here.
Until then,
Brittney x
NIALL HORAN RETURNS WITH NEW SINGLE "NICE TO MEET YA"
Singer Niall Horan is officially back with a new single "Nice to Meet Ya". It's the Capitol Records artist's first song he's released in nearly two years after his successful debut album Flicker. The former One Direction member also dropped a video (that is directed by The Young Astronauts) with it as well. "Nice To Meet Ya" sees Niall experimenting with his sound on the jazzy and soulful piano-driven pop-rock track. It is also the first single off his upcoming second record. "Nice To Meet Ya" was co-written with frequent collaborators Julian Bunetta (who produced it as well), Tobias Jesso, Jr., and Ruth-Anne Cunningham. You can stream the song and watch the video below!
Stream Niall Horan - "Nice To Meet Ya"
https://www.youtube.com/watch?v=k7jeYJA9bgY
Until then,
Brittney x
